As Juliet in Mark Morris' Romeo and Juliet, On Motifs of Shakespeare (photo by Gene Schiavone, courtesy Mark Morris Dance Group)
It takes a special dancer to perform Mark Morris’ rhythmically and spatially dynamic choreography. But Rita Donahue more than fits the bill: She moves with precise musicality and unabashed physicality, gliding through Morris’ challenging works with ease. The Virginia native, who grew up studying ballet, jazz and tap at her local studio, first performed Morris’ Marble Halls as a dance and English double major at George Mason University. In 2003, shortly after graduation, Donahue auditioned for the Mark Morris Dance Group in NYC and was offered a contract. In addition to touring with MMDG roughly six months a year, Donahue teaches with the company’s Dance for PD program, leading movement classes for people with Parkinson’s disease and their caretakers. This month, catch Donahue in a Morris premiere at the Brooklyn Academy of Music. —Jenny Dalzell
You’re not going to believe this, but someday you’ll get to do what you love for a living!
I know right now all you want to do is focus on ballet, but don’t be too strict with yourself. Don’t get me wrong: You’re definitely going to need all the ballet technique you can get. But listen to the dance teachers who encourage you to try other styles, too. The dance world is much wider than you think, and there are many paths to take to keep you dancing and happy.
As a George Mason University student (Evan Cantwell, courtesy George Mason University)
The competition for a career in dance and the pressures of performance can be intense. Make sure to take care of your mind and body. Trying to be the thinnest or the most flexible dancer won’t make you the best dancer. It certainly won’t make you the strongest!
And don’t worry if you choose a different path than your friends who are already in dance conservatories. You’ll be glad you decided to study academics as well as dance in college. There’s so much in life that will add to your performances besides honing your ballet technique. Read, listen to music, see shows and engage with the world you live in. It’s a beautiful journey you’re about to embark on—try to enjoy every minute of it!
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers on their profile pages, and then vote for your favorite below. You can vote once a day now through July 15.
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Imagine attending American Ballet Theatre's prestigious NYC summer intensive, training among classical ballet legends. Imagine taking the stage at New York City Dance Alliance Nationals, competing against some of the country's best contemporary dancers. Now, imagine doing both—at the same time.
Welcome to Madison Brown's world. This summer, she's in her third year as a National Training Scholar with ABT, while also competing for NYCDA's Teen Outstanding Dancer title. (She's already won Outstanding Dancer in the Mini and Junior categories.) The logistics are complicated—ABT's five-week intensive overlaps with the weeklong NYCDA Nationals, which translates to a lot of cabs back and forth across Manhattan—but Maddie is committed to making the most of each opportunity. "I love contemporary and ballet equally," she says. "While I'm able to do both, I want to do as much as I can."
Maddie has an expressive face, endless extensions, and a quiet command of the stage. She dances with remarkable maturity—a trait noted by none other than Jennifer Lopez, one of the judges on NBC's "World of Dance," on which Maddie competed in Season 2. Although Maddie didn't take home the show's top prize, she was proud to be the youngest remaining soloist when she was eliminated, and saw the whole experience as an opportunity to grow. After all, she's just getting started. Oh, that's right—did we mention Maddie's only 14?