Meet Tap's Next Generation of Stars
Tap has always depended on one dancer passing her knowledge down to another. So when you watch a famous hoofer perform, you're also seeing—and hearing—her tap heritage. "In tap, through a teacher or a mentor, you're not just learning the steps or rhythm," says Jared Grimes. "You're learning who you are. And that identity is crucial."
Which young tappers today are branching out while paying tribute to the tradition that has helped shape them? We asked some of the biggest names in tap to talk about the up-and-coming dancers who are carrying the style into the future.
Sydney Burtis, 17, nominated by Sara Reich
Photo by Christopher Duggan, courtesy Burtis
Sydney has developed a unique style that's a fusion of tap and contemporary dance. It's movement-based while remaining true to the traditions of tap dance. It's beautiful. She uses her full body.
Burtis with Sara Reich (photo by Michelle Dorrance, courtesy Burtis)
I've been telling Sydney over the years that tap dancers have to create their own opportunities. She's been choreographing solos for herself, and they're phenomenal. She also created a tap festival in Orlando with her teacher, Marshall Ellis. Some might say she's too young to start her own festival, but I don't think it has to do with age. I think it has to do with passion and love, and if you know Sydney, you know everything she does comes from her heart.
Jabu Graybeal, 16, nominated by Michelle Dorrance
Photo by Annika Abel, courtesy Graybeal
Jabu has endless possibility. He has a masterful clarity, impeccable technique, and on top of that, he's a powerhouse musician and a really generous performer.
Jabu has such a deep understanding of different grooves and different ways of interacting with the beat. I see him being part of the jazz hoofer tradition, but he also has a funk that evokes someone like Gregory Hines. He's developing an ear to make music with other people, but he's also a killer soloist. He'll take risks, but inside of his risk taking, he still has such phenomenal execution. It's thrilling.
Jabu is also doing some groundbreaking stuff. He was the first tap dancer to be accepted by the Berklee Global Jazz Institute Workshop at the Newport Jazz Festival.
Joe Lescher-Liao, 16, nominated by Melinda Sullivan
Photo by Brooke Trisoolini, courtesy Jacob's Pillow Dance
Joe is a quintessential tap nerd. He loves watching footage of all the masters, and he's always learning on his own. I remember being his age and having that same spark. It's fun to see that quality in a young person.
Lescher-Liao with Melinda Sullivan (courtesy Sullivan)
Joe's very tall and has these long limbs and he likes to slide, but there's also a lot of clarity to his sound. He's particularly great at improvising, which is impressive for someone his age. He's really musical with his choices. He has also taught at Sarah Reich's Night Tap Experience—he's already starting to work on sharing his own style and steps. It's important for kids like him to feel confident in what they're learning and share it, because that's the best way to keep the art form alive.
Jalen Phifer, 18, nominated by Jared Grimes
Jalen is a musician tap dancer. That's rare among today's young tap dancers, who tend to be more vocabulary-driven. But a musician tap dancer leads with the impulses of musicality and rhythm. He's kind of light-footed, but then he's aggressive and intense, too. It's a good mixture of being percussive and being laid-back.
As a person, Jalen's very observant, very quiet, and respectful. And it seems like that's trickled into his approach to dancing, as well. He's not going to shout at you, but he's got something to say.
Roxanne King, 20, nominated by Chloe Arnold
Photo by Laura E. Mann, courtesy King
The quality of Roxanne's spirit is so powerful, and you see that in her dancing. You see this girl with a strong sense of purpose in her movement. She has an acute sense of rhythm, she's an incredible technician, and she's also someone who has her arms wide open for anybody. That makes me extra-proud.
Here's an example of her generous spirit: One year, I offered a scholarship to a Brazilian girl to come to the DC Tap Festival, which I direct with my sister, Maud. We called up Roxanne's dad with a crazy proposition: Could this Brazilian student, who didn't speak English, stay with them, and could Roxanne show her the ropes? Long story short, the student arrived, and the entire week Roxanne treated her like a sister and a friend.
Kenneth Cabral, 14, nominated by Ayodele Casel
Ayodele Casel and Kenneth Cabral in "Really Rosie" (photo by Joan Marcus, courtesy Casel)
I choreographed a show called Really Rosie for New York City Center this year, and at the audition, after he sang and read the scene, we asked him if he tap danced. Kenny's eyes lit up. He said, "It's my favorite thing. I have my shoes in my bag." He was very eager from the beginning. And then when I got in the room with him for rehearsals, I saw his deep love for tap.
Kids like Kenny have their eyes on everything—they're equally passionate about being creative and performing. To watch him dance, I see the joy, but I also see the desire to get it right, to be great. I think there's a high standard of integrity there, even at this early stage in his development. I'm excited for Kenny to explore his full creative potential.
Ava Brooks, 13, nominated by Mike Minery
Photo by Chris Reilly, courtesy Brooks
Ava is very relaxed. She does extremely difficult things and makes them look effortless. And she gets your attention without looking like she's trying to. That's what really stands out about her.
Brooks with Mike Minery (courtesy Brake the Floor Productions)
There was a moment at a tap intensive this year that struck me. I asked the kids to choreograph a phrase of music, and Ava's choreography filled in the music. It looked the way the music sounded. That told me she's going to be a talented choreographer.
Ava inspires other kids to take tap more seriously. She helps pass it down in a way that makes sure it's still true to the art form. She's a musician on top of being a performer, and that shows tap in its best light.
Nicole Scimeca, 10, nominated by Ray Hesselink
Scimeca with Ray Hesselink (courtesy Gail Scimeca)
Nicole's greatest strength is her ability to pick things up immediately. When I show her something, she looks at me, tilts her head to the side, nods, and says, "I got it." And then she does it! That's a great tool, especially when you're learning choreography in audition scenarios.
She's also a chameleon. One week I'll do Latin-style tap, the next week boogie-woogie, the next week a Charleston. She can listen to the music and understand the feeling of it. How can a 10-year-old swing? Or do a samba? Or a 1920s number? I don't know where that comes from, but she's like this old soul that understands music. She has an innate ability to pick up style. She's extraordinary.
We already knew Taylor and Reese Hatala can do anything. After all, they're both incredibly versatile dancers capable of serving up some serious face. And now the super siblings can add another title to their resumé: that of fashion magazine cover stars.
Showstopper has been making its impact on the dance world since 1978. Before then, dancers didn't have a stage to perform on, the opportunity to learn from peers, or a competitive outlet like most sports. Debbie Roberts recognized this missing piece in the dance community and that is how America's first and longest running dance competition, Showstopper, was born. Debbie taught dance for over 26 years and owned and operated her own dance studio for 20 years. She is now the owner and National Director of Showstopper, along side her husband, Dave Roberts. Dancer, teacher, business owner, author, and mother, Debbie has made dance her life's career.
To her high school classmates, Sarah Pippin was a regular girl: a good student and a friendly face around campus. But on the weekends—at dance competitions and conventions across the country—Pippin was a bona fide celeb, adored by her fellow competitors and faculty members alike.
By the time she graduated high school, Pippin had racked up major accomplishments, including performances with Janet Jackson and Shaping Sound, a role on Dance Spirit's own reality series “Road to Nationals," titles such as New York City Dance Alliance's National Mini, Junior and Senior Outstanding Dancer, and, most recently, a college scholarship on behalf of Dance Magazine through the NYCDA Foundation.
There's no doubt that Pippin, now a freshman at The Juilliard School, is among a rising generation of competition and convention stars. And while “celebrity" isn't a term they'd give themselves, you know who they are. These dancers are adored by legions of real-life fans hoping to watch and dance alongside them, not to mention the thousands of social media followers ready to double-tap everything they post.
Being so popular on the circuit has its perks—traveling every weekend, internet fame, working with big-name choreographers—but it also comes with its share of struggles. Here's a peek at what it's really like at the top.
Sometimes, you hear talk about an upcoming class video and it sounds too good to be real. Wait: Todrick Hall made a track featuring RuPaul, and then Todrick personally asked Brian Friedman to choreograph it, and then Brian got Maddie and Charlize and Jade and Kaycee and Sean and Gabe and Larsen and Bailey to come out for the class? I just...that can't be right. Can it?
It is right, friends. It is SO RIGHT.
Last week Disney Channel star Sofia Wylie released a behind-the-scenes look at the making of her YouTube dance series. Along with some stellar dancing, the video shows the dance community featured in her "4k Dance Series" and the things they've learned from being a part of the dance project. And though the project features dance, we love that it also emphasizes supporting and building up fellow dancers.
Winter is drawing to a close and you know what that means -- It's time to really kick this year into gear! Move U has done the research so you can find your best match, look good, and feel great this season with a twist unique to your team! Here are five looks to put your performance on the map in 2018.
With several Shaping Sound tours and TV credits like "So You Think You Can Dance," "Dancing with the Stars," and "Boardwalk Empire" to her name, you wouldn't expect Kate Harpootlian to be refreshingly down-to-earth. But that's exactly how she is: As soon as you start talking to the gifted dancer and choreographer, it becomes clear that she doesn't take herself too seriously. And she's happy to tell hilarious stories to prove it. (Ask her about the time she did a Mr. Peanut impression when Mia Michaels asked her to improvise, or the time she starred in a Japanese makeup commercial and had to do grand pliés wearing one pointe shoe and one flat shoe.)
That mixture of humor and grace is evident in Harpootlian's growing body of choreographic work. Her one-act show Better Late Than Never, for example, which premiered last summer, has a jazzy, West Side Story vibe, offsetting heavier moments with touches of whimsy. "There's always a balance in my work," Harpootlian says. "I want to use humor to balance out the darker aspects. It's like one of my friends once said: 'You make me laugh, and then you make me feel bad for laughing.' "
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com for a chance to be featured!
I grip my quads, and I don't know how to stop. I'm totally overdeveloping my quad muscles. How can I retrain myself so I use my legs correctly? Help!
You know that pirouette dream, when your placement is so perfect you can keep turning forever? That dream is the reality for highly technical tappers, who benefit from the decreased friction of their shoes. Get the placement right and, with a strong spot, they can pirouette for days.
But turning in tap shoes isn't all easy. In fact, those delightfully friction-free shoes bring their own set of challenges, and dancers can easily fall into the spinning-top trap by letting the turn control them, rather than the other way around. Here's how to harness your tap-turning potential.