Meet 18-Year-Old Gianna Reisen, New York City Ballet's Youngest Choreographer
Gianna Reisen (left) rehearsing New York City Ballet corps dancer Emma Von Enck and NYCB apprentice Roman Mejia (photo by Erin Baiano, courtesy NYCB)
After most dancers graduate from The School of American Ballet they have lots of "firsts": first company contract, first performance with that company, and maybe even first solo role. But 2017 SAB grad Gianna Reisen is experiencing a different kind of "first" during her inaugural year in the professional ballet world: She's making her first choreographic debut at Lincoln Center. At just 18, Gianna Reisen is the youngest person ever to create a piece for the renowned New York City Ballet (NBD!). Her new work, Composer's Holiday, set to music by Lukas Foss, will premiere at the company's fall gala on September 28th.
Reisen impressed NYCB ballet master in chief Peter Martins with the ballets she made for SAB's Student Choreography Workshop and The New York Choreographic Institute, prompting Martins to invite her to create a piece for the main company. And though the pressure of such a proposal would intimidate even the most seasoned choreographer, Reisen's pragmatic poise about the whole thing assures us that she's up to the task.
Between juggling an apprenticeship at Dresden Semperoper Ballett in Germany and rehearsing dancers in NYC, Reisen's had a busy summer. And though the role of choreographer wasn't a path she expected to pursue professionally, Reisen's eager to make her mark. Check out our interview with Reisen to find out what inspires this dance-making prodigy.
What do you enjoy most about choreographing?
My favorite part is definitely being able to create something that's completely yours. Being a dancer, you create art with your body, but as a choreographer, you can translate your thoughts and emotions on other bodies. When you're a dancer, you're told what to do, but when you become a choreographer you're the boss. I think that's also the hardest part—being in control of other people, rather than other people being in control of you.
Reisen rehearsing NYCB corps de ballet dancer Ghaleb Kayali (photo by Baiano, courtesy NYCB)
How does it feel to be the youngest choreographer to create something for NYCB?
It's a lot of pressure to be the youngest. There are a lot of eyes on me and interest in my work because I'm so young. It's hard being young, too, because there's that fear that you're not going to be taken as seriously as the more seasoned choreographers. This is the third ballet I've choreographed, so I don't have as much experience as most. But I'm grateful for the experience, and that NYCB has given me the opportunity to pursue this path.
What inspires your choreography?
My inspiration comes immediately from the music. When I hear a piece of music, I feel it. I can't choreograph to music I don't enjoy or don't find interesting. After that, I'm in my head conceptualizing the movement. Converting the concept to real life is the fun part.
For this ballet in particular, my inspiration comes from human movements. I'm trying to achieve a human quality within the dancing. It'll be interesting to see it come to life onstage.
Reisen rehearsing Kayali (photo by Baiano, courtesy NYCB)
What advice would you give younger dancers who are interested in choreography?
I think that any dancer who has an interest in choreography should try it. I find that dancers avoid choreographing because they're afraid they aren't going to be able to think of anything new or be good enough. Bite the bullet, and find a place where you can choreograph. See if you like it.
Where do you see yourself in the next five years?
I'm hoping to pursue a career as a ballet dancer and a choreographer. I know it will be challenging, but it's doable. Honestly, two years ago I would never have thought I'd be choreographing for NYCB, so anything is possible.
Gabriel Figueredo in a variation from Raymonda. VAM Productions, Courtesy YAGP.
This week, over 1,000 young hopefuls gathered in New York City for the Youth America Grand Prix finals, giving them the chance to compete for scholarships and contracts to some of the world's top ballet schools and companies. Roughly 85 dancers made it to the final round at Lincoln Center's David H. Koch Theater on Wednesday. Today, the 20th anniversary of YAGP came to a close at the competition's awards ceremony. Read on to find out who won!
After a string of ballet-company rejections, Jennifer Sydor (here in Laura Peterson's "Failure") found success in other areas of the dance world. (Stephen Delas Heras, courtesy Jennifer Sydor)
In her senior year at Butler University, Jennifer Sydor auditioned for more than a dozen regional ballet companies—and got a string of "no, thank you" responses. "I have an athletic build, and my movement quality isn't the typical ballet aesthetic," Sydor says. "But I'd been laser-focused on ballet. When I didn't get a ballet contract, I was heartbroken."
Her one job offer came from Kim Robards Dance, a small modern company based in Aurora, CO. After attending KRD's summer intensive, Sydor ended up accepting a yearlong position with the troupe. "I was relieved and happy to begin my career," she says. She's been working as a contemporary dancer ever since.
In the dance world, rejection is part of the package. That doesn't make it any more pleasant. But whether you didn't get the Nutcracker role of your dreams or you weren't picked for a job despite feeling like you aced the audition, you can emerge from even the most gut-wrenching "no" smarter and stronger.
Ballet West principal Beckanne Sisk as Kitri (Luke Isley, courtesy Ballet West)
Guess who's baaaaack?! Your resident Dance Spirit astrologers! And on the eve of the Youth America Grand Prix awards ceremony, we thought it was the perfect time to pair each zodiac sign with a variation commonly seen during the competition. After many painstaking hours spent researching, consulting the stars, and staring wistfully into the sky, we compiled our data and present you with the definitive list of each star sign as a YAGP variation! As we said last time, don't @ us if you're not happy with your pairing—the stars don't lie, baby!