Well, the moment we've been dreading has arrived: Yesterday, Newsies ended its Broadway run, after its 1,005th show. Of course, this isn't the show's true ending(!), Newsies kicks off its national tour this October. Still, the closing was an incredible event. I was fortunate enough to be in the audience at the Nederlander Theater, and while the afternoon ended on a teary note, the show couldn't have gone out with a bigger bang. Here are just a few of the ingredients that helped make the final performance so spectacular:

5. The fans. Newsies held a lottery for a limited number of tickets to the final show. This is how many #Fansies showed up:

 

4. Sitting with celebs. To quote an awestruck (and totally correct) girl sitting behind me, I got to "share the same breathing air" with former Newsies dancers—including Alex Wong, Ryan Steele, JP Ferreri, Mike Faist, Ryan Breslin and Jess LeProtto. Oh, and also director Jeff Calhoun and choreographer Christopher Gattelli.

3. The dancers' energy. It's been a long time since I've seen so many dancers on one stage give as much love to the choreography as the guys did yesterday. Every battement was 180-degrees. Every back flip went soaring.

Every split jump by every dancer literally looked like this:

 

Iain Young (photo by Matthew Murphy)

Which brings me to number 2...

2. The standing ovations. The audience (starting with my crew in rows D–F) leapt to its feet after every deserving number—which, of course, was all of them. The energy in the theater was buzzing.

1. The final curtain call. There was not a dry eye in the house—or onstage. It was heart wrenching—and heart warming!—to watch Newsies come to a close, especially since many members of the current cast had been part of it since day one. (I'm looking at you, Aaron Albano!) And after the final bow by Corey Cott (you know him as Jack Kelly), the creative team also walked onstage to take a bow, and everyone totally lost it.

Take a look at the last dance number and curtain call, and I dare you not to tear up, too:

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A Letter from the Editor in Chief

Hi, dance friends. It is a strange time to be a person in the world, and an especially strange time to be a dancer. As the dance community faces the coronavirus crisis, a lot of you are coping with closed studios, canceled performances and competitions, and a general sense of anxiety about how your world will look going forward.

Yes, dancers are super resilient, and there's been a lot of inspiring community-building happening. #LivingRoomDances and Instagram dance parties and virtual ballet classes with the pros are wonderful. Dance can, and should, be a bright spot in the darkness. But that weird, empty feeling you have? It might be grief. The loss of the certainty of daily class, the loss of the promise of that big end-of-year performance—that's real. The dance studio has always been a safe place; it's especially hard not to have that outlet now, when you need it most.

We're here for you. We—and our friends at Dance Magazine, Pointe, Dance Teacher, The Dance Edit, and Dance Business Weekly—are doing our best to document the hurdles facing the dance industry, and to advocate for dancers in need. We're developing more online content that will help you maintain and improve your technique while you're at home, and process the mental and emotional fallout of all this upheaval. (You can keep up with the latest stories here.) And we're still making our print magazine. We have issues planned and shot, full of great dance stories and beautiful photos. We're not going anywhere.

We want to hear from you. Talk to us. Or dance to us. Or both. We won't stop moving, and you shouldn't, either.

Margaret

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