What We Learned from "city.ballet." Season 2, Episode 6
Let's establish this right off the bat: Alexei Ratmansky is a genius. The prolific choreographer—it seems like he has a new work premiering every five minutes—has made four works for New York City Ballet, and episode 6 of "city.ballet." follows the creation of the fourth, Pictures at an Exhibition, which premiered this fall. Here are five things we learned from the ep.
1. The dancers are totally, utterly devoted to Ratmansky. They will do anything for this guy. "I will roll around on the floor and then get up and do a manège," principal Sara Mearns says. "I'll do it twice. And he's actually making me do that!"
2. Ratmansky himself is a pretty fantastic mover. He used to dance with the Bolshoi Ballet, so there's obviously a lot of training in his body. But that's not what's impressive about him—there's something ineffable about the quality of his movement. Even the amazing NYCB principals working behind him can't pick up some of its subtleties.
3. Once again, we see just how collaborative the choreographic process is. Like NYCB artistic director Peter Martins, Ratmansky keeps an open dialogue with his dancers as a piece takes shape, listening to and incorporating their ideas. "You feel like you're part of the process—like someone's not just directing you to do these steps," says soloist Georgina Pazcoguin.
4. The glimpses we get of Pictures at an Exhibition are enchanting. Full disclosure: I saw the premiere of this piece live, and am completely obsessed with it. But while it's rare for the energy of a live performance to translate on video, Ratmansky's choreography is so potent it even reads through a screen. It's just that full of character—and characters.
5. AMAR RAMASAR'S LAUGH. It's the last thing we hear in the episode, and holy mother it's amazing.
Click the image below to watch the full episode!
Picture this: You've scored tickets to Ellen DeGeneres' hit show, "Ellen." The day has come, the show is as hysterical as ever, Ellen is debating the biggest hot-button issue since the blue/black or white/gold dress, "Laurel vs. Yanny" (side note: it's LAUREL, people), and tWitch is killing it over at the DJ booth, as always. Ellen decides it's the perfect time to single out an audience member and, lo and behold, that person is "SYTYCD" champ ( and December 2017 cover star!) Lex Ishimoto.
Kyle Van Newkirk is a tap dancer you probably remember from the premiere season of NBC's World of Dance. In case you missed it, he is also one of Showstopper's incredible convention teachers. What makes Kyle stand apart from some of today's other incredible tappers? He isn't afraid to change what tap means to his audience and even himself. This modern view of tap dancing is important because it shows us that tap dancers are just as versatile and dynamic as dancers of any other genre. We sat down with Kyle to get his advice on bringing tap dancing into the 21st century.
Turnout—a combination of rotational flexibility and the strength to properly hold that rotation—is the foundation of ballet. But it's also a source of frustration for many dancers. After all, not everyone (actually, hardly anyone) is born with 180-degree rotation. “When I first started dancing, my hip flexors were strong, but I was forcing my turnout without using the right muscles," remembers Amanda Cobb, a former dancer with The Washington Ballet.
The good news is that it's possible to both improve your turnout and to dance beautifully with less-than-perfect rotation. But there's a lot of misinformation out there about how turnout works and why it's important. To help separate fact from fiction, DS asked the experts to disprove six turnout myths.
They say there's no "I" in "team"—and nowhere is that truer than the world of college dance teams, where precision reigns, uniformity is key, and a single misstep from any given "I" can cost a group a championship trophy. So it's unsurprising that securing a spot on one of the best dance teams in the country is no easy feat.
Members of these highly athletic teams rehearse for hours every week—on top of academic classes and commitments—and perform at football and basketball games, annual concerts, and nationally televised competitions (hi, ESPN). And "no I" rule notwithstanding, each of these top teams is made up of highly trained, highly technical, highly hard-core individuals, who come together to create a ready-for-victory pack.
These six teams aren't one-off success stories—they're consistently strong, and earn the top spots at major competitions like UDA and NDA nearly every year. Up for the challenge? Here's what to know before you go to auditions.
If diamonds are a girl's best friend, it's safe to say that faux-diamond earrings are a dancer's best friend. A fixture onstage at just about every competition weekend, these blinged-out baubles are also the surest sign that recital season is upon us again. And what better way to get into the sparkly spirit than by drooling over these 5 diamonds in the rough? (Sorry not sorry!)
The Glorya Kaufman International Dance Center is the 54,000 square foot home of the USC Glorya Kaufman School of Dance, one of the largest facilities dedicated to dance on a private university campus. Designed for their innovative new curriculum, that supports a range of dance styles, the school's staff designated Harlequin to provide wall-to-wall flooring for the large 3,500 square foot Performance Studio as well as five dance studios in their new state-of-the-art building.
DancerPalooza, America's Largest Dance Festival, is moving to sunny SAN DIEGO, California from July 24-29, 2018.
Check out all of the NEW Intensives DancerPalooza has to offer this year!
You could say that a perk of dancing with Los Angeles Ballet is its proximity to Hollywood. It's no wonder, then, that when actor and comedian Kevin Hart was looking for someone to teach ballet lessons for his new "What the Fit" YouTube show, he reached out to the nearby company. The series follows Hart and his celebrity friends as they try different forms of exercise (such as sumo wrestling and goat yoga), with hilarious results. For his ballet episode, Hart brings along Hangover star Ken Jeong—and the dancers do their best to keep these madcap comedians under control.
Tiffany & Co. primarily sell jewelry, but it's their new dance-filled commercials that we're really sold on! Elle Fanning stars in the luxury retailer's latest dancetastic ad and we must say, the starlet's got moves. Though she may not be a ballet dancer (a fact which was made painfully clear in a 2017 Vanity Fair video of Fanning supposedly demonstrating how to do a piqué turn on pointe) Fanning's high energy performance proves she can groove and freestyle with the best of them. In fact, Fanning does appear alongside all-star dancer Maddie Ziegler, who's also been featured in a previous dance inspired commercials by Tiffany & Co.