Tiler Peck in Little Dancer (photo by Matthew Karas, Courtesy The Kennedy Center)
You know the sculpture: A young girl in a tutu stands in an open fourth position, gazing up in awe as if she's watching a prima ballerina leap before her. But you probably don't know the story behind the sculpture—the story of ballet student Marie von Goethem, who, at age 14, became the muse of renowned artist Edgar Degas. This month, Marie's tale will come to life onstage at Washington, D.C.'s Kennedy Center, in Little Dancer, a brand-new musical directed and choreographed by Susan Stroman. None other than New York City Ballet principal Tiler Peck will star as Marie. Peck is no stranger to the world of musical theater: She first played Gracie Shinn in Stroman's revival of The Music Man on Broadway at just 11 years old. Dance Spirit caught up with Peck to find out more about Little Dancer.
Dance Spirit: How does working on this show compare to your experience when you were younger?
Tiler Peck: The Music Man was such a surprise for me. I don't think I really grasped what Broadway meant. Now, being in Little Dancer means so much more. Not only am I working with Susan Stroman again, but Rebecca Luker, who was also in Music Man, is playing Marie's older self. It's like I've come full circle.
DS: What's challenging about playing a young girl?
TP: Well, it's just like doing Romeo and Juliet. No one who plays Juliet is actually her age. The key is your mannerisms and the way you hold yourself. I've also been looking at tons of Degas' works, and I've been reading as many books as possible to find out about Marie's life. She was very witty!
DS: Why should people see the show?
TP: For dancers, the show is easy to relate to because you see Marie face so many of the challenges that both young dancers and professionals go through today. And Broadway people will love the music. It's so beautiful; you just have to dance to it.
DS: What's the best part about being in Little Dancer?
TP: Marie is a starring role, and the whole show revolves around her. Getting to create the part—being the first person ever to play it—has been so special.
A crumpled, torn magazine photo of a ballerina sparked a 4-year-old orphan's dream of becoming a professional dancer. That orphan was Michaela DePrince, now a rising talent at Dutch National Ballet. (You may know her from the 2011 documentary First Position.) DePrince's new memoir, Taking Flight, recounts her incredible journey from war-torn Sierra Leone to the ballet world. There are moments that will leave you in tears—yet her inspiring story (co-written with her adoptive mother, Elaine DePrince) is one you'll never forget. —Sophie Moyer
Dance Spirit spoke with DePrince about her writing process.
(Courtesy Random House Children's Books)
The events you describe early in the book are unfathomable. What was writing about them like for you?
I wrote everything in small snippets—thoughts, memories, feelings.
They were like bits of clay that I handed to my mother, who organized them and turned them into a beautiful piece of art. In a way, it was therapeutic—I was able to get all of the happenings out of my head and onto paper. But even more therapeutic was reading the final product. Although it all came from my memory, it still moved me to tears.
Why did you write Taking Flight?
I'm especially interested in reaching kids who are feeling hopeless because their life circumstances aren't ideal. I want to inspire them to grab onto a dream and find ways to make it come true.
Have you met the woman who inspired your own dream—Magali Messac, the former Pennsylvania Ballet dancer on the Dance Magazine cover you found in Sierra Leone?
I've communicated with her online, but I haven't actually met her in person. We live so far away from each other—she's in Washington State and I'm in the Netherlands! Oddly, though, without having met her, I still feel like she's not real—just the ballerina in the picture.
Where do you see yourself in 10 years?
Right now, I'm with the Dutch National Ballet, and love everything about it. I'd like to stay here as long as possible, and I hope I'll rise through the ranks. I'd also like to start a free school for the arts in Sierra Leone. I feel deeply about the children there who lack opportunities—I want to share my good fortune with them.
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers on their profile pages, and then vote for your favorite below. You can vote once a day now through July 15.
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Imagine attending American Ballet Theatre's prestigious NYC summer intensive, training among classical ballet legends. Imagine taking the stage at New York City Dance Alliance Nationals, competing against some of the country's best contemporary dancers. Now, imagine doing both—at the same time.
Welcome to Madison Brown's world. This summer, she's in her third year as a National Training Scholar with ABT, while also competing for NYCDA's Teen Outstanding Dancer title. (She's already won Outstanding Dancer in the Mini and Junior categories.) The logistics are complicated—ABT's five-week intensive overlaps with the weeklong NYCDA Nationals, which translates to a lot of cabs back and forth across Manhattan—but Maddie is committed to making the most of each opportunity. "I love contemporary and ballet equally," she says. "While I'm able to do both, I want to do as much as I can."
Maddie has an expressive face, endless extensions, and a quiet command of the stage. She dances with remarkable maturity—a trait noted by none other than Jennifer Lopez, one of the judges on NBC's "World of Dance," on which Maddie competed in Season 2. Although Maddie didn't take home the show's top prize, she was proud to be the youngest remaining soloist when she was eliminated, and saw the whole experience as an opportunity to grow. After all, she's just getting started. Oh, that's right—did we mention Maddie's only 14?
Corbin Bleu in rehearsal for "Kiss Me, Kate" (Jenny Anderson, courtesy Roundabout Theatre Company)
If you're a hardcore Broadway baby, today is the worst Sunday of the year. Why, you ask? The Tony Awards were last Sunday, so basically there's nothing to look forward to in life anymore—no James Corden being James Corden, no teary acceptance speeches from newly minted stars, no thrilling excerpts from the hottest new shows. Oh yeah, and there are 50 more Sundays to go before our humdrum lives are once again blessed with the next annual iteration of Broadway's biggest night.