NYCB's Next Generation
Plus, the gala dinner setup was gorgeous! (photo via NYCB)
For ballet nerds like me, there are few things more exciting than watching young dancers develop into beautiful, authoritative artists. Last night, New York City Ballet's spring gala opened with a work that let some of my favorite rising stars prove just how much they've grown up.
That'd be Christopher Wheeldon's Soirée Musicale, an alternately elegant and playful little ballet that gives nearly every cast member a moment in the spotlight. And what a cast it was!
We got Brittany Pollack, Lauren Lovette, Taylor Stanley and Chase Finlay, recently-promoted dancers I've followed since their apprenticeships. And then there were the newbies I've just begun to pick out of the corps: Sara Adams, Harrison Ball, Indiana Woodward and Peter Walker. Nearly all of them are under the age of 25—many have only been in the company for a year or two—but they danced with the confidence of seasoned pros. A special highlight came toward the end: a poignant, romantic pas de deux for Lauren and Chase that signaled what might be the beginning of a beautiful partnership.
The gala was packed with many other fun treats too, of course. There was a second premiere by Wheeldon, a pas de deux in homage to Jerome Robbins' West Side Story danced by the sublime Tiler Peck and Robert Fairchild. There was the exhilarating nonstop acceleration of the final section of Robbins' Glass Pieces, featuring what seemed like the entire company. Queen Latifah stopped by to serenade Sterling Hyltin and Amar Ramasar as they glided through Balanchine's "The Man I Love" pas de deux from Who Cares?. And Ashley Bouder and Andrew Veyette had a jaw-dropping "anything you can do, I can do better" competition in the cheeky Stars and Stripes pas de deux.
But it was those young, newly-minted stars that stuck with me as I left Lincoln Center last night. In a gala that was all about high-wattage brilliance, they shone brightest.
Last May, we told you about a special exhibition of the Mark Ryden artwork that sparked Alexei Ratmansky's sweet-treat of a ballet, Whipped Cream. Well, hold on to your tiaras, bunheads, because there's a brand-new exhibit featuring actual costumes from this megahit production. The Nutcracker's Land of Sweets has some serious competition!
Kyle Van Newkirk is a tap dancer you probably remember from the premiere season of NBC's World of Dance. In case you missed it, he is also one of Showstopper's incredible convention teachers. What makes Kyle stand apart from some of today's other incredible tappers? He isn't afraid to change what tap means to his audience and even himself. This modern view of tap dancing is important because it shows us that tap dancers are just as versatile and dynamic as dancers of any other genre. We sat down with Kyle to get his advice on bringing tap dancing into the 21st century.
Sure, dancers definitely have some unique identifying characteristics. (We're all obsessed with Center Stage? FACT.) But we're also subjected to all kinds of annoying, inaccurate stereotyping. Here are 10 dancer stereotypes that we never want to hear again.
They say there's no "I" in "team"—and nowhere is that truer than the world of college dance teams, where precision reigns, uniformity is key, and a single misstep from any given "I" can cost a group a championship trophy. So it's unsurprising that securing a spot on one of the best dance teams in the country is no easy feat.
Members of these highly athletic teams rehearse for hours every week—on top of academic classes and commitments—and perform at football and basketball games, annual concerts, and nationally televised competitions (hi, ESPN). And "no I" rule notwithstanding, each of these top teams is made up of highly trained, highly technical, highly hard-core individuals, who come together to create a ready-for-victory pack.
These six teams aren't one-off success stories—they're consistently strong, and earn the top spots at major competitions like UDA and NDA nearly every year. Up for the challenge? Here's what to know before you go to auditions.
Picture this: You've scored tickets to Ellen DeGeneres' hit show, "Ellen." The day has come, the show is as hysterical as ever, Ellen is debating the biggest hot-button issue since the blue/black or white/gold dress, "Laurel vs. Yanny" (side note: it's LAUREL, people), and tWitch is killing it over at the DJ booth, as always. Ellen decides it's the perfect time to single out an audience member and, lo and behold, that person is "SYTYCD" champ ( and December 2017 cover star!) Lex Ishimoto.
The Glorya Kaufman International Dance Center is the 54,000 square foot home of the USC Glorya Kaufman School of Dance, one of the largest facilities dedicated to dance on a private university campus. Designed for their innovative new curriculum, that supports a range of dance styles, the school's staff designated Harlequin to provide wall-to-wall flooring for the large 3,500 square foot Performance Studio as well as five dance studios in their new state-of-the-art building.
If diamonds are a girl's best friend, it's safe to say that faux-diamond earrings are a dancer's best friend. A fixture onstage at just about every competition weekend, these blinged-out baubles are also the surest sign that recital season is upon us again. And what better way to get into the sparkly spirit than by drooling over these 5 diamonds in the rough? (Sorry not sorry!)
DancerPalooza, America's Largest Dance Festival, is moving to sunny SAN DIEGO, California from July 24-29, 2018.
Check out all of the NEW Intensives DancerPalooza has to offer this year!
You could say that a perk of dancing with Los Angeles Ballet is its proximity to Hollywood. It's no wonder, then, that when actor and comedian Kevin Hart was looking for someone to teach ballet lessons for his new "What the Fit" YouTube show, he reached out to the nearby company. The series follows Hart and his celebrity friends as they try different forms of exercise (such as sumo wrestling and goat yoga), with hilarious results. For his ballet episode, Hart brings along Hangover star Ken Jeong—and the dancers do their best to keep these madcap comedians under control.