Alicia Graf Mack (courtesy Webster University)

July 1 marks an exciting new era for The Juilliard School. Vail Dance Festival director and former New York City Ballet principal Damian Woetzel steps into the role of president, and the dance division will also have a new leader: Alicia Graf Mack, 39, will take over from Taryn Kaschock Russell, acting artistic director for the current school year.

Read more at dancemagazine.com!

Dancer to Dancer
(Left to right) Madison Hicks rehearsing one of her creations with fellow Julliard senior Page Borowski (photo by Kenneth B. Edwards)

Even if you've choreographed tons in high school, having your work seen—and critiqued—by professors and peers for the first time can be more than a little intimidating. So DS asked those who've been there how you can feel confident and creative throughout your first collegiate choreographic experience.

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Dancer to Dancer
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If you want to go far with dance after college, head to your university's career services office early and often. "We try to see all first-years during their first semester," says Faith McClellan, director of Field Work Term and career development at Bennington College in Bennington, VT. "That's when you should ask the big questions: What you love about dance, what you want to know about the field of dance, where you want to fit in the broader dance world, and how you want experiences like internships or intensives to help you explore those questions." Whether you're set on going pro right after graduation or just want your postgrad work to be somehow connected to dance, on-campus career counseling can prep you to do amazing things with your dance degree.

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Dancer to Dancer

Of the many moving parts of a college application, the essay might be the most daunting. But consider yourself luckier than other applicants, because your dance experiences can only help you craft a winning essay—whether or not you're planning to pursue a dance major.

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Dancer to Dancer

Considering a dance degree to build on your competition experiences? DS caught up with comp-circuit stars who chose higher ed to learn the advantages of transitioning from comp kid to college kid.

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Dancer to Dancer
Sarah Stanley (Paula Court, courtesy Sarah Stanley)

Navigating college can be tough, especially when you're balancing an intense dance schedule with academic classes and jobs—and trying to make new friends! About to begin your college adventure? We talked to these recent graduates about what they wish they'd known before starting college.

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Dancer to Dancer

Applying for a college dance program can feel like a guessing game. Should you highlight all your competition titles and awards? How important are your academic grades? And how should you act in the audition? Here's advice from admissions officers from some of the top dance programs in the country about how to make your application stronger.

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Popular

When it comes to college, you've got countless options. University or conservatory? BA or BFA? East Coast or West? But there's one potentially game-changing option you probably haven't considered yet: U.S. or international?

The perks of going global are hard to ignore. For one, international programs are often significantly cheaper than domestic ones. "The tuition for schools in Europe tends to be less than half that of U.S. programs," says Nicola Conraths Lange, director of comparative arts and a dance faculty member at Interlochen Arts Academy in Interlochen, MI. What's more, many programs offer a BA, a BFA, or an approximate equivalent in three years rather than four, which not only cuts tuition costs but also gets you into the professional dance world one year sooner.

And international programs will expose you to entirely new cultures, choreographers, and methods of training. "Our classes focus more on becoming thinking, creative movers than on perfecting technique," says Carlene Raibley, an American in her third and final year at London Contemporary Dance School (LCDS). Erica Badgeley, who joined a postgraduate student company at Salzburg Experimental Academy of Dance (SEAD), had a similar experience. "As opposed to the typical U.S. focus on vertical alignment, we learned to be three-dimensional movers, almost like amoebas," she says.

Many dancers forgo the international option because navigating the ins and outs of the application process seems intimidating. And it can be complicated—but it's worth the effort. Here's a breakdown of the process.

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