Oh my goodness, you guys: What a crazy, jam-packed, INCREDIBLE week it's been here in NYC! New York City Dance Alliance finished up its Nationals last night with an epic closing gala, capping off nine days of workshop classes and competition. And talk about talent! I'm still kind of overwhelmed by all of the amazing dancers—many of them familiar faces. Here are some of my top moments from NYCDA Nationals.
-First of all, you guys already know that the NYCDA faculty lineup is fantastic. Tony Testa? Melissa Hough? Chloe Arnold? Taja Riley? Andy Blankenbuehler? Dana Wilson? Joey Dowling? Cindy Salgado? Insanity—and those are just the people who were sitting directly in front of me at the gala last night. I loved seeing them cheer on each and every one of the competitors. I especially liked watching ballerina Hough as she relished the ballet dancers—like last year's National Mini Female Outstanding Dancer, Jasmine Cruz—and I had fun looking on as hoofer Arnold got way into some of the tap performances. (Also: Everyone on faculty is ridiculously stylish. Goodness, do I wish I could pull off a crop top like Arnold, or a trumpet ballgown like Dowling.)
-As for the dancers: There were so, so many standouts! I'm having a hard time narrowing down my list. But I especially loved the ones who thought just as much about what they were conveying as how they were conveying it—who gave equal weight to artistry and technique. Mini Female OD finalist Tate McRae paired gorgeous ballet training with a powerful, emotive onstage presence. Teen Female OD winner (congrats!) Jacalyn Tatro wowed with both her incisive legwork and her smoldering, sultry demeanor—she dared you to look away. Two of our Cover Model Search finalists, Christina Ricucci and Sarah Pippin, gave super-strong performances in the Teen Female OD and Senior Female OD categories, respectively (both made the top four!). And tiny tapper Luke Spring showed off not just incredibly fleet feet, but also irresistible charisma in his solo to Michael Jackson's "Dangerous." He earned the National Male Mini OD title—and a comparison, by director Joe Lanteri, to one Mr. Corey Snide, who won his own Mini OD title 10 years ago doing a tap routine to Jackson's "Bad." It was almost too perfect.
Twinning! (Left) 2004 National Mini Male OD Corey Snide, now a student at The Juilliard School, and (right) National Mini Male OD Luke Spring (left photo by Erin Baiano; right via NYCDA)
-As for the group routines: I love me some drama, but I have to say that my favorite numbers were the upbeat, hard-hitting ones, rather than the angstiest of the angsty. I was totally blown away by the take-no-prisoners ferocity (and the impressive unison) of the Westlake School for the Performing Arts dancers in their Teen group piece, "Royals."
-Let's talk about the college scholarships awarded at NYCDA this week, shall we? I was lucky enough to be part of the college scholarship audition process, so I can say from firsthand experience that the pool of college hopefuls impressed not just with their technique, but also with their eagerness and professionalism. Between NYCDA's college partners—which included the likes of Marymount Manhattan College, Point Park University and PACE University—and the NYC Dance Alliance Foundation, more than $4 million in scholarships were given to more than 50 deserving dancers. $4 million! That's a new record for NYCDA, and kind of a mind-boggling number.
Lanteri onstage with all the scholarship winners (photo via NYCDA)
-Last but not least: NYCDA turned 20 this year! Naturally, they put together an adorable birthday video for the junior gala. But what really touched me was the number of NYCDA alums and former faculty who came out to celebrate the milestone. As Lanteri said last night, NYCDA is a real family—and once you're in, you're a member for life.
Few things make me as happy as Joe Lanteri in a party hat.
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers on their profile pages, and then vote for your favorite below. You can vote once a day now through July 15.
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Imagine attending American Ballet Theatre's prestigious NYC summer intensive, training among classical ballet legends. Imagine taking the stage at New York City Dance Alliance Nationals, competing against some of the country's best contemporary dancers. Now, imagine doing both—at the same time.
Welcome to Madison Brown's world. This summer, she's in her third year as a National Training Scholar with ABT, while also competing for NYCDA's Teen Outstanding Dancer title. (She's already won Outstanding Dancer in the Mini and Junior categories.) The logistics are complicated—ABT's five-week intensive overlaps with the weeklong NYCDA Nationals, which translates to a lot of cabs back and forth across Manhattan—but Maddie is committed to making the most of each opportunity. "I love contemporary and ballet equally," she says. "While I'm able to do both, I want to do as much as I can."
Maddie has an expressive face, endless extensions, and a quiet command of the stage. She dances with remarkable maturity—a trait noted by none other than Jennifer Lopez, one of the judges on NBC's "World of Dance," on which Maddie competed in Season 2. Although Maddie didn't take home the show's top prize, she was proud to be the youngest remaining soloist when she was eliminated, and saw the whole experience as an opportunity to grow. After all, she's just getting started. Oh, that's right—did we mention Maddie's only 14?
Corbin Bleu in rehearsal for "Kiss Me, Kate" (Jenny Anderson, courtesy Roundabout Theatre Company)
If you're a hardcore Broadway baby, today is the worst Sunday of the year. Why, you ask? The Tony Awards were last Sunday, so basically there's nothing to look forward to in life anymore—no James Corden being James Corden, no teary acceptance speeches from newly minted stars, no thrilling excerpts from the hottest new shows. Oh yeah, and there are 50 more Sundays to go before our humdrum lives are once again blessed with the next annual iteration of Broadway's biggest night.