The School of American Ballet: Coming to a TV Near You

The School of American Ballet Spring Workshop, one of the dance world's most famous end-of-year performances, is almost like a rite of passage. Each year, SAB's most talented and advanced dancers are chosen to perform. Many of them go on to join major ballet companies nationwide—including New York City Ballet.

Addie Tapp, now in Boston Ballet, and Preston Chamblee, now an NYCB apprentice, in George Balanchine's Serenade at SAB's 2014 Workshop Performance (Paul Kolnik, courtesy Live From Lincoln Center)

Attending SAB's workshop is pretty darn cool, too. It's like witnessing a little slice of history—you're seeing prima ballerinas in the making, the stars before they become stars. Yet for those who don't live in NYC, chances to see the workshop performance are pretty rare.

Thankfully, that all changes next Friday, December 12*, when PBS' "Live From Lincoln Center" presents “Curtain Up: The School of American Ballet Workshop Performances.”

Taped this past spring, the TV special will show the entirety of the most recent SAB Workshop performance, which featured George Balanchine's Serenade and excerpts from his Coppélia, Swan Lake and Western Symphony. The program will also include rehearsal footage and interviews with dancers. And if this preview is any indication of what the whole 90 minutes will be like...I suggest you set your DVR now:

*Be sure to check your local listings for air dates and times, because not all PBS stations will be showing the special on the 12th. NYC's PBS station, for instance, won't air it until that Sunday, and Philadelphia's station isn't slated to show it until Thursday, December 18 at 3:30 pm. To find your local schedule, click here.

Latest Posts


Project 21 dancers (from left) Selena Hamilton, Gracyn French, and Dyllan Blackburn (Photo by Quinn Wharton; hair and makeup throughout by Angela Huff for Mark Edward Inc.)

How Project 21 Is Shaping the Next Generation of Competition-Dance Standouts

"I wish I had a better story about the name," says Molly Long, founder of the Orange County, CA–based dance studio Project 21. In truth, it's a play on the fact that she was born on the twenty-first of August, and 21 is her favorite number. "I was away on a teaching tour, the audition announcement was going live on Instagram the next day, and I desperately needed a name. Project 21 was just the least cheesy of the options I thought of!"

The fact that fans might expect the name to have some profound meaning speaks to the near-mythic status Project 21 has achieved on the competition and convention scene since its founding in 2014. Long's dancers are all wholly individual, yet jell seamlessly as a group, and are consistently snagging top prizes everywhere on the circuit. Each season brings a slew of new accolades, high-caliber faculty, and legions of devoted followers.

The industry has taken notice of the studio's unique ethos. "Molly gets through to her dancers in a special way, and they have this incomparable level of commitment to their craft as a result," says dancer and choreographer Billy Bell, who's worked closely with Long and her dancers. "That's what sets them apart—it's like a little dose of magic."

Keep Reading SHOW LESS
Because this is stock art that exists in 2020. (Getty Images)

How to Dance in a Face Mask

There's a new must-have accessory for the dancers who've begun to venture back into the studio. Face masks are essential to protect your teachers and fellow dancers (not to mention their families) from coronavirus. But they definitely make dancing more complicated.

How can you prepare for—and adjust to—the new masked normal? Here's practical advice from Dr. Steven Karageanes, a primary care sports medicine specialist who's worked with the Rockettes and "So You Think You Can Dance," and Anna Dreslinski Cooke, a Chicago-based professional dancer who has experience dancing in cloth masks, disposable masks, N95 masks, and face shields.

Keep Reading SHOW LESS

Editors' Picks

contest
Enter the Cover Model Search