New York City Dance Alliance wouldn't be the same without the warmth and positivity of master teacher and choreographer Suzi Taylor, who has been with the organization since its inception in 1994, and is a beloved staple at Steps on Broadway, Pace University, and companies around the world.
Taylor prioritizes physical and mental health in all her classes, leading students through challenging exercises focused on strength and alignment and emphasizing the importance of self-care. She's known for celebrating the little things in the studio, and for encouraging her students to support one another. So naturally, she's the perfect candidate for our second "Whole Dancer" feature, where we hear from NYCDA dancers, choreographers and teachers about wellness and more:
When Rachel Kreiling first walked into New York City Dance Alliance as a young student in 1995, she couldn't have anticipated the lifelong connections she was about to make. Following a performing career that took her around the world, Kreiling found herself back at NYCDA as an assistant at the invitation of founder Joe Lanteri. She joined the faculty in 2008 and has been there ever since.
At the heart of Kreiling's teaching is her passion for dancer wellness. Kinesiology, neuroscience and conditioning play a key role in her work at NYCDA and as a guest teacher at studios nationwide. We talked to Kreiling for our very first "Whole Dancer" column, where we hear from top NYCDA dancers, choreographers and teachers about wellness, self-care and more:
Ailey II artistic director Troy Powell teaching an Ailey Workshop at NYCDA. Courtesy NYCDA
Back in 2011 when Joe Lanteri first approached Katie Langan, chair of Marymount Manhattan College's dance department, about getting involved with New York City Dance Alliance, she was skeptical about the convention/competition world.
"But I was pleasantly surprised by the enormity of talent that was there," she says. "His goal was to start scholarship opportunities, and I said okay, I'm in."
Today, it's fair to say that Lanteri has far surpassed his goal of creating scholarship opportunities. But NYCDA has done so much more, bridging the gap between the convention world and the professional world by forging a wealth of partnerships with dance institutions from Marymount to The Ailey School to Complexions Contemporary Ballet and many more. There's a reason these companies and schools—some of whom otherwise may not see themselves as aligned with the convention/competition world—keep deepening their relationships with NYCDA.
Now, college scholarships are just one of many ways NYCDA has gone beyond the typical weekend-long convention experience and created life-changing opportunities for students. We rounded up some of the most notable ones: