Abbey Marrison (far left) performing in Lauren Lovette's Le Jeune in American Ballet Theatre's fall gala (Marty Sohl, courtesy ABT)
So many ballet greats start out as apprentices before joining the main company's corps de ballet. But what do the ins and outs of an apprenticeship actually look like? We had American Ballet Theatre apprentice Abbey Marrison keep a diary last fall during the week of the company's gala performance. In the gala, Marrison performed in Lauren Lovette'sLe Jeune. A Markham, ON, Canada native, Marrison began her ballet training at Karpov Ballet Academy, and later placed as a finalist at the 2016 Youth America Grand Prix. She began training at American Ballet Theatre's Jacqueline Kennedy Onassis School in 2016, joined the ABT Studio Company a year later, and was made an apprentice in 2018. Here's what her job is like. —Courtney Bowers
New York City Ballet soloist Georgina Pazcoguin's vivacious energy and fiery passion infuse her ballet roles, but her effervescent presence also proves perfect for the Great White Way. In 2015 she made her Broadway debut as Ivy Smith in On the Town, and she played the white cat Victoria in the 2016 revival of CATS. An Altoona, PA, native, she started training at age 4 at the Allegheny Ballet Academy. In 2001, she enrolled in the School of American Ballet; in 2002 she became an NYCB apprentice; and one year later she joined as an official corps member. She was promoted to soloist in 2013. Currently, she's performing with the company and can be found curating her brand, The Rogue Ballerina, on her social media channels. —Courtney Bowers
Every once in a while, the stars align, things fall precisely into place, and the perfect marketing campaign is born. Such is the case with New York City Ballet's new trailer for their upcoming run of The Sleeping Beauty, which was conceived and directed by company soloist Sean Suozzi.
We can't get enough of New York City Ballet's prima ballerina, Tiler Peck. This ballet babe has been featured in the mainstream media quite a bit and is giving people an inside peek at the glamorous and not so glamorous sides of ballet. Peck's most recent media credit includes a video released by Cosmopolitan where she gets real about the challenges she's faced during her demanding career in one of the world's most renowned ballet companies.
Choreographing is hard enough on its own, but add a two-hour time limit and two dancers from completely different genres, and the task of creating a dance can seem almost impossible.However, street dancer K-Flow and ballerina Toi'ya prove such a task to be possible, even if it's challenging. In this mesmerizing video, the two find ways to adapt their style of dance to the other's, which results in a completely stunning duet.
Photo by Erik Tomasson, courtesy San Francisco Ballet
San Francisco Ballet soloist Lauren Strongin's classic grace and powerful acting skills captivate audiences. The Los Gatos, CA, native trained at the Kirov Academy of Ballet and the John Cranko School before joining Houston Ballet in 2009. In 2015, she came to SFB as a soloist and has since danced principal roles in ballets including Giselle, Swan Lake, "Rubies," and Onegin. This month, catch her performing with SFB in New York City Center's Balanchine: The City Center Years program. —Courtney Bowers
"Ballet pink" tights and palest-pink slippers. "Nude" fabrics that match only the lightest of skin tones. Unfortunately, many dancewear staples have historically been available only in a single "flesh tone" that tended to exclude non-Caucasian dancers.
Photo by Andrew Ross, Courtesy Birmingham Royal Ballet.
Where in the world is Miko Fogarty? Just three years ago, she seemed unstoppable. After being featured in the 2011 ballet documentary First Position, she became a teenage social-media star, winning top prizes at competitions in Moscow and Varna and at Youth American Grand Prix, and dancing in galas around the world. Last most of us heard, it was 2015 and she had just joined the corps of Birmingham Royal Ballet—and even appeared on Dance Spirit's cover. A year later, she dropped off the ballet radar.
Misty Copeland as the Ballerina Princess in The Nutcracker and the Four Realms. Photo Courtesy Disney.
It's August—the sun is shining, summer intensives are winding down, and Nutcracker seems very far away. But this new trailer for Disney's The Nutcracker and the Four Realms is already getting us in the holiday mood. While this modern take on the classic holiday story, in theaters November 2, is not a dance film, it does include mega-stars Misty Copeland and Sergei Polunin as the Ballerina Princess and Nutcracker Prince.
Ballerina Whitney Jensen's incredible lines and extraordinary grace have captivated audiences around the world. At 10, Jensen won the silver medal at the Youth America Grand Prix NYC finals, and at age 16, she was the first American to win the highest possible distinction at the Varna International Ballet Competition. Jensen started dancing in Salt Lake City, UT, at The Dance Club, followed by The Jacqueline College School of Classical Ballet and Ballet West Academy. When she was 11 and 12, she performed as Clara in the Radio City Christmas Spectacular in NYC, and, after, moved to the Big Apple to train full-time at Valentina Kozlova's Dance Conservatory of New York. She joined Boston Ballet in 2009 and became one of the company's youngest principals in 2014. In 2015, Jensen took a short break from ballet before accepting an offer with the Norwegian National Ballet, where she's currently a soloist. —Courtney Bowers
Click here to get the inside scoop on the film High Strung: Free Dance!
Juliet Doherty has been at home in the studio and the spotlight since before she could walk. The 21-year-old comes from a long line of dancers: She practically grew up at the school her grandmother owned, Fishback Studio of the Dance in Albuquerque, NM, and her mom was her longtime teacher. As a young student, Doherty competed at the world's toughest ballet competitions and performed as Clara in the Radio City Christmas SpectacularRadio City Christmas Spectacular. Eventually, she left Albuquerque to train at the San Francisco Ballet School for three years, and then she danced with Phoenix Ballet for two years.
Along the way, Doherty discovered another great love: acting. In 2014, she was part of the cast of the Susan Stroman–directed musical Little Dancer (alongside Tiler Peck). And in 2017, she appeared in her first film, On Pointe—playing, naturally, an ambitious young dancer.
Now, Doherty's on the big screen again, starring as Barlow in High Strung: Free Dance. Plus, she has a new city to call home: NYC. Doherty sat down with us to talk about the film, her transition into acting, and what's next.
Svetlana Zakharova in Swan Lake (photo by Damir Yusupov, courtesy Bolshoi Theatre)
If you know ballet, you know the name Svetlana Zakharova. She's ballet royalty. Zakharova's incredible natural facility, paired with her technical precision and emotive finesse, have stunned audiences for more than two decades. She's danced with many of the world's most prestigious ballet companies, including the Mariinsky and the Bolshoi, where she's currently a principal.
We interviewed the iconic ballerina to find out who's influenced her dancing—and what advice she'd give her teenage self.