Elizabeth Parkinson

When Elizabeth Parkinson was 11 years old, she saw a production of Bob Fosse’s musical Dancin’—and immediately knew that she wanted to dance. Though she didn’t start training seriously in ballet until age 13, she was a natural. After honing her skills at a local studio in her hometown of Tampa, FL, Parkinson joined the Joffrey II ballet company when she was 17. She moved to the main troupe in 1984 and was one of its leading dancers for eight years. But Parkinson was itching to explore the musical theater world. She left the Joffrey and freelanced for a few years before moving on to Broadway, where she scored parts including a featured role in 1999’s Fosse and Brenda in Twyla Tharp’s 2002 jukebox musical Movin’ Out (for which she won an Astaire Award). Today, Parkinson is busy teaching at the FineLine Theatre Arts school in New Milford, CT, which she co-owns with her husband (and fellow Fosse and Movin’ Out cast member), Scott Wise.  —Margaret Fuhrer

Parkinson sewing an early pair of pointe shoes

Dear Elizabeth,

Stop worrying about the things that don’t matter! In fact, don’t worry at all—it’s a waste of energy and time.

You started dancing a little late, so you always feel like you’re playing catch-up with other dancers. You often look at yourself and don’t like what you see: no muscle definition, too skinny, too fat, too this, too that. But you know that you want to dance, and that there isn’t anything else in the world that will satisfy you in the same way. So let go of this negative stuff. Ultimately, it just holds you back.

Instead, focus on the wonderful things about yourself! There is room for everybody to succeed in this world. Have you thought about small dance companies? Broadway? Open your eyes and look outside the box.

Finally, try to have a more diverse life outside of dance. You are training to be an artist who expresses life through her body. So let that body experience life!

Sincerely,

Elizabeth

 

The Conversation
How To
San Francisco Ballet's Frances Chung in rehearsal (Erik Tomasson, courtesy San Francisco Ballet)

Even for natural turners, pirouettes from fifth can be a challenge. You need to take off from a small crossed position and stay straight over your supporting leg, from start to finish. "It's the hardest place to turn from, because you can't access your plié as much as you can from fourth," says Jennie Somogyi, former principal dancer with New York City Ballet and director of Jennie Somogyi Ballet Academy in Easton, PA. "I'm always telling my students to plié more!"

If you're struggling with pirouettes from fifth position or want to refine your approach, try these pro tips.

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via joffreyballetschool.com

It's never too early to start thinking about your dream job. And summer intensives are an essential step down the road to achieving your dance dreams—whether you want to perform in music videos, ballet companies or Broadway shows.

With 19 programs across the U.S. (plus additional international programs) Joffrey Ballet School offers options for all types of dancers with all types of goals. Whatever you may be working toward this summer, there's a program that will help you get that much closer. We put together a guide to help you find the right one, based on your dream job:

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Rising Stars
Sykes Photography, courtesy Keisa Glover

At the tender age of 9, Destiny Wimpye moved cross-country with her mom so she could train at the Debbie Allen Dance Academy. The leap of faith paid off: Destiny's spent summers training at the School of American Ballet, the Ailey School, and Pacific Northwest Ballet; performed for Michelle Obama at the White House; and danced beside Mariah Carey in a TV special for Disney. Now she's a full-time student at the Colburn Dance Academy under the direction of former New York City Ballet principals Jenifer Ringer and James Fayette, and it seems fated that Destiny will one day dance her dream role, Dewdrop in George Balanchine's The Nutcracker. "I'm a jumper and a turner," Destiny says, "so I think it fits me pretty well."

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Dear Katie
Erin Baiano

In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email dearkatie@dancespirit.com for a chance to be featured!

Dear Katie,

I've been battling Achilles tendinitis for months—it never seems to get better. How can I deal with it? Could there be an issue with my technique that's causing the problem?

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Health & Body
Getty Images

Ever since starting her professional career, Broadway dancer Amber Ardolino has cupped. Using the holistic wellness practice to improve performance and take care of her body, Ardolino cupped before it was cool—even beating the 2016 Rio Olympics' purple polka-dotted athletes to the punch. But Ardolino's only one dancer who has put this therapy to regular use. Dance Spirit asked Carrie Gaerte, PT, DPT, ATC, and performance rehab specialist with St. Vincent Sports Performance who works with Indianapolis' Dance Kaleidoscope; and Thomas Droge, Chinese-medicine doctor and founder of Pathfinder Institute in NYC, to explain the ins and outs of cupping therapy.

Amber Ardolino in "Hamilton" (courtesy Ardolino)

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See photo credits below

What inspires you most as a dancer? What keeps you going on the days when the motivation just isn't there, and makes you feel like all the hard work, rejection and sacrifice is worth it for the pursuit of your dream? What makes you want to run into an empty studio and create something new?

Cindy Clough, executive director of Just For Kix and a studio owner with over four decades of experience, often hangs posters with dance-related quotes on the walls of her studio, on everything from creativity to the hustle to the importance of teamwork. Sometimes the right words from dancers who have been there are just the push you need to spark your imagination and remind yourself why you love what you do.

In that spirit, here are 10 inspiring quotes from dancers on what their art form means to them, and why it's worth fighting through the hard parts:

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Inside a Rockette audition (Amanda Schwab/Starpix)

Let's be real: Auditions can be rough. No matter how prepared you are, a lot of variables go into every audition—which means even the best of us mess up sometimes! Here are 7 audition fails every dancer has experienced at one point or another.

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Photo by Erin Baiano

4 hiring powers-that-be told DS their "do's" for dressing to audition.

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via joffreyballetschool.com

It's never too early to start thinking about your dream job. And summer intensives are an essential step down the road to achieving your dance dreams—whether you want to perform in music videos, ballet companies or Broadway shows.

With 19 programs across the U.S. (plus additional international programs) Joffrey Ballet School offers options for all types of dancers with all types of goals. Whatever you may be working toward this summer, there's a program that will help you get that much closer. We put together a guide to help you find the right one, based on your dream job:

Keep reading... Show less
Just for Fun

Colder weather is (finally) here, which means it's time for a good dance movie binge. But which iconic films should you put on? To narrow your search, we went ahead and ranked 30 of the greatest dance movies of all time.

Of course, we know a list like this is bound to be controversial—so if you disagree with our lineup, have at it in the comments!

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How To
San Francisco Ballet's Frances Chung in rehearsal (Erik Tomasson, courtesy San Francisco Ballet)

Even for natural turners, pirouettes from fifth can be a challenge. You need to take off from a small crossed position and stay straight over your supporting leg, from start to finish. "It's the hardest place to turn from, because you can't access your plié as much as you can from fourth," says Jennie Somogyi, former principal dancer with New York City Ballet and director of Jennie Somogyi Ballet Academy in Easton, PA. "I'm always telling my students to plié more!"

If you're struggling with pirouettes from fifth position or want to refine your approach, try these pro tips.

Keep reading... Show less
Dance Videos
Via YouTube

Oh, baby I'm a wreck (wreck) after watching Kinjaz's new music video.

Set to Post Malone's "Sunflower," the lead single from the Spider-Man: Into the Spider-Verse soundtrack, the vid features the dance crew's ever-fabulous men—who appear to have Spidey senses, because seriously, how else do they stay down-to-the-fingertips in sync?—performing Vinh Nguyen's super-tight choreography, with an overlay of comic-book-esque graphics by editor Jonathan Shih.

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Photo by Nathan Sayers

Chloe Misseldine has every reason to be nervous as she and her partner run through the challenging wedding pas de deux from Don Quixote. Their performance is just days away and the two American Ballet Theatre Studio Company dancers have only had a week to prepare. Add to that the fact that ABT principal Gillian Murphy, one of the world's most famous ballerinas, is at the front of the studio taking notes.

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Getty Images

If you haven't followed through on your New Year's resolution to practice more self-care, then Valentine's Day is the perfect time to start. Below, we rounded up the best ways to pamper, indulge, and heal everything from your muscles, to your skin, to your mind. Your body (and your dancing) will thank you.

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Dance News
State Ballet of Siberia dancer Yury Kudriavtsev wearing Siberian Swan shoes (courtesy Siberian Swan)

As ballet's gender roles grow increasingly blurred, more men than ever are reaching new heights: the tips of their toes.

It's no longer just Les Ballets Trockadero de Monte Carlo and the few pointe-clad male character parts, like in Cinderella or Alexei Ratmansky's The Bright Stream. Some male dancers are starting to experiment with pointe shoes to strengthen their feet or expand their artistry. Michelle Dorrance even challenged the men in her cast at American Ballet Theatre to perform on pointe last season (although only Tyler Maloney ended up actually doing it onstage).

The one problem? Pointe shoes have traditionally only been designed for women. Until now.

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Dance News

Are you a college student curious about what goes on behind the scenes at your favorite magazine? You're in luck—because Dance Spirit is searching for an editorial intern for summer 2019!

We'll be accepting applications through March 1. Internships pay an hourly stipend and require a minimum two-day-a-week, onsite commitment in our NYC office from June to August. (We do not provide assistance securing housing.)

If you're interested, please send a cover letter, resumé and two writing samples to Margaret Fuhrer at mfuhrer@dancemedia.com. Be sure to put "Summer Internship Application" in the subject line. All attachments must be formatted as PDFs.

We will interview selected candidates in March in person or by phone, and let candidates know by mid-April if they have been chosen. Please note that we do not accept high school students, or any students under 18, and that we give preference to college juniors and seniors.

We can't wait to meet you!

Dance on TV
CBS

Need more evidence that K-pop is taking over the universe, one infectiously catchy song and impeccably choreographed dance routine at a time? Look no further than BLACKPINK's fabulous appearance on "The Late Show with Stephen Colbert" last night.

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