Caption/credit info below

These Oklahoma City University Alums Are Killing It Post-Grad

Few college dance programs can boast as many success stories as Oklahoma City University—in fact it's hard to go to a Broadway show or national tour and not see an OCU grad. Fewer still can lay claim to as much talent from their male alumni. We asked four male OCU dance grads how their alma mater contributed to their success in show business:


Ben Lanham

Side by side images; the left shows what seems to be an audition. Lots of students in black with numbers on their chests sit on the floor, looking at Lanham as he jumps, with one leg straight to the side and one tucked under him. The right photo shows Lanham in a bar scene in An American in Paris. He sits on a chair with a woman on his lap. Lots of men around him hold drinks or their arms up above them.

From left: Lanham at OCU, courtesy OCU; Lanham in An American in Paris, Matthew Murphy, courtesy Lanham

Ben Lanham had his sights set on Broadway long before he applied to OCU. "I was considering not going to college in the first place," says the 2013 graduate. "I am so happy that did not happen because OCU helped me beyond just dance training." The rigorous academics, top-notch technical training and industry-related classes were the trifecta that helped Lanham land his touring contracts. His credits include the West Side Story European tour, the national tours of Cinderella and An American in Paris, and currently, the Hello Dolly! national tour.

"As a guy in the industry, it's imperative that you can partner safely and successfully," Lanham says. "My exposure to partnering early really prepared me for An American in Paris."

Unlike many other dance programs, OCU sets its students on a direct path to employment. "Going to audition rooms in New York, there are always going to be incredibly technical dancers," he says. "But I think the guys from OCU are well-rounded. We graduate with a songbook ready, able to walk into an audition with confidence."

Tanner Pfluger

Side by side images; the left shows Pfluger in a spilt jump, wearing a blue shirt and black pants onstage. The second shows him dancing with a woman; they are in the middle of doing the Charleston and he holds a small banjo-like instrument. He wears white pants, a checkered sweater, long socks pulled up to his knees and a cap.

From left: Pfluger as a OCU student, courtesy OCU; Pfluger in Jerome Robbins' Broadway, Erick Velazquez, courtesy Pfluger

Since graduating in December 2017, Tanner Pfluger has been on the go. Whether it's The Music Man in Florida, Jerome Robbins' Broadway in Texas or Guys and Dolls in California, it seems there is no stage he can't grace. Now performing the role of Henry Buttons in Newsies in Washington, D.C, Pfluger is grateful for OCU's rigorous curriculum and thorough training. "In addition to our dance classes, we had acting classes, private voice lessons and mock auditions," he says. "We also learned about what goes on behind the scenes."

That preparedness, which the OCU faculty prioritizes, has given Pfluger the confidence to tackle whatever comes his way. "Jo Rowan, the dance chair, had a lot of sayings," he says. "One that sticks with me is: 'Success is preparation meeting opportunity.' That's one of the rules that I live by. As long as you're prepared, an opportunity will present itself and you will be successful in whatever endeavor you choose."

Benjamin Rivera

Side by side images: Left, Rivera and a large group of students jump with their arms above them and their knees bent. They all wear purple-ish shirts and black pants. Right: Rivera wears a top hat and a wide grin, and is mid-clap. He is looking at a fellow cast member, a woman, while other cast members can be seen dancing in the background.

From left: Rivera as a OCU student, courtesy OCU; Rivera in Moulin Rouge!, Matthew Murphy, courtesy Boneau/Bryan-Brown

Benjamin Rivera felt the love from OCU before he even walked through the doors. "I was a transfer student and the school went above and beyond to make my transition a dream," he says. The faculty helped Rivera enroll at the eleventh hour, five days before the semester began. "I could tell that they really cared about me right away."

OCU rotates faculty for technique classes, which Rivera feels was some of the best preparation he received for the industry. "Every two weeks I had a different professor for ballet, jazz and tap," he says. "You end up being a chameleon which is a major strength. The structure of the program turns out performers who can take anything you throw at them."

Since graduating in 2014, Rivera has appeared in tours of Anything Goes, Elf, Dirty Dancing and The Bodyguard, on "Saturday Night Live" and "The Get Down," and is currently in Moulin Rouge! on Broadway. He credits OCU with giving him the wherewithal to pursue his dreams. "OCU has done something far beyond just creating a strong dance program," he says. "They're teaching us to be human in an industry that can be very inhuman."

Matthew Sparks

Side by side images: Left: Sparks in a suit and jazz shoes, dancing against a purple background. He looks like he is mid-run. Right: Sparks wears a gold shirt with a white pants and jacket. He dances against a background of gold streamers, with several women on either side of him. They all jump, reaching up to the side with one arm, and with one leg straight below them and the other leg bent into a turned in pass\u00e9.

From left: Sparks at OCU, courtesy OCU; Sparks performing at Tokyo Disneyland, courtesy Sparks

Thanks to OCU, Matthews Sparks has been able to take his talent around the world. After graduating in 2018, he began his professional career performing on Royal Caribbean cruises. Now a performer in One Man's Dream II: The Magic Lives On at Tokyo Disneyland, Sparks dances in five 30-minute shows a day. "The repetition can strain the body," he says. "But OCU taught me how to take care of it. The way OCU's program provides rotating professors and all different kinds of styles, I really learned how to warm up and stay injury-free."

One of his most valuable takeaways from school was the industry knowledge he gained. "We had a class designed to prepare you for life as a dancer," says Sparks. "So, building your resume, making business cards and your website. Each week we had a guest speaker from a different field. It was one of my favorite classes because it showed me that there are so many different opportunities."

Latest Posts


Kennedy George and Ava Holloway pose in front of Richmond, Virginia's Robert E. Lee statue (Chris George, courtesy Kennedy George and Ava Holloway)

9 Dancers Using Their Art to Advocate for Change

Dance and activism can go hand in hand in a number of ways. Over the past few months, many dancers have turned to their art not only to advocate in support of the Black Lives Matter movement, but to highlight injustice within the dance world itself. Whether it's incorporating dance into protests, starting conversations with other members of the dance community, or expressing themselves through personal creative projects, dancers are finding ways to speak out.

Keep Reading SHOW LESS
Nick Silverio (Kevin Wang, courtesy Silverio)

Meet the Dance Competition Judge Behind the Most #Relatable Dancer TikToks

If you're on #compkid TikTok, odds are you've seen a post by Nick Silverio (@nicksilverioo). Silverio was a competitive dancer with Elite Academy of Dance in Shrewsbury, MA, before studying business at the University of Pennsylvania and continuing to dance throughout college. Now he works as a professional dancer, choreographer, and competition judge in NYC, and—like so many of us—turned to TikTok to fight quarantine boredom. His account has grown to almost 40k followers and has garnered over a million likes.

We asked Silverio to tell us a bit about his new creative outlet.

Keep Reading SHOW LESS
MDC3 left the judges breathless. (Trae Patton/NBC)

World of Dance Finale Recap: And the Winner Is...

This season's "World of Dance" finale hit different. Like countless other performances this year, the episode (filmed in early March) was impacted by COVID-19. For the first time in the series' history, the finale was filmed without a studio audience.

But nothing could stop the finalists from leaving all they had on the "WOD" stage. Here's a spoiler-filled recap of how the night went down.

Keep Reading SHOW LESS

Editors' Picks

contest
Enter the Cover Model Search