“So You Think You Can Dance” Season 10 Recap: The First Elimination
The Bottom 6: Mariah, Carlos, Alan, Jade, Brittany and Makenzie. (FOX/Adam Rose)
“First is the worst, second is the best…” Okay, so the first part of that saying might not be true here (last week’s episode was pretty amazing, too), but I’m willing to bet that this second episode with the Top 20 is the best so far this season! There were so many jaw-dropping moments last night (even if we did have to say goodbye to Brittany and Carlos in the first five minutes—what?!), it’s going to be tough for me to pick my own Top 5. But seeing as “SYTYCD” is a competition, it seems only right to spotlight the best—and the craziest—of the best…
1. Makenzie’s in danger?! Wait, no, she’s saved by the judges! This just floored me. After all the critical acclaim Makenzie had racked up in previous weeks, she’d landed squarely in my sights as the girl who was going to kill it technically—and on a regular basis, too. I mean, she practically radiates consistency, right? While it seemed that America didn’t initially agree with me, the judges took pity on this utter diva, immediately bailing her out. Thank goodness for that, because the fembot/mad-scientist routine she later danced with Paul promises more mesmerizing performances from her in the future.
2. Speaking of mesmerizing, there must’ve been something in the water this week at “SYTYCD.” Nearly every routine was smolderingly sexy, from Stacey Tookey’s sensitive and intimate choreo for Nico and Alexis, to Jenna and Tucker’s blazing hot cha-cha. And can we talk about how Curtis grabbed Hayley’s derrière for, like, ten years during their aggressive jazz number? Pretty sure that crossed the line from sultry/awesome to just kind of awkward.
3. Guest judge Christina Applegate gets full marks for awesomeness! Mary and Nigel (but especially Mary) can sometimes get a little carried away with the gushing. Of course I agree that “SYTYCD” contestants are out-of-this-world talented. But really, there are only so many ways to say, “Oh my gosh, you’re a really good dancer and I love the way you just danced!” Christina brought a breath of fresh air to the judges’ panel by humbly offering constructive criticism. While also offering her fair share of compliments, she also suggested paying attention to a song’s lyrics (not just to its instrumental elements) and to focus on telling the story of a Broadway piece. I couldn’t agree more. Thanks for stopping by, Christina!
4. A rare fashion miss from Cat Deeley. Please tell me I’m not the only one who thought that quasi-bikini top just didn’t work. Maybe I was just disappointed because I love to see Cat in all her super-blonde glory, and her braided chignon this week confined those gorgeous waves. Here’s hoping next week’s Cat-tire is as chic as usual—and incorporates some form of sparkle!
5. Mariah and Carlos’ contemporary routine to Ellie Goulding’s “Dead in the Water.” For me, this dance represented all that is good in the world of contemporary dance. I’m talking cool lifts, genuine portrayals of emotion, poetic lyrics, and moments that simply take your breath away. In that instant when Mariah sat frozen on Carlos’ shoulders, her arms raised helplessly, I’m pretty sure I had a mini contemporary catharsis. (Yes, I just invented that term. But I think you know what I mean.) Adding to the piece’s high emotional level was the fact that Carlos had already been eliminated, and Mariah barely escaped elimination herself. Oh, reality TV. Why must you pluck at my heartstrings so?
Yikes! I really didn’t mean to end on such a gloomy note. If you now find yourself in need of a smile, I highly recommend Fik-Shun and Amy’s adorable bellhop dance. If bouncy Nappytabs hip hop on a luggage cart doesn’t cheer you up, I don’t know what will.
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers on their profile pages, and then vote for your favorite below. You can vote once a day now through July 15.
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Imagine attending American Ballet Theatre's prestigious NYC summer intensive, training among classical ballet legends. Imagine taking the stage at New York City Dance Alliance Nationals, competing against some of the country's best contemporary dancers. Now, imagine doing both—at the same time.
Welcome to Madison Brown's world. This summer, she's in her third year as a National Training Scholar with ABT, while also competing for NYCDA's Teen Outstanding Dancer title. (She's already won Outstanding Dancer in the Mini and Junior categories.) The logistics are complicated—ABT's five-week intensive overlaps with the weeklong NYCDA Nationals, which translates to a lot of cabs back and forth across Manhattan—but Maddie is committed to making the most of each opportunity. "I love contemporary and ballet equally," she says. "While I'm able to do both, I want to do as much as I can."
Maddie has an expressive face, endless extensions, and a quiet command of the stage. She dances with remarkable maturity—a trait noted by none other than Jennifer Lopez, one of the judges on NBC's "World of Dance," on which Maddie competed in Season 2. Although Maddie didn't take home the show's top prize, she was proud to be the youngest remaining soloist when she was eliminated, and saw the whole experience as an opportunity to grow. After all, she's just getting started. Oh, that's right—did we mention Maddie's only 14?
Corbin Bleu in rehearsal for "Kiss Me, Kate" (Jenny Anderson, courtesy Roundabout Theatre Company)
If you're a hardcore Broadway baby, today is the worst Sunday of the year. Why, you ask? The Tony Awards were last Sunday, so basically there's nothing to look forward to in life anymore—no James Corden being James Corden, no teary acceptance speeches from newly minted stars, no thrilling excerpts from the hottest new shows. Oh yeah, and there are 50 more Sundays to go before our humdrum lives are once again blessed with the next annual iteration of Broadway's biggest night.