Today is the day! Before long we'll crown our two (two!) "So You Think You Can Dance" champions! We'll know who'll be on our December cover! It's finally happening! I'm so excited that I overdid it a little on the caffeine this morning!

But really: This should be a fantastic finale episode, right? And DS editor in chief Alison Feller and managing editor Rachel Zar will be there in person to see how it all goes down. Follow us on Twitter to catch their tweets from L.A. tonight during the show!

In honor of the fantastic four finalists, I thought I'd round up my top four routines from this season. Then I started browsing and discovered I couldn't, just couldn't, stop at four. So, without further ado, here are my top seven routines:

-Eliana and Alex—contemporary by Stacey Tookey. I mean, when they paired these two technical powerhouses, we knew something magical was going to happen. Did we know it'd be this magical? Nuh uh. Bravo, guys.

-Eliana and Chehon—ballet by Marat Daukayev. Two very classy ballet dancers doing some very classical ballet? YES PLEASE.

-Chehon and Kathryn—contemporary by Tyce Diorio. Tyce's stuff is generally far too cheesalicious for me. But Chehon's emotional connection to this "suitcase" piece made what could have been a bit melodramatic feel honest.

-Tiffany and Brandon—disco by Doriana Sanchez. Any time there's a Doriana Sanchez disco on the lineup, you know you're in for a good time. This particular routine takes everything that's awesome about Tiffany and turns it up to top volume. And those insane PANTS! Love, love, love.

-Tiffany and George—contemporary by Sonya Tayeh. (George! I miss George.) A beautiful, heartfelt routine with a bit of Sonya quirkiness to stop it short of saccharine.

-Tiffany and Cyrus—lyrical hip hop by Tessandra Chavez. Clean, musical, hard-hitting, passionate—it's reminiscent of Chelsea and Mark's showstopping "Bleeding Love" routine from Season 4. And that is high praise right there, people.

-Cyrus's Top 4 solo. OK, yes, it's not a routine. But when it comes down to it, "SYTYCD" choreography doesn't really mesh with Cyrus' unique skills. Only when he's doing his own thing can you see just what a BEAST this boy is.

 

Well look at that. Going into this, I thought I was an Eliana girl all the way—and who ends up on top of my roundup? Tiffany! Just one of many signs that this contest could still go in any direction—which is just one of many reasons I can't wait for tonight. Another reason? Three words: Carly. Rae. Jepsen.

Tune in tomorrow for our recap of what promises to be an epic finale!

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A Letter from the Editor in Chief

Hi, dance friends. It is a strange time to be a person in the world, and an especially strange time to be a dancer. As the dance community faces the coronavirus crisis, a lot of you are coping with closed studios, canceled performances and competitions, and a general sense of anxiety about how your world will look going forward.

Yes, dancers are super resilient, and there's been a lot of inspiring community-building happening. #LivingRoomDances and Instagram dance parties and virtual ballet classes with the pros are wonderful. Dance can, and should, be a bright spot in the darkness. But that weird, empty feeling you have? It might be grief. The loss of the certainty of daily class, the loss of the promise of that big end-of-year performance—that's real. The dance studio has always been a safe place; it's especially hard not to have that outlet now, when you need it most.

We're here for you. We—and our friends at Dance Magazine, Pointe, Dance Teacher, The Dance Edit, and Dance Business Weekly—are doing our best to document the hurdles facing the dance industry, and to advocate for dancers in need. We're developing more online content that will help you maintain and improve your technique while you're at home, and process the mental and emotional fallout of all this upheaval. (You can keep up with the latest stories here.) And we're still making our print magazine. We have issues planned and shot, full of great dance stories and beautiful photos. We're not going anywhere.

We want to hear from you. Talk to us. Or dance to us. Or both. We won't stop moving, and you shouldn't, either.

Margaret

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