Suzi Taylor

When Suzi Taylor started choreographing and teaching more than 20 years ago, lyrical dance was just beginning to grow in popularity. Now, Taylor has gained international renown for her lyrical jazz style: In addition to her long-term teaching commitments at New York City Dance Alliance and Steps on Broadway, she’s choreographed and led workshops in countries as varied as Brazil, Japan, Italy, France, Canada, Israel and Scotland!

Originally from La Cañada Flintridge, CA, Taylor started training at what is now the Pasadena Dance Theater. At 18, she moved to NYC, where she studied at The Ailey School and with ballet dancers Finis Jhung and Robert Blankshine. She began subbing at Steps in the late 1980s, and was soon asked to join the faculty. Taylor threw herself into teaching, but throughout her 20s and 30s continued to perform, often making guest appearances with the companies for which she was teaching and choreographing. Taylor’s lyrical choreography—easily recognizable for its unique mix of control and abandon—is now seen at NYCDA conventions across the country, and her much-loved Steps classes are routinely packed. —Amy Smith

To my younger self,

You have so many dreams and aspirations—so many goals you think are set in stone. Remember that dreams are there to guide you, but they don’t always lead you in just one direction. Be open to paths that might not end at your original ideal.

Be inspired by other dancers, but not intimidated by them. Learn from your teachers, but don’t let them tear you down. Work hard—it will bring results—but remember that perfection is elusive. Technique is key, but presence, strength, grace and vulnerability are what make an artist special.

Pay attention to your body. Let it heal when you’re hurting and rest when you’re weary. Doing so will save you so much pain later. And you’re going to want to dance for a long time!

You will have opportunities to travel to amazing places, work with gifted dancers and meet truly wonderful people. Appreciate every moment, because you will treasure these memories forever. And let love and family keep you balanced. You can have it all—maybe just not quite the way you expected.

It’s a wonderful life ahead. Keep dreaming, smiling and dancing!

Love,

Suzi Taylor

(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)

Congratulations to Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers on their profile pages, and then vote for your favorite below. You can vote once a day now through July 15.

We also want you to get social! We'll be factoring social media likes and shares into our final tallies. Be sure to show your favorite finalist some love on Facebook, Instagram, and Twitter, sharing their profile pages and using the hashtag #DanceSpiritCMS.

Cover Model Search
Photo by Erin Baiano

In our "Dear Katie" series, Miami City Ballet soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email dearkatie@dancespirit.com for a chance to be featured!


Dear Katie,

When I sit with the soles of my feet together, my knees easily touch the floor, and most exercises to improve turnout are easy for me. But when I'm actually dancing, my turnout is terrible, especially on my standing leg. Why doesn't my flexibility translate to turnout?

Chrissy

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Dear Katie
Via Twitter

Would that we could all live in Taylor Swift's Pride-topia, booty-popping with Todrick Hall and sharing snow cones with Adam Rippon in our rainbow-flag-bedecked RV park. But much as we're loving "You Need to Calm Down" and other similarly upbeat celebrations of Pride month, this is also a time to recognize the battles the members of the LGBTQIA+ community have fought—and are still fighting. That's one of the reasons why "I'm Gay," a new dance video by Eugene Lee Yang of The Try Guys, is so important.

The dark, deeply personal video is Yang's coming-out moment. We see Yang being rejected by his family, condemned by a preacher, and attacked by a hostile mob after attempting to express himself as a gay man. Though not a professional dancer (as we found out in "The Try Guys Try Ballet"), Yang is a gifted mover; he choreographed the project himself, and gathered a group of talented performers to bring the story to life.

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