Dance News

"So You Think You Can Dance" Recap: The Top 7 Become the Top 6

Kiki and Jenna in Warren Carlyle's Broadway routine (Adam Rose/FOX)

While most of us spent the weekend saying sayonara to summer, the remaining "SYTYCD" contestants were working hard. Because for this week's live show, each member of the Top 7 performed SO MANY TIMES: a solo, a duet with an All Star, and a mini group routine—plus the opening number. Phew! Next week, there's a double elimination coming our way (with no help from the judges). But here's how last night played out.


The Opening Number

Fringe! Sequins! Big ol' wigs! Dapper white dress shirts and matching pants! Choreographed by Broadway boss Warren Carlyle, this routine had a little something for everyone. The choreography transitioned from hip hop to jazz to tap to ballroom to swing dancing, with a cabaret-style finale. There were lots of tricks and a bunch of big smiles—exactly what you want before things start to get emotional (which they did, for the next two hours).

Lex & Gaby

Style: Hip hop

Choreographer: Luther Brown

Lex is here to turn up. Between his stank face, Gaby's insane wig, Kendrick Lamar's kickin' soundtrack, and those magic carpet-looking jackets, this was super fun (and reminiscent of the time tWitch and Alex Wong killed that "Outta Your Mind" hip-hop routine back in 2011). At this point, everyone knows that Lex is fantastic. He does have personality, he can do every trick in the book, and he's already a working professional dancer (hi, Shaping Sound). At this point it's just a matter of giving him memorable routines that'll get people to pick up their phones and vote.

The judges said: Standing ovation! Mary praised Luther Brown for taking it to "a whole 'nother level" and said #LexNation destroyed it. Nigel loved it, too. And a Moana-channeling Vanessa said Lex can do it all.

Logan & Allison

Style: African jazz

Choreographer: Sean Cheesman

As "warriors in a hidden tribe in the jungle," Logan and Allison "need to be in Olympic marathon shape," Cheesman says of this routine. Sounds easy and chill enough, right? Nah. This piece was no. joke. There were acrobatics, lifts, a bridge-like prop, and some seriously impressive turns in second by Logan. Even though Allison is always amazing, Logan and his long legs were the focus this time around. But mostly, OMG, that looked so exhausting.

The judges said: Nigel said Logan hits the ball out of the park every week (a nod to Logan's story about quitting baseball in favor of dance). Vanessa said "wow!" A lot. And giggled. And Mary said it felt like a crazy rollercoaster ride, then granted Logan access to the Hot Tamale Train.

Kaylee & Cyrus

Style: Contemporary

Choreographer: Tyce Diorio

This piece was about "the couple that has been through real disaster." It was dark and dirty—literally, like Kaylee and Cyrus were covered in grime. It wasn't a conventionally pretty contemporary piece, which was a nice change, especially for these two. There were hip-hop elements worked in throughout, plus loads of lifts and partner work. These two clearly adore each other and are a great team, which is lovely, but they aren't always the smoothest when it comes to lifts that should look easy.

The judges said: Vanessa loved it and said it showcased Kaylee's strength and ferocity. Mary told Kaylee she looked so dynamic and powerful out there. Nigel said it was the best routine Kaylee and Cyrus have ever done together. (Aww!) The best part, though, was the cut to Kaylee's parents in the audience. Have you ever seen a prouder papa or a more emotional mom? Too cute.

Kiki & Jenna

Style: Broadway

Choreographer: Warren Carlyle

"Dancing with props is a nightmare," Carlyle says—and then proceeded to give these two a whopping 10 canes to work with. But Kiki and Jenna were up to the challenge. The canes just kept getting tossed onstage by some mysterious force (or, you know, a "SYTYCD" prop coordinator), and Kiki and Jenna grabbed each one #flawlessly. The turns at the end were so fast, the red suits were so hot, and Cat Deeley (who rushed the stage the minute it was over) was so much more excited than anyone about it all.

The judges said: Standing ovation! Mary said the routine gave her "high anxiety," and that it took her out of her comfort zone for the first time all season. And that shriek? It meant she loved it. Nigel did, too, and said Kiki has become a brilliant all-around dancer. (Most Improved for sure.) Vanessa held her breath the entire time, said it was terrifying, and concluded that Kiki is a joy to watch. Agreed.

Koine & Marko

Style: Jive

Choreographer: Dmitry Chaplin

Marko is a geek, Koine is a beauty—and together, they're a cute couple with a whole lotta fancy footwork. Honestly, it's crazy Koine has ever been in the Bottom 3. Not only is she super talented and versatile, but she also has incredible stage presence. She made those lifts look like a breeze (shoutout to Marko for his work on those, too—namely at the halfway point when she flipped him). The competition is super stiff this season, but Koine definitely deserves to be in there.

The judges said: Nigel acknowledged how scary some of those lifts can be, and said they crushed them. Vanessa praised Koine for her versatility (see? that's what we said!), and Mary said it was "just amazing."

Taylor & Robert

Style: Contemporary

Choreographer: Mandy Moore

This was #flawless. We really don't have much additional commentary for it. Love these two together, love that yellow dress, and love the sincerity in their emotions.

The judges said: Vanessa said it was completely stunning and so gorgeous and "never frigid." Mary got very emotional and batted away tears and said it was astounding and ethereal. Then Nigel swooped in and said the simplicity of the music made the routine extra beautiful, but now he wants Taylor to dig even deeper—her technique is already superb, so it's time to find the extra special things.

Mark & Comfort

Style: Hip hop

Choreographer: Misha Gabriel

"No more love stories," Misha Gabriel said: He got Mark and Comfort fighting ninja-style! Did they pull it off? Well, they definitely got a workout in, that's for sure. This routine was super athletic and we were tired just watching it (on the couch, in pajamas, obviously). But if Mark and Comfort were tired, they didn't let it show, more power to them.

The judges said: Mary loved the concept and said it was clean, synchronized, and hard-hitting. Nigel said it made him smile, and praised Mark for always bringing so much personality to his routines. And Vanessa said she doesn't know if there's anything she loves more than a ninja. (Um, what about Troy Bolton, Vanessa? Did you love him more than a ninja?)

Group Routine #1: Kaylee, Logan, & Lex

Choreographers: Dwight Rhoden & Desmond Richardson

YES, Dwight and Desmond! It's always a treat having this dynamic duo on the show. They served up another prop-y routine — but instead of canes or bridges, they used simple wooden stools. Unsurprisingly, this piece was incredible. Between Lex and Logan's gorgeous classical training and Kaylee's powerful presence, this was a winning routine. Plus, it was just nice to mix things up a bit with a small group number. (Kaylee, we love ya, but can we request a dance-off between Logan and Lex, please?)

The judges said: Nigel said he loves Kaylee because she's unique, and that she stood out brilliantly next to Logan and Lex. He praised Logan's lines and strength and said Lex just amazes him (shout-out to the triple tour en l'air he did in his solo earlier in the night). Vanessa said it made her heart explode and was stunning and stupendous. And Mary said it was out of this world.

Group Routine #2: Mark, Kiki, Taylor, & Koine

Choreographer: Sean Cheesman

Cheesman created a piece about people from all different races coming together, and can't we all use more of that kind of idea right now? It was a beautiful and powerful way to end the show—both the dancing and Maya Angelou's message. (Bonus points for all the tricky lifts.)

The judges said: Standing ovation! Vanessa said it was out of control and brilliant. Mary thanked Cheesman and the dancers. And Nigel said diversity is so important.

So after all that—and, more precisely, after last week's votes—the dancers in the bottom three were Kaylee, Mark, and Kiki. (The audience's audible gasps after hearing Mark's name, and the even louder gasps upon hearing Kiki's, were equal parts LOL-inducing and super sad.)

And the dancer taking the Top 7 to a Top 6 is:

Mark.

Whaaat?! Were you shocked? We were shocked. Kaylee was definitely shocked. But that's how America voted, so consider this your reminder to vote vote vote for the dancer you want to see in the finale! Next week, the Top 6 face a double elimination, which will be very sad, but will ultimately introduce the Top 4 headed for the finale. Wahhhhh, but also yay! We are feeling so many feelings!

Show Comments ()
Popular

Summer dance camp season will be here before you know it and you might be starting to wonder what you need to pack in your bag. Don't stress, we have 5 of the top must haves for camp this summer!

Keep reading... Show less
Dancer to Dancer
n RWS Entertainment Group Audition (courtesy RWS Entertainment Group)

Figuring out how to avoid getting cut in a musical theater audition can feel like a mystery. "It's not just about your technique, it's about the whole package of the person," says Justin Bohon, a casting director at Binder Casting, whose clients include The Lion King on Broadway. But how do you present yourself in the best way possible, and avoid making a faux pas that distracts from what's most important—your dancing? Bohon and three other casting directors gave us the scoop on their biggest audition pet peeves.

Keep reading... Show less
Dancer to Dancer
Tracie Stanfield's company, SynthesisDANCE performing at the 2017 Young Choreographer's Festival (Photo by Jaqi Medlock, courtesy Young Choreographer's Festival)

Whether it's for a gig at school, a community theater production, or just for fun, the first time you choreograph a dance can be both exhilarating and intimidating. The Young Choreographer's Festival is a platform that helps choreographers ages 18-25 gain experience by giving them a platform to present their work. The festival gives the newcomers a chance to grow as artists as they receive feedback from some of the best in the business. We caught up with eight established choreographers, artistic directors, and instructors who will be mentoring at this year's YCF, to find out what mistakes new choreographers should be aware of when they take on their first choreographic project and—how to avoid them.

Keep reading... Show less
Sponsored

We caught up with former Rockette Trina Simon at Showstopper's Myrtle Beach dance convention to get her expert advice on how to work as a professional dancer. Trina's work on Broadway has given her insight into the key things to focus on as a professional dancer looking for jobs and making a name for yourself, whether you are new to the world of professional dance or you have been making your way from one audition to the next for a while.

Keep reading... Show less
Just for Fun
Including, of course, Center Stage (Screenshot via Vimeo)

Dance in movies is a trend as old as time. Movies like The Red Shoes and Singin' in the Rain paved the way for Black Swan and La La Land; dancing stars like Gene Kelly and Ginger Rogers led the way for Channing Tatum and Julianne Hough.

Lucky for us, some of Hollywood's most incredible dance scenes have been compiled into this amazing montage, featuring close to 300 films in only seven minutes. So grab the popcorn, cozy on up, and watch the moves that made the movies.

Keep reading... Show less
Dance News
Unsurprisingly, Season 1 winners Les Twins have had a pretty epic year. (NBC)

"World of Dance" Season 2 is in full swing, introducing us to a new crop of jaw-dropping talents—and reuniting us with a few of the stars of Season 1, including 15-year-old dynamo Eva Igo. But what have our other Season 1 faves (Les Twins! KynTay! Swing Latino!) been up to since their big TV moment? Here's where they are now.

Keep reading... Show less
Dance News
The West End revival cast of CATS (courtesy DKC/O&M)

Raise your hand if you grew up watching the classic 1998 film version of CATS repeatedly. Like, until the VHS tape came off its tracks/the DVD was hopelessly scratched. 🖐🖐🖐😻😻😻

Well, fellow Jellicle obsessives, get excited: A new film adaptation of Andrew Lloyd Webber's iconic musical is in the works. And it'll feature brand-spanking-new choreography by Royal Ballet resident choreographer Wayne McGregor. And the search for dancers to fill those famous unitards is basically happening RIGHT NOW. (Paging Georgina Pazcoguin, Eloise Kropp, Ricky Ubeda, and all the other veterans of the recent Broadway revival!)

Keep reading... Show less
Dancer to Dancer
n RWS Entertainment Group Audition (courtesy RWS Entertainment Group)

Figuring out how to avoid getting cut in a musical theater audition can feel like a mystery. "It's not just about your technique, it's about the whole package of the person," says Justin Bohon, a casting director at Binder Casting, whose clients include The Lion King on Broadway. But how do you present yourself in the best way possible, and avoid making a faux pas that distracts from what's most important—your dancing? Bohon and three other casting directors gave us the scoop on their biggest audition pet peeves.

Keep reading... Show less

Sponsored

Want to Be on Our Cover?

covermodelsearch-image

Video

Sponsored

mailbox

Get Dance Spirit in your inbox

Sponsored