Luis Salgado is the kind of dance partner girls dream of: strong, supportive and oh so sexy. Though he’s been dancing since he was a youngster in Puerto Rico, Salgado became a breakout star in the U.S. when he was cast as José—and as the Latin dance assistant choreographer—in the Tony Award–winning musical In the Heights. He’s also made a name for himself in movies: Salgado danced in Step Up 2: The Streets, Enchanted, Across the Universe and Dirty Dancing: Havana Nights. Now, he’s keeping busy with R.Evolución Latina, the nonprofit organization he founded, which uses his “Dare to go beyond” message to empower young performing artists in the Latino community. —Alison Feller
Dance barefoot, in the rain, in the street, with or without technique. Let your heart speak through your movement. Follow your heart, even when it seems impossible. Listen to it!
Ask questions—don’t be shy, and don’t be afraid. The sooner you learn to ask, the sooner you’ll explore all the elements that make dance a universal language.
Get thee to ballet class! Further your chances by being versatile.
Don’t strive for perfection; strive for commitment and tenacity. The journey to success is a long one, and only the persistent and
disciplined will get to the final goal.
Train hard and be ready when that opportunity comes, but don’t compete with anyone but yourself.
Always let the artistic process affect you. Every step, every turn, every lyric will influence the making of a new you. Let it hit you hard and use it all for the better.
Love the floor you dance on. It’s your best friend—it will always be there to support you.
Dancing is your FREEDOM and your VOICE. Use it for GOOD!
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers on their profile pages, and then vote for your favorite below. You can vote once a day now through July 15.
We also want you to
get social! We'll be factoring social media likes and shares into our final tallies. Be sure to show your favorite finalist some love on Facebook, Instagram, and Twitter, sharing their profile pages and using the hashtag #DanceSpiritCMS.
Imagine attending American Ballet Theatre's prestigious NYC summer intensive, training among classical ballet legends. Imagine taking the stage at New York City Dance Alliance Nationals, competing against some of the country's best contemporary dancers. Now, imagine doing both—at the same time.
Welcome to Madison Brown's world. This summer, she's in her third year as a National Training Scholar with ABT, while also competing for NYCDA's Teen Outstanding Dancer title. (She's already won Outstanding Dancer in the Mini and Junior categories.) The logistics are complicated—ABT's five-week intensive overlaps with the weeklong NYCDA Nationals, which translates to a lot of cabs back and forth across Manhattan—but Maddie is committed to making the most of each opportunity. "I love contemporary and ballet equally," she says. "While I'm able to do both, I want to do as much as I can."
Maddie has an expressive face, endless extensions, and a quiet command of the stage. She dances with remarkable maturity—a trait noted by none other than Jennifer Lopez, one of the judges on NBC's "World of Dance," on which Maddie competed in Season 2. Although Maddie didn't take home the show's top prize, she was proud to be the youngest remaining soloist when she was eliminated, and saw the whole experience as an opportunity to grow. After all, she's just getting started. Oh, that's right—did we mention Maddie's only 14?
Corbin Bleu in rehearsal for "Kiss Me, Kate" (Jenny Anderson, courtesy Roundabout Theatre Company)
If you're a hardcore Broadway baby, today is the worst Sunday of the year. Why, you ask? The Tony Awards were last Sunday, so basically there's nothing to look forward to in life anymore—no James Corden being James Corden, no teary acceptance speeches from newly minted stars, no thrilling excerpts from the hottest new shows. Oh yeah, and there are 50 more Sundays to go before our humdrum lives are once again blessed with the next annual iteration of Broadway's biggest night.