Students in class at the Chicago High School for the Arts (Mark Ballogg, courtesy Chicago High School for the Arts)

7 Mistakes Dancers Make When Choosing a College Program

Choosing a college dance program is a super-high-stakes decision: You're trying to set yourself up for career success, and you're making a huge financial commitment. So it's no wonder the process feels rife with pitfalls. Here are the seven biggest mistakes dancers make in their quest for the perfect school.

Skipping the Campus Visit

This is the biggest mistake a dancer can make, according to Dr. Heather McCowen, a postsecondary counselor at the Chicago High School for the Arts. "Many students attend remote auditions in big cities or send in videos with their applications," she says. "But there's nothing better than visiting campus. And dance is one of the few arts disciplines where you're typically welcome in a technique class as a prospective student." In the studio, you'll get a sense of the teachers' styles and what the facilities are like.

Of course, visits get expensive. "It's fine to just visit your top two or three once you've been admitted," says McCowen.

Not Attending a Performance

You can look at photos or videos on the website, research the faculty's choreographic influences, and pick apart the curriculum, but "performances give you a direct understanding of what type of movement you'll be doing," says Merry Lynn Morris, assistant director of the dance program at University of South Florida College of the Arts.

Chapman University Students in their Spring Dance Concert (courtesy Chapman University)

Only Having Eyes for Big-Name Schools

It's all too easy to focus on the top-ten lists or programs with a lot of star power, says Greer Reed, dance department head at the Chicago High School for the Arts. "Yes, those programs are connected to excellence, but do you know anything else about the school?" Reed says. "Is that the kind of dancer you want to be?" Getting dazzled by prestigious programs may mean you're overlooking a school with only slightly less cachet. "Think about all the programs with faculty members who went to Juilliard or Fordham and can pass along those benefits, but at a school that's a better fit for you in other ways," says Reed.

Underestimating the Impact of Size or Location

Don't fall in love with a dance department and ignore other basics about the school, especially its size or location. "We have a small program within a big school, and some students are just not prepared for the environment," says Morris. Being close to home can have unforeseen consequences, too. Samuel DeAngelo, a recent graduate of Chapman University's dance program, made going to a big school a priority after spending three years in junior college. But that meant commuting from home to make the finances work. "It took me a while to find my community," he says.

Not Following Your Own Unique Path

Sometimes dancers let the opinions of teachers, parents, or friends carry too much weight. "I see a lot of students who know where they want to go but feel like they should go to another program to make Mom happy or follow a friend," says McCowen. If you have a mature, reasoned argument for your top choice, your parents and/or friends will probably come around.

Finances are also a critical piece of the puzzle, but a good scholarship shouldn't be the primary reason you choose a program. "Sometimes students are drawn by a scholarship to a school they really don't want to go to," McCowen says. "I'm not surprised when those students transfer."

Dancers in modern class at University of South Florida (Danielle Boe, courtesy USF)

Staying Mum on Your Other Interests

Some dancers are so focused on talking up their dedication to dance that they forget to mention their passions outside the studio. That might mean missing out on valuable information from the dance faculty. "These are your potential mentors, who can facilitate your path," says Morris. But they can only do that if they know you're also intrigued by, say, sociology, or medicine. "Many schools have hybrid programs that fuse dance with other academic areas, and those options could change the game for you," Morris says.

Specializing Too Soon

Keep in mind that your career aspirations may change the more you're exposed to different styles and artists. "Selecting a program a little outside your comfort zone will allow you to grow," DeAngelo says. "I thought I wanted to be a commercial dancer, but I eventually found myself on the modern side." Now, as a working artist, he's glad he chose a program that could support his expanding interests.

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A Letter from the Editor in Chief

Hi, dance friends. It is a strange time to be a person in the world, and an especially strange time to be a dancer. As the dance community faces the coronavirus crisis, a lot of you are coping with closed studios, canceled performances and competitions, and a general sense of anxiety about how your world will look going forward.

Yes, dancers are super resilient, and there's been a lot of inspiring community-building happening. #LivingRoomDances and Instagram dance parties and virtual ballet classes with the pros are wonderful. Dance can, and should, be a bright spot in the darkness. But that weird, empty feeling you have? It might be grief. The loss of the certainty of daily class, the loss of the promise of that big end-of-year performance—that's real. The dance studio has always been a safe place; it's especially hard not to have that outlet now, when you need it most.

We're here for you. We—and our friends at Dance Magazine, Pointe, Dance Teacher, The Dance Edit, and Dance Business Weekly—are doing our best to document the hurdles facing the dance industry, and to advocate for dancers in need. We're developing more online content that will help you maintain and improve your technique while you're at home, and process the mental and emotional fallout of all this upheaval. (You can keep up with the latest stories here.) And we're still making our print magazine. We have issues planned and shot, full of great dance stories and beautiful photos. We're not going anywhere.

We want to hear from you. Talk to us. Or dance to us. Or both. We won't stop moving, and you shouldn't, either.


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