I think I'm still recovering from the glamor overload that was the New York City Ballet gala last night. Since I go to the ballet frequently (rough job, right?), most of the time, arriving at Lincoln Center for an NYCB performance feels like coming home. But last night? It was like landing on some beautiful alien fashion planet.
The gala paid tribute to legendary designer Valentino, who costumed four of the five ballets on the program. (More on that later.) While NYCB galas generally tend to be star-studded events—Sarah Jessica Parker is on the board, after all—nobody brings out the celebs quite like Valentino. We spotted SJP, Anne Hathaway, Sophia Loren (it was her birthday!), Anjelica Huston, Mikhail Baryshnikov, Tory Burch, Karolina Kurokova, Martha Stewart and more working it on the red carpet, which extended all the way around the Lincoln Center fountain. And everyone, naturally, was in their most fabulous Valentino. A few of the NYCB dancers who didn't have to perform strutted their stuff, too. Sara Mearns looked especially lovely in an ethereal long-sleeved gown—Valentino red, of course.
While gala programming is sometimes a bit "let's just get this over with so everyone can go eat," there were dance highlights last night, too. Former DS cover star Lauren Lovette wowed in the "Rubies" pas de deux from George Balanchine's Jewels; Robert Fairchild tapped (!) up a storm in Peter Martins' Not My Girl; Wendy Whelan and Tyler Angle exuded quiet gravity in a new Christopher Wheeldon pas set to Max Richter's remake of Dinah Washington's "This Bitter Earth" (a song you might recognize—it's been popular on the comp scene, too. Crossover!).
And the Valentino costumes? There are no words. Well, there are many words. But the company actually said them best, in this amazing (and kind of hilarious) video, which played right before the final piece. Enjoy!
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers on their profile pages, and then vote for your favorite below. You can vote once a day now through July 15.
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Imagine attending American Ballet Theatre's prestigious NYC summer intensive, training among classical ballet legends. Imagine taking the stage at New York City Dance Alliance Nationals, competing against some of the country's best contemporary dancers. Now, imagine doing both—at the same time.
Welcome to Madison Brown's world. This summer, she's in her third year as a National Training Scholar with ABT, while also competing for NYCDA's Teen Outstanding Dancer title. (She's already won Outstanding Dancer in the Mini and Junior categories.) The logistics are complicated—ABT's five-week intensive overlaps with the weeklong NYCDA Nationals, which translates to a lot of cabs back and forth across Manhattan—but Maddie is committed to making the most of each opportunity. "I love contemporary and ballet equally," she says. "While I'm able to do both, I want to do as much as I can."
Maddie has an expressive face, endless extensions, and a quiet command of the stage. She dances with remarkable maturity—a trait noted by none other than Jennifer Lopez, one of the judges on NBC's "World of Dance," on which Maddie competed in Season 2. Although Maddie didn't take home the show's top prize, she was proud to be the youngest remaining soloist when she was eliminated, and saw the whole experience as an opportunity to grow. After all, she's just getting started. Oh, that's right—did we mention Maddie's only 14?
Corbin Bleu in rehearsal for "Kiss Me, Kate" (Jenny Anderson, courtesy Roundabout Theatre Company)
If you're a hardcore Broadway baby, today is the worst Sunday of the year. Why, you ask? The Tony Awards were last Sunday, so basically there's nothing to look forward to in life anymore—no James Corden being James Corden, no teary acceptance speeches from newly minted stars, no thrilling excerpts from the hottest new shows. Oh yeah, and there are 50 more Sundays to go before our humdrum lives are once again blessed with the next annual iteration of Broadway's biggest night.