Miranda Silveira (photo by Erik Tomasson, courtesy San Francisco Ballet)

The Misty Effect: Miranda Silveira, Corps de Ballet, San Francisco Ballet

There's a serenity and ease to every one of Miranda Silveira's movements. Even in a lightning-fast classical variation, her port de bras is effortlessly liquid.

Growing up in Barcelona, Spain, Silveira excelled at everything from hip hop to tap to contemporary. She moved to Madrid at 14 to start getting serious about ballet at the Real Conservatorio Profesional de Danza Mariemma. At 16, she accepted a full scholarship to the San Francisco Ballet School—with less than a week's notice. "It was hard moving 5,000 miles from home to suddenly start a new life," Silveira says. But she relied on ballet to pull her through: "The rhythm of everyday classes, and knowing it was a good step for my future, kept me going."

Silveira became an apprentice with San Francisco Ballet in 2013, and joined the corps in 2014. Since then, she's built a varied repertory, including featured roles in several full-length story ballets. In the future, Silveira wants to keep telling stories, bringing to life iconic roles like Onegin's Tatiana and the Alvin Ailey solo Cry. "Of course, there's been an increase in diversity in ballet—if we compare it to back in the day, it's amazing how many different dancers from all over the world are pursuing this professionally," she says. "But it's still a very narrow field, especially in terms of skin color. Change should start in the schools, with training. We need to go further to bring students from all over. If the dancers are diversified, the audience will be, too."

Latest Posts


Nathan Sayers

From "Dance Moms" to Complexions: Ballerina Kaeli Ware's Unconventional Path to Success

Take one look at Kaeli Ware's Instagram page and you'll be captivated. The elegant, impossibly long-limbed ballet dancer has over 110 thousand followers hooked on her every polished move. But the 19-year-old phenom isn't just a social media sensation. Having already conquered the competition scene and the world of dance reality TV, Ware recently joined Complexions Contemporary Ballet as a trainee. These days, she splits her time between NYC and Philadelphia, PA, where she continues to beef up her classical training at The Rock School for Dance Education.

She's not a traditional bunhead, and she's not a run-of-the-mill social influencer, either. Instead, Ware is creating her own hybrid career path—and it's taking her to impressive places.

Keep Reading
Boston Ballet principal Seo Hye Han as Cinderella in Sir Frederick Ashton's Cinderella (Liza Voll, courtesy Boston Ballet)

5 Principal Dancers on the Ballet Steps That Still Challenge Them

Their technique might seem effortless onstage, but even the most seasoned ballet professionals have that one step that still drives them crazy. We asked five principal dancers to open up about the skills they still find challenging, and how they're working to finesse them.

Keep Reading

Dear Katie: How Important Are Private Dance Lessons?

In our "Dear Katie" series, Miami City Ballet soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email dearkatie@dancespirit.com for a chance to be featured!

Dear Katie,

Do I need private lessons? I'm a professional-track dancer, and my teachers say that I should start scheduling privates to advance more quickly. But they're so expensive. Will I make it if I stick to group classes?

Jenna

Keep Reading
contest
Enter the Cover Model Search