New York, New York!

Think classic Broadway, and the tune “New York, New York” from On the Town probably comes to mind. Based on Jerome Robbins’ ballet Fancy Free, On the Town, with music by Leonard Bernstein, hit the Great White Way in 1944 and was later made into a movie starring Gene Kelly. This fall, On the Town returned to Broadway with choreography by Joshua Bergasse. We asked Bergasse to walk us through the “New York City dance” with the help of swing Paloma Garcia-Lee. All photos by Travis Magee.

About the Phrase

“The ‘New York City dance’ is done three times throughout the show—twice in the opening number, ‘New York, New York,’ and again in the ‘Times Square Ballet,’ the Act 1 finale,” Bergasse says. “It signifies the foot traffic of busy New Yorkers, the mayhem of Times Square.”

See it in action!

This 15-count phrase is extremely fast. To get a feel for its precise musicality, click here to see Joshua Bergasse and Paloma Garcia-Lee break down the steps.

The Setup

Begin in a parallel second position demi-plié with your weight over your left leg and your right leg beveled. Twist your upper body to the left, placing your left arm, slightly bent, out to the side and your right arm, fully bent, in front of your stomach.



Counts 1, 2

Using your right leg, do a piqué turn to your right on forced arch, with your left leg in a high parallel passé and your arms over-crossed at the wrists.




Count 3

Finish the turn facing the upstage left corner (about 1 1/4 rotations). Open your arms to the side as you piqué onto your left leg, lifting your right leg high to the side in parallel. Reach your upper body to the left, gazing over your left hand.

TIP: Although your right leg lifts in parallel, your supporting leg is turned out.



Counts 4, 5

Keeping your body facing the back corner and your gaze steady, contract, pulling in your arms and drawing your right leg to a high parallel passé as you plié on your left leg.




5Counts 6, 7

Step out to the side with your right leg (count 6), then cross your left leg over your right (count 7), pulling your hips so far to the right side that your right foot rolls inward. Reach your upper body to the high left diagonal in opposition, with your arms extended overhead and your fingers spread wide.



Count 8

Pivot to the right to face forward, arriving in a parallel second position on demi-pointe. Twist your torso slightly to the right, and curve your right arm upward and your left arm downward.




Count 1

Plié, and twist your torso to the left, switching your arms so that your right arm curves downward and your left curves up. Draw your focus to your left hand.

TIP: Most of your weight should be in your left leg as your right knee bevels.



Counts 2–4

Crossing your right leg behind your left, do one full turn backward around yourself and jump off your right foot. Hit the height of your jump on count 4, with your left leg in a turned-out passé, your right arm extended straight up and your left arm in a high side diagonal.

TIP: Push your hips to the right so your body makes a “C” curve in the air.



Counts 5–7

Land the jump (count 5), cross your left leg in front of your right (count 6) and finish the phrase by lunging to the side on your right leg, dragging your left foot along the floor (count 7). Spread your arms into a wide “L” position.



Latest Posts

Project 21 dancers (from left) Selena Hamilton, Gracyn French, and Dyllan Blackburn (Photo by Quinn Wharton; hair and makeup throughout by Angela Huff for Mark Edward Inc.)

How Project 21 Is Shaping the Next Generation of Competition-Dance Standouts

"I wish I had a better story about the name," says Molly Long, founder of the Orange County, CA–based dance studio Project 21. In truth, it's a play on the fact that she was born on the twenty-first of August, and 21 is her favorite number. "I was away on a teaching tour, the audition announcement was going live on Instagram the next day, and I desperately needed a name. Project 21 was just the least cheesy of the options I thought of!"

The fact that fans might expect the name to have some profound meaning speaks to the near-mythic status Project 21 has achieved on the competition and convention scene since its founding in 2014. Long's dancers are all wholly individual, yet jell seamlessly as a group, and are consistently snagging top prizes everywhere on the circuit. Each season brings a slew of new accolades, high-caliber faculty, and legions of devoted followers.

The industry has taken notice of the studio's unique ethos. "Molly gets through to her dancers in a special way, and they have this incomparable level of commitment to their craft as a result," says dancer and choreographer Billy Bell, who's worked closely with Long and her dancers. "That's what sets them apart—it's like a little dose of magic."

Keep Reading SHOW LESS
Because this is stock art that exists in 2020. (Getty Images)

How to Dance in a Face Mask

There's a new must-have accessory for the dancers who've begun to venture back into the studio. Face masks are essential to protect your teachers and fellow dancers (not to mention their families) from coronavirus. But they definitely make dancing more complicated.

How can you prepare for—and adjust to—the new masked normal? Here's practical advice from Dr. Steven Karageanes, a primary care sports medicine specialist who's worked with the Rockettes and "So You Think You Can Dance," and Anna Dreslinski Cooke, a Chicago-based professional dancer who has experience dancing in cloth masks, disposable masks, N95 masks, and face shields.

Keep Reading SHOW LESS

Editors' Picks

Enter the Cover Model Search