The Misty Effect: Rachael Jones, BalletMet

Rachael Jones (photo by Jennifer Zmuda, courtesy BalletMet)

In 2011, after dancing with American Repertory Ballet and Nashville Ballet, Rachael Jones had decided to retire her ballet shoes. At that point, she was a sophomore at Florida State University, planning to major in political science and international affairs and to work for the State Department when she graduated.

But then another black ballerina changed Jones' path. A message from former New York City Ballet and Dance Theatre of Harlem dancer Andrea Long-Naidu popped up on Jones' Facebook page. "I was in shock that a woman who I had admired for so much of my life was looking at my profile," Jones says. "She told me she saw something very special in me, and that I should be sharing my gift, that I should be dancing." The two began corresponding regularly, with Long-Naidu offering encouragement and advice. Once Jones graduated, she accepted a contract with The Washington Ballet. "To this day, I will never be able to thank Andrea enough for that first message," Jones says. "I don't know that I would have returned to ballet without her generosity or persistence."

The Snellville, GA, native has been with BalletMet since 2016, and is known for her powerful presence and dynamic technique. She's also giving back to other young dancers through her work with Brown Girls Do Ballet. "When I went to summer intensives, I was usually the lone brown ballerina in my group," says Jones. "And I grew up pre–social-media, so it was definitely a struggle to feel so obviously different from my peers. I would have loved for there to have been something like BGDB when I was growing up."

Dancer to Dancer
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)

Congratulations to Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers on their profile pages, and then vote for your favorite below. You can vote once a day now through July 15.

We also want you to get social! We'll be factoring social media likes and shares into our final tallies. Be sure to show your favorite finalist some love on Facebook, Instagram, and Twitter, sharing their profile pages and using the hashtag #DanceSpiritCMS.

Cover Model Search
Photo by Erin Baiano

Imagine attending American Ballet Theatre's prestigious NYC summer intensive, training among classical ballet legends. Imagine taking the stage at New York City Dance Alliance Nationals, competing against some of the country's best contemporary dancers. Now, imagine doing both—at the same time.

Welcome to Madison Brown's world. This summer, she's in her third year as a National Training Scholar with ABT, while also competing for NYCDA's Teen Outstanding Dancer title. (She's already won Outstanding Dancer in the Mini and Junior categories.) The logistics are complicated—ABT's five-week intensive overlaps with the weeklong NYCDA Nationals, which translates to a lot of cabs back and forth across Manhattan—but Maddie is committed to making the most of each opportunity. "I love contemporary and ballet equally," she says. "While I'm able to do both, I want to do as much as I can."

Maddie has an expressive face, endless extensions, and a quiet command of the stage. She dances with remarkable maturity—a trait noted by none other than Jennifer Lopez, one of the judges on NBC's "World of Dance," on which Maddie competed in Season 2. Although Maddie didn't take home the show's top prize, she was proud to be the youngest remaining soloist when she was eliminated, and saw the whole experience as an opportunity to grow. After all, she's just getting started. Oh, that's right—did we mention Maddie's only 14?

Keep Reading Show less
Cover Story
Corbin Bleu in rehearsal for "Kiss Me, Kate" (Jenny Anderson, courtesy Roundabout Theatre Company)

If you're a hardcore Broadway baby, today is the worst Sunday of the year. Why, you ask? The Tony Awards were last Sunday, so basically there's nothing to look forward to in life anymore—no James Corden being James Corden, no teary acceptance speeches from newly minted stars, no thrilling excerpts from the hottest new shows. Oh yeah, and there are 50 more Sundays to go before our humdrum lives are once again blessed with the next annual iteration of Broadway's biggest night.

Keep Reading Show less
Musical Theater

Video

mailbox

Get Dance Spirit in your inbox

Giveaways