Dance News
Courtesy Under Armour

Misty Copeland is unstoppable this month: In addition to releasing a buzzy new line of super-pretty activewear, designed in collaboration with Under Armour, she also sat down with Refinery29 for an in-depth interview, discussing everything from diversity in ballet to her take on fitness trends like barre classes.

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Dancer to Dancer
Photo by Travis Kelley, courtesy Kathryn Morgan

In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email dearkatie@dancespirit.com for a chance to be featured!

Dear Katie,

I love dance so much. In fact, I think I might love it TOO much. I'm completely obsessed: I spend every minute I can at the studio, and I'm even having dreams about dance class. Is that bad, or unhealthy? Am I going to burn out?

Tonya

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Dancer to Dancer
Sarah Lane as Clara in The Nutcracker (photo by Gene Schiavone, courtesy American Ballet Theatre)

American Ballet Theatre principal Sarah Lane charms audiences with her bright energy and crisp technique. The San Francisco, CA, native first started dancing at age 4 at a local community center, and at age 7 started training in Memphis, TN, at the Classical Ballet Memphis. Her family later moved to Rochester, NY, where she continued studying at the Draper Center for Dance Education. In 2002, she was a YoungArts Foundation winner in dance, allowing her to become a U.S. Presidential Scholar in the Arts. She joined American Ballet Theatre as an apprentice in 2003, was made a soloist in 2007, and was promoted to principal last fall. Recently, she originated the role of Princess Praline in Alexei Ratmansky's Whipped Cream. Catch her later this spring during ABT's Metropolitan Opera season. —Courtney Bowers

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Dancer to Dancer
Photo by Travis Kelley, courtesy Kathryn Morgan

In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email dearkatie@dancespirit.com for a chance to be featured!

Dear Katie,

I like dance, but what I really want to do is choreograph. The problem is that I'm only 15 and I live in a small town, so there aren't many opportunities for me to create dances. How can I develop the skills I need to become a choreographer?

Angelica

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Dancer to Dancer
via Instagram, @idasaki

Former Dance Spirit Cover Model Search winner and all-around goddess, Ida Saki, is one of those rare dancers that captivates on every level. Not only are we obsessed with her silky smooth contemporary moves and impossibly gorgeous lines (those feet!! 😍 ), but we're just as obsessed with what she has to say.

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Dancer to Dancer

In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email dearkatie@dancespirit.com for a chance to be featured!

Dear Katie,

My hairline is receding! I know this "ballerina baldness" comes from putting my hair in a tight bun every day. But we're required to wear tight buns for class. What can I do?

Liza

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Dancer to Dancer

You know Galen Hooks as the choreographer who creates the stellar dance moves for dozens of viral videos, and the dancer who's performed for everyone fromthe Biebs to Rihanna. But now she's gearing up for two different roles; director and composer.

Hooks' new dance film, " Wait for Me," was written, composed, directed, styled, and choreographed by the versatile artist. And though the overachiever could've easily danced in it, too, she chose instead to feature an army of all-star dancers including Ashley Everett, Jasmine Harper, Kyle Robinson, Melinda Sullivan, and Kenny Wormald. Read our exclusive interview with Hooks and discover what prompted this shift towards directing.

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Dancer to Dancer
Photo by Jayme Thornton

In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email dearkatie@dancespirit.com for a chance to be featured!

Dear Katie,

I'm a one-sided turner, and it's becoming a serious problem. I can do quadruple turns to the right, but can barely manage a double to the left. What am I doing wrong, and how can I even myself out?

Aubrey

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