Left: Misa Kuranaga in The Veritginous Thrill of Exactitude. Gene Schiavone, Courtesy Boston Ballet. Right: Sasha Mukhamedov in Apollo. Altin Kaftira, Courtesy Dutch National Ballet.

Misa Kuranaga and Sasha Mukhamedov Are Joining San Francisco Ballet

San Francisco Ballet just announced some major news: longtime Boston Ballet star Misa Kuranaga will be joining the company as a principal dancer for the 2019-20 season, while Dutch National Ballet principal Sasha Mukhamedov will join as a soloist. They join a slew of newly promoted SFB principals and soloists, announced earlier this year.



Kuranaga and Angelo Greco in Helgi Tomasson's Soirées Musicales, part of SFB's opening night gala in January.

Erik Tomasson, Courtesy SFB.

Kuranaga's appointment marks a full-circle moment. Originally from Japan, she danced with SFB for one year as an apprentice in 2001. When she wasn't taken into the company, she spent a year refining her technique at the School of American Ballet before joining Boston Ballet's corps in 2003. Since then, she's quickly risen through the ranks, becoming one of the company's biggest draws. Earlier this year she returned to SFB to perform as a guest artist in the company's opening night gala.

Mukhamedov in Balanchine's Apollo.

Altin Kaftira, Courtesy Dutch National Ballet.

Mukhamedov, on the other hand, has spent her entire career at Dutch National Ballet, joining as an aspirant in 2008 and rising to principal dancer by 2017. The daughter of legendary Bolshoi and Royal Ballet star Irek Mukhamedov, she trained at the Royal Ballet School as well as privately with her mother, former Bolshoi soloist Masha Mukhamedov. In 2017 she talked candidly with Pointe about living up to her famous parents' reputations: "There are times when people recognize my name, and it's instant pressure."

SFB also announced that former Polish National Ballet demi-soloist Bianca Teixeira will be joining the company's corps de ballet. Meanwhile, SFB apprentices Leili Rackow, Estéban Cuadrado, Max Föllmer, Joshua Jack Price, and Jacob Seltzer have been promoted to the corps, joining Jasmine Jimison, who was promoted in March. And finally, trainees SunMin Lee, Tyla Steinbach, Rubén Cítores, Lleyton Ho and Adrien Zeisel have been named apprentices.

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A Letter from the Editor in Chief

Hi, dance friends. It is a strange time to be a person in the world, and an especially strange time to be a dancer. As the dance community faces the coronavirus crisis, a lot of you are coping with closed studios, canceled performances and competitions, and a general sense of anxiety about how your world will look going forward.

Yes, dancers are super resilient, and there's been a lot of inspiring community-building happening. #LivingRoomDances and Instagram dance parties and virtual ballet classes with the pros are wonderful. Dance can, and should, be a bright spot in the darkness. But that weird, empty feeling you have? It might be grief. The loss of the certainty of daily class, the loss of the promise of that big end-of-year performance—that's real. The dance studio has always been a safe place; it's especially hard not to have that outlet now, when you need it most.

We're here for you. We—and our friends at Dance Magazine, Pointe, Dance Teacher, The Dance Edit, and Dance Business Weekly—are doing our best to document the hurdles facing the dance industry, and to advocate for dancers in need. We're developing more online content that will help you maintain and improve your technique while you're at home, and process the mental and emotional fallout of all this upheaval. (You can keep up with the latest stories here.) And we're still making our print magazine. We have issues planned and shot, full of great dance stories and beautiful photos. We're not going anywhere.

We want to hear from you. Talk to us. Or dance to us. Or both. We won't stop moving, and you shouldn't, either.

Margaret

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