"So You Think You Can Dance" Season 11 Recap: The Top 20 Perform

"So You Think You Can Dance" isn't wasting any time this season. Not only did the 20 contestants get only eight seconds each to introduce themselves to America, but there were roughly zero seconds of unnecessary banter between segments during Season 11's first live episode. (Serious dancers, rejoice!) So to take a page from everyone's favorite show, let's just get right down to last night's top five highlights:

Sonya Tayeh's Stalker Ha
(photo Adam Rose/FOX)

1. The caliber of choreography. Sonya Tayeh kicked off the night with a group routine that felt like Madonna's "Vogue" meets Jim Carey's The Mask. Stalker Ha was not my fave from Tayeh, but the show kept moving right along, with pieces from choreographers including Travis Wall, Stacey Tookey, Christopher Scott, Louis Van Amstel and tapper Anthony Morigerato. Let's just say it was a BIG name kind of night.

Valerie and Zack in Sing
(photo Adam Rose/FOX)

2. The tappers. Zack and Valerie channeled stair-dance legend Bill "Bojangles" Robinson in the best tap routine the show has seen yet. Choreographed by Anthony Morigerato, Sing featured rapid-fire footwork, amazing showmanship and nearly perfect unison. These two dancers certainly have a ton of charisma, and I hope they get a chance to bring it in other styles, too.

Jason DeRulo (right) performs "Wiggle" with Snoop Dogg
(photo Adam Rose/FOX)

3. " What you gonna do with that big fat butt?" Dear guest judge (and musical performer) Jason Derulo: You may love dance, and you may know dance, but those lyrics...oy. In other news, 42-years-young Snoop Dogg made an appearance during Derulo's "Wiggle," and that did not disappoint.

Emilio and Teddy in Nightshift
(photo Adam Rose/FOX)

4. The mop-and-bucket hip-hop routine. It's evident that choreographer Christopher Scott has a knack for storytelling (see: every LXD episode he crafted), and his routine for Emilio and Teddy was no exception. I also loved that Scott's Nightshift evoked Gene Kelly's dance break in the 1943 film Thousands Cheer. Haven't seen it? Take a look below. It's supremely amazing, and I can so see Teddy in a remake:

5. Meredith Monk's "SYTYCD" debut. Move over, 1960s Judson Dance Theater: There's a new postmodern contemporary choreographer around, and her name is Sonya Tayeh. Nigel Lythgoe said that Tayeh's piece, set to Meredith Monk's "Vow," took the show to "another level entirely." Jessica and Ricky brought the audience to complete silence. Then? An eruption of cheers and a giant standing ovation. It was pretty awesome.

Jessica and Ricky in Tayeh's Vow
(photo Adam Rose/FOX)

I, for one, can't wait to see more from these talented dancers. Be sure to cast your vote online for your favorites, and come back here next week to find out which dancers didn't make the cut. And if you want to enter the sweetest sweepstakes EVER (the prize is a trip to watch the "SYTYCD" finale episode live, in person!!), click here.

Dance News
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)

Congratulations to Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers by clicking on their names here:

Read Darriel's profile here

Read Diego's profile here

Read Emma's profile here

And then vote for your favorite below. You can vote once a day now through July 15.

We also want you to get social! We'll be factoring social media likes and shares into our final tallies. Be sure to show your favorite finalist some love on Facebook, Instagram, and Twitter, sharing their profile pages and using the hashtag #DanceSpiritCMS.

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Dancers are naturally "in their heads" all the time—but not always in productive ways. Long days of receiving and applying corrections, taking class, and performing can get to even the most composed individuals. What should you do when you feel like your mind is just as busy as your rehearsal schedule? Try meditation. Dance Spirit turned to Adreanna Limbach, a head teacher at NYC-based meditation studio MNDFL, for a breakdown of this highly beneficial practice.

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Liz Imperio teaching at Hollywood Vibe, Courtesy of Hollywood Vibe

It's an increasingly common scenario: A talented dancer wins big at a competition, is offered an assistantship with a famous faculty member, and ends up leaving her hometown studio to travel with a convention. Convention-hopping has obvious benefits. Every event generates new content for dancers to post on social media, gives them a better shot at ending up on their favorite choreographers' accounts, lets them learn from the best of the best, and helps them make valuable connections. "Traveling is a great way for dancers to gain admirers around the country," says Jen Jarnot, owner of Artistic Fusion Dance Academy in Thornton, CO. "That's something every dancer craves." So it's no surprise that weekend FOMO has been blazing through studios like wildfire.

But is this jet-setter lifestyle really the most effective road to take? Can weekends of dancing with top talent truly replace the bread and butter of daily work at your home studio? The answer, according to most industry experts, is no. We asked five pros to explain why.

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