The Misty Effect: Precious Adams, First Artist, English National Ballet
Precious Adams (photo by Laurent Liotardo, courtesy English National Ballet)
The answer to Canton, MI, native Precious Adams' ballet dreams lay abroad. Adams studied at the National Ballet School of Canada (relatively near her home in Michigan), and eventually her desire to seek out the best possible training led her even further afield, to the Monte Carlo Ballet's Princess Grace Academy, and the Bolshoi Ballet Academy.
When Adams went to Saint Petersburg, Russia, to dance at the 2007 Dance Open master classes, the experience was a little bit of a shock. Despite seeing few other dancers of color throughout her training, in Russia, Adams felt like her race was really visible. "It was the first time I felt like, 'Oh, I'm black and maybe that might not be a good thing in this profession,' " she says. "Despite that realization, I was even more determined to pursue my dreams."
Adams won the Prix de Lausanne in 2014, and an offer from English National Ballet followed. Her ultra-refined classical technique has helped her dance everything from La Sylphide to William Forsythe's In the middle, somewhat elevated to Pina Bausch's Rite of Spring. And, thanks in part to Copeland, Adams believes that assumptions about black women and black dancers are starting to change. "After all," she says, "when people are excluded, talent is wasted."
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers on their profile pages, and then vote for your favorite below. You can vote once a day now through July 15.
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Imagine attending American Ballet Theatre's prestigious NYC summer intensive, training among classical ballet legends. Imagine taking the stage at New York City Dance Alliance Nationals, competing against some of the country's best contemporary dancers. Now, imagine doing both—at the same time.
Welcome to Madison Brown's world. This summer, she's in her third year as a National Training Scholar with ABT, while also competing for NYCDA's Teen Outstanding Dancer title. (She's already won Outstanding Dancer in the Mini and Junior categories.) The logistics are complicated—ABT's five-week intensive overlaps with the weeklong NYCDA Nationals, which translates to a lot of cabs back and forth across Manhattan—but Maddie is committed to making the most of each opportunity. "I love contemporary and ballet equally," she says. "While I'm able to do both, I want to do as much as I can."
Maddie has an expressive face, endless extensions, and a quiet command of the stage. She dances with remarkable maturity—a trait noted by none other than Jennifer Lopez, one of the judges on NBC's "World of Dance," on which Maddie competed in Season 2. Although Maddie didn't take home the show's top prize, she was proud to be the youngest remaining soloist when she was eliminated, and saw the whole experience as an opportunity to grow. After all, she's just getting started. Oh, that's right—did we mention Maddie's only 14?
Corbin Bleu in rehearsal for "Kiss Me, Kate" (Jenny Anderson, courtesy Roundabout Theatre Company)
If you're a hardcore Broadway baby, today is the worst Sunday of the year. Why, you ask? The Tony Awards were last Sunday, so basically there's nothing to look forward to in life anymore—no James Corden being James Corden, no teary acceptance speeches from newly minted stars, no thrilling excerpts from the hottest new shows. Oh yeah, and there are 50 more Sundays to go before our humdrum lives are once again blessed with the next annual iteration of Broadway's biggest night.