Sara Mearns on Preparing For Her New Role in Matthew Bourne's "The Red Shoes"
Matthew Bourne's dramatic ballet The Red Shoes, which earned rave reviews in England last year, is heading stateside this month. Based on the Academy Award–winning 1948 movie of the same name, the show follows the passionate aspiring ballerina Victoria Page as she tries to dance her way to the top, but ultimately must choose between her love of dance and the love of her life. Joining Bourne's company, New Adventures, as guest artists are New York City Ballet principal Sara Mearns, who will perform the role of Victoria for select performances at New York City Center; and American Ballet Theatre principal Marcelo Gomes, who will tour with the company, dancing the role of Julian Craster in select cities. DS chatted with Mearns to see what the rehearsal process has been like, and how it's been different from preparing for a typical NYCB season.
What do you identify with most in Victoria?
Sara Mearns: She's dying to succeed. Everybody has this push inside of them where you want to make it to the top, you want to be in the front. I'm still always pushing my boundaries and going out of my comfort zone.
What kind of character research did you do?
It was a lot of watching old movies and studying that generation of actresses. I watched the film a lot. Moira Shearer, who played Victoria, paid so much attention to detail in her acting. I wanted to stay true to the character she portrayed in the movie, but also have my take on it.
What's been the most challenging part of the process?
In this show I'm in character shoes, I'm barefoot, I'm in flat shoes, and I'm in pointe shoes. I perform many forms of dance, which I don't get to do a lot, and that's fun for me. It was a lot of work, though. I'm pretty stable in a pointe shoe, but sometimes when I put a character shoe on I can't even walk.
What's it been like working with New Adventures?
I got to work with the whole company onstage in Liverpool, and I was so intimidated by the dancers. But they couldn't have been nicer. They acted like I was already part of the family, which let me relax and really focus on what I needed to do.
What are you most excited about?
I'm very excited to perform at City Center again. It's kind of like my second home in NYC. I'm also excited for everyone to see another side of myself. And to just be in that character. Every time I watch the show, I'm in tears at the end. I just can't wait to be in that moment onstage with everybody.
A version of this story appeared in the October 2017 issue of Dance Spirit with the title "A Film Classic, Reimagined."
Last week Disney Channel star Sofia Wylie released a behind-the-scenes look at the making of her YouTube dance series. Along with some stellar dancing, the video shows the dance community featured in her "4k Dance Series" and the things they've learned from being a part of the dance project. And though the project features dance, we love that it also emphasizes supporting and building up fellow dancers.
Showstopper has been making its impact on the dance world since 1978. Before then, dancers didn't have a stage to perform on, the opportunity to learn from peers, or a competitive outlet like most sports. Debbie Roberts recognized this missing piece in the dance community and that is how America's first and longest running dance competition, Showstopper, was born. Debbie taught dance for over 26 years and owned and operated her own dance studio for 20 years. She is now the owner and National Director of Showstopper, along side her husband, Dave Roberts. Dancer, teacher, business owner, author, and mother, Debbie has made dance her life's career.
Sometimes, you hear talk about an upcoming class video and it sounds too good to be real. Wait: Todrick Hall made a track featuring RuPaul, and then Todrick personally asked Brian Friedman to choreograph it, and then Brian got Maddie and Charlize and Jade and Kaycee and Sean and Gabe and Larsen and Bailey to come out for the class? I just...that can't be right. Can it?
It is right, friends. It is SO RIGHT.
Team USA is totally taking over "Dancing with the Stars" this season! Casting for the upcoming athletes-only "DWTS" cycle, which kicks off April 30, was just announced. And the roster includes a whole bunch of Olympic favorites—including not one, not two, but three figure-skating standouts.
Winter is drawing to a close and you know what that means -- It's time to really kick this year into gear! Move U has done the research so you can find your best match, look good, and feel great this season with a twist unique to your team! Here are five looks to put your performance on the map in 2018.
With several Shaping Sound tours and TV credits like "So You Think You Can Dance," "Dancing with the Stars," and "Boardwalk Empire" to her name, you wouldn't expect Kate Harpootlian to be refreshingly down-to-earth. But that's exactly how she is: As soon as you start talking to the gifted dancer and choreographer, it becomes clear that she doesn't take herself too seriously. And she's happy to tell hilarious stories to prove it. (Ask her about the time she did a Mr. Peanut impression when Mia Michaels asked her to improvise, or the time she starred in a Japanese makeup commercial and had to do grand pliés wearing one pointe shoe and one flat shoe.)
That mixture of humor and grace is evident in Harpootlian's growing body of choreographic work. Her one-act show Better Late Than Never, for example, which premiered last summer, has a jazzy, West Side Story vibe, offsetting heavier moments with touches of whimsy. "There's always a balance in my work," Harpootlian says. "I want to use humor to balance out the darker aspects. It's like one of my friends once said: 'You make me laugh, and then you make me feel bad for laughing.' "
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com for a chance to be featured!
I grip my quads, and I don't know how to stop. I'm totally overdeveloping my quad muscles. How can I retrain myself so I use my legs correctly? Help!
You know that pirouette dream, when your placement is so perfect you can keep turning forever? That dream is the reality for highly technical tappers, who benefit from the decreased friction of their shoes. Get the placement right and, with a strong spot, they can pirouette for days.
But turning in tap shoes isn't all easy. In fact, those delightfully friction-free shoes bring their own set of challenges, and dancers can easily fall into the spinning-top trap by letting the turn control them, rather than the other way around. Here's how to harness your tap-turning potential.
Given that we're still processing our own sadness about the recent dissolution of the couple formerly known as #TeamTatum, we can only imagine how many feelings Jenna Dewan must be feeling. But like all dancers, Dewan knows the best way to deal with big emotions is to dance through them.