Carla Körbes is one of those rare ballerinas who transcend ordinary stardom, exuding a grace and delicateness that complement her powerful stage presence. When the Brazilian native announced her retirement from Pacific Northwest Ballet last year, hearts collectively broke. After training at the School of American Ballet, Körbes joined New York City Ballet as an apprentice in 1999 and was promoted to soloist in 2005. Later that year, she followed PNB artistic director and former NYCB dancer, Peter Boal, to Seattle; she joined the company as a soloist and was promoted to principal the next season. Currently, Körbes is the associate director of L.A. Dance Project and plans to perform at the Vail International Dance Festival in August. —Courtney Bowers
You've loved dancing since you were as young as you can remember. Know that this love will never end; it'll only mature and help you learn about yourself and life. The path you're about to take as a professional dancer will be full of ups and downs, but it'll be the most incredible journey.
Dancers are by nature hard on themselves, but I so wish you knew that a lot of people who criticize your dancing—and especially your body shape—actually do want the best for you. For years, you'll think your body isn't good enough. I wish I could hug you tight, and make you truly understand that ballet isn't just about what you look like; it's about letting yourself be carried away by music and emotions through movement. Even though you don't know this yet, you'll later see that you'll succeed as a ballerina because you're not perfect.
Don't feel sad about your injuries. They'll force you to slow down and reconsider life. And all the hard times will allow you to be more honest in your interpretation of ballets. Continue to follow your heart as you have done, even when your decisions seem unexpected. They'll always end up being the right choices for you.
Be kind to yourself and others.
Körbes at age 6 (left) with her older sister Ana (courtesy Körbes)
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers on their profile pages, and then vote for your favorite below. You can vote once a day now through July 15.
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Imagine attending American Ballet Theatre's prestigious NYC summer intensive, training among classical ballet legends. Imagine taking the stage at New York City Dance Alliance Nationals, competing against some of the country's best contemporary dancers. Now, imagine doing both—at the same time.
Welcome to Madison Brown's world. This summer, she's in her third year as a National Training Scholar with ABT, while also competing for NYCDA's Teen Outstanding Dancer title. (She's already won Outstanding Dancer in the Mini and Junior categories.) The logistics are complicated—ABT's five-week intensive overlaps with the weeklong NYCDA Nationals, which translates to a lot of cabs back and forth across Manhattan—but Maddie is committed to making the most of each opportunity. "I love contemporary and ballet equally," she says. "While I'm able to do both, I want to do as much as I can."
Maddie has an expressive face, endless extensions, and a quiet command of the stage. She dances with remarkable maturity—a trait noted by none other than Jennifer Lopez, one of the judges on NBC's "World of Dance," on which Maddie competed in Season 2. Although Maddie didn't take home the show's top prize, she was proud to be the youngest remaining soloist when she was eliminated, and saw the whole experience as an opportunity to grow. After all, she's just getting started. Oh, that's right—did we mention Maddie's only 14?
Corbin Bleu in rehearsal for "Kiss Me, Kate" (Jenny Anderson, courtesy Roundabout Theatre Company)
If you're a hardcore Broadway baby, today is the worst Sunday of the year. Why, you ask? The Tony Awards were last Sunday, so basically there's nothing to look forward to in life anymore—no James Corden being James Corden, no teary acceptance speeches from newly minted stars, no thrilling excerpts from the hottest new shows. Oh yeah, and there are 50 more Sundays to go before our humdrum lives are once again blessed with the next annual iteration of Broadway's biggest night.