Meet 18-Year-Old Gianna Reisen, New York City Ballet's Youngest Choreographer
Gianna Reisen (left) rehearsing New York City Ballet corps dancer Emma Von Enck and NYCB apprentice Roman Mejia (photo by Erin Baiano, courtesy NYCB)
After most dancers graduate from The School of American Ballet they have lots of "firsts": first company contract, first performance with that company, and maybe even first solo role. But 2017 SAB grad Gianna Reisen is experiencing a different kind of "first" during her inaugural year in the professional ballet world: She's making her first choreographic debut at Lincoln Center. At just 18, Gianna Reisen is the youngest person ever to create a piece for the renowned New York City Ballet (NBD!). Her new work, Composer's Holiday, set to music by Lukas Foss, will premiere at the company's fall gala on September 28th.
Reisen impressed NYCB ballet master in chief Peter Martins with the ballets she made for SAB's Student Choreography Workshop and The New York Choreographic Institute, prompting Martins to invite her to create a piece for the main company. And though the pressure of such a proposal would intimidate even the most seasoned choreographer, Reisen's pragmatic poise about the whole thing assures us that she's up to the task.
Between juggling an apprenticeship at Dresden Semperoper Ballett in Germany and rehearsing dancers in NYC, Reisen's had a busy summer. And though the role of choreographer wasn't a path she expected to pursue professionally, Reisen's eager to make her mark. Check out our interview with Reisen to find out what inspires this dance-making prodigy.
What do you enjoy most about choreographing?
My favorite part is definitely being able to create something that's completely yours. Being a dancer, you create art with your body, but as a choreographer, you can translate your thoughts and emotions on other bodies. When you're a dancer, you're told what to do, but when you become a choreographer you're the boss. I think that's also the hardest part—being in control of other people, rather than other people being in control of you.
Reisen rehearsing NYCB corps de ballet dancer Ghaleb Kayali (photo by Baiano, courtesy NYCB)
How does it feel to be the youngest choreographer to create something for NYCB?
It's a lot of pressure to be the youngest. There are a lot of eyes on me and interest in my work because I'm so young. It's hard being young, too, because there's that fear that you're not going to be taken as seriously as the more seasoned choreographers. This is the third ballet I've choreographed, so I don't have as much experience as most. But I'm grateful for the experience, and that NYCB has given me the opportunity to pursue this path.
What inspires your choreography?
My inspiration comes immediately from the music. When I hear a piece of music, I feel it. I can't choreograph to music I don't enjoy or don't find interesting. After that, I'm in my head conceptualizing the movement. Converting the concept to real life is the fun part.
For this ballet in particular, my inspiration comes from human movements. I'm trying to achieve a human quality within the dancing. It'll be interesting to see it come to life onstage.
Reisen rehearsing Kayali (photo by Baiano, courtesy NYCB)
What advice would you give younger dancers who are interested in choreography?
I think that any dancer who has an interest in choreography should try it. I find that dancers avoid choreographing because they're afraid they aren't going to be able to think of anything new or be good enough. Bite the bullet, and find a place where you can choreograph. See if you like it.
Where do you see yourself in the next five years?
I'm hoping to pursue a career as a ballet dancer and a choreographer. I know it will be challenging, but it's doable. Honestly, two years ago I would never have thought I'd be choreographing for NYCB, so anything is possible.
In our "Dear Katie" series, MCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com for a chance to be featured!
I'm 14 and have been studying ballet seriously for about three years. Even though I feel ready,my teachers haven't put me on pointe yet. Am I doing something wrong? Should I ask them about it, or is it pointe-less?
Alvin Ailey American Dance Theater's Samantha Figgins (Andrew Eccles)
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Sara Esty as Maggie in "A Chorus Line" (courtesy Esty)
Sara Esty's ethereal grace and sophisticated charm have won over ballet and Broadway audiences alike. The bunhead-turned-Broadway-baby began training near her hometown in Gorham, ME, at the Maine State Ballet's School for the Performing Arts (with her equally fabulous twin sister, Leigh-Ann). She enrolled full-time at the Miami City Ballet School in 2004, and joined Miami City Ballet as an apprentice in 2005. In 2006, Esty won the Princess Grace Award, and she was promoted to soloist at MCB in 2011. After leaving MCB in 2014, she made her Broadway debut in An American in Parisas the understudy for Lise, and went on to share the role of Lise with her sister on the show's national tour. Most recently, she was seen in 5th Avenue Theatre's production of Marie, Dancing Stillin Seattle, WA. —Courtney Bowers