When we watch the Rockettes perform in the
Radio City Christmas Spectacular, we see a group of impeccable dancers moving in perfect unison—not a sequin or an eyelash out of place. But it takes a lot of intricate behind-the-scenes work to keep the Rockettes stage-ready. Here's a by-the-numbers look at the Rockettes' Christmas Spectacular experience, with insider information from NYC dance captain Traci Reszetylo.
Over 500: Dancers who audition for the Rockettes each season. “The line wraps around Radio City Music Hall!" says Rockette Traci Reszetylo.
Christmas Spectacular performances in NYC
37: Miles the Rockettes' double-decker bus from the “New York at Christmas" scene travels across the stage during the show's run
72: Wireless microphones used to amplify the Rockettes' tap sounds. “There's one small mic on the arch of each of our tap shoes," Reszetylo says. “They catch everything, so we have to be very clean with our sounds—no extra brushes or scrapes or scuffs."
40: Rockettes in each Radio City Music Hall performance
80: NYC Rockettes
15,000: Red dots applied to the cheeks of the Rockettes each season during “Parade of the Wooden Soldiers"
The Rockettes in rehearsal (photo by Carl Scheffel/MSG Photos)
216: Hours the Rockettes rehearse before opening night. “We go six hours a day, six days a week, for six weeks," Reszetylo says. “It's all about creating that famous Rockette precision, down to the fingertips—and that takes a lot of time."
16: Shows each Rockette does per week during busy periods, like the week after Thanksgiving and the week before Christmas—sometimes as many as five a day!
78: Seconds the Rockettes have to change costumes between “Parade of the Wooden Soldiers" and “New York at Christmas." “There's one dresser for every three Rockettes, and we have the process down to a science," Reszetylo says. “You're always putting on your earrings and your hat right as you walk onstage. I've gone on for 'New York at Christmas' with my 'Wooden Soldier' cheeks still on!"
"Snow" (photo by Dan Niver/MSGE Creative)
More than 900: Swarovski crystals on the Rockettes' sparkliest costume, for “Snow." “The 'Snow' costumes are my favorite, because they embody what the Rockettes are," Reszetylo says. “Since no two snowflakes are alike, each costume is a little different—slightly different shades, slightly different designs—but they make a beautiful picture together. Similarly, while each Rockette is an individual, onstage we make a single unified line."
9: Costumes each Rockette wears during the show
102: Shows each Rockette performs in. “We have two different casts, and we split the performances pretty much down the middle," Reszetylo says.
Traci Reszetylo (right) in the dressing room (photo by Avi Gerver/MSG Photos)
1,500: Kicks the Rockettes do on their busiest show days. “There are 300 kicks a show, between strut kicks, which come to the waist, and high kicks, which go to the eye," Reszetylo says. “On five-show days, that's a lot of kicking. Needless to say, we get in pretty good shape over the course of the season. We definitely earn our Christmas cookies."
“As a Rockette, you have all this onstage choreography that has to be perfect. But the choreography offstage is just as complicated, and you have to nail that, too."
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers on their profile pages, and then vote for your favorite below. You can vote once a day now through July 15.
We also want you to
get social! We'll be factoring social media likes and shares into our final tallies. Be sure to show your favorite finalist some love on Facebook, Instagram, and Twitter, sharing their profile pages and using the hashtag #DanceSpiritCMS.
Imagine attending American Ballet Theatre's prestigious NYC summer intensive, training among classical ballet legends. Imagine taking the stage at New York City Dance Alliance Nationals, competing against some of the country's best contemporary dancers. Now, imagine doing both—at the same time.
Welcome to Madison Brown's world. This summer, she's in her third year as a National Training Scholar with ABT, while also competing for NYCDA's Teen Outstanding Dancer title. (She's already won Outstanding Dancer in the Mini and Junior categories.) The logistics are complicated—ABT's five-week intensive overlaps with the weeklong NYCDA Nationals, which translates to a lot of cabs back and forth across Manhattan—but Maddie is committed to making the most of each opportunity. "I love contemporary and ballet equally," she says. "While I'm able to do both, I want to do as much as I can."
Maddie has an expressive face, endless extensions, and a quiet command of the stage. She dances with remarkable maturity—a trait noted by none other than Jennifer Lopez, one of the judges on NBC's "World of Dance," on which Maddie competed in Season 2. Although Maddie didn't take home the show's top prize, she was proud to be the youngest remaining soloist when she was eliminated, and saw the whole experience as an opportunity to grow. After all, she's just getting started. Oh, that's right—did we mention Maddie's only 14?
Corbin Bleu in rehearsal for "Kiss Me, Kate" (Jenny Anderson, courtesy Roundabout Theatre Company)
If you're a hardcore Broadway baby, today is the worst Sunday of the year. Why, you ask? The Tony Awards were last Sunday, so basically there's nothing to look forward to in life anymore—no James Corden being James Corden, no teary acceptance speeches from newly minted stars, no thrilling excerpts from the hottest new shows. Oh yeah, and there are 50 more Sundays to go before our humdrum lives are once again blessed with the next annual iteration of Broadway's biggest night.