Happy birthday, George Balanchine! The great choreographer and founder of New York City Ballet would have been 114 years old today. Balanchine revolutionized ballet, especially American ballet—and he also had quite a way with words. To celebrate Mr. B's birthday, we rounded up some of our favorite iconic Balanchine quotes.
We all suffer from Nutcracker fatigue sometimes. After a zillion performances, it's hard not to. But there's nothing to restore your little-kid sense of Nutcracker wonder like a look at the sheer scale of a world-class Nut.
New York City Ballet's iconic production of George Balanchine's The Nutcracker opens on Friday, and for the past week, the company has been Tweeting out some seriously eye-popping #NutcrackerNumbers. The stats cover everything from the number of jingle bells used on each Candy Cane costume (that'd be 144) to the watts of light used in the show's grand finale (ONE. MILLION. WATTS.).
There's so much history in the ballet world! Some of the dances that are being performed today date back to a century ago, and you wouldn't know it if you didn't study it. It's important to know the origin of the companies and choreography we've come to know and love. The following are nine legendary ballet dancers who've achieved a lot of success and created many opportunities in the ballet world.
Here at DS, we're big believers in our Sunday #MomentofZen. It's important to take a day to recharge and prep for the week ahead, especially when it comes to setting goals. Which is why we thought it was the perfect time to introduce our Sunday Spotlight Roundup. Maybe you've been wanting to master a new leap in jazz class, or prep your pointe shoes differently—no matter the goal, we've got you covered with these in-depth, how-to articles, covering everything from convention tips to Balanchine technique.
New York City Ballet in George Balanchine's Serenade (by Paul Kolnik)
For the bunheads:
Did you start at a new studio that teaches Balanchine technique? Our "Dancing Balanchine" spotlight focuses on all the beautiful intricacies of his style and choreography.
Have your pointe shoes been dying faster than usual? "Shank Strategies" offers tons of super helpful advice on how to customize your shoes.
Are you constantly wondering when you'll be getting that first pair of pointe shoes? "Am I Ready for Pointe?" helps you determine if your strength and technique are solid enough.
For the competition and convention regulars:
Not feeling too hot about your competition routine? We broke down all the problems you
Olga Pericet in Pisadas (photo by Javier Fergo, courtesy Jerez Festival)
might have with your new piece (and the solutions).
Only dance on marley at home? Sometimes the floors at conventions can prove to be the biggest challenge. We rounded up the best tips on how to deal.
For dancers wanting to try a new style:
We explain how to execute a perfect Switch Firebird jazz leap.
Curious about finger-tutting in the hip hop scene? We asked the pros to walk us through a sequence.
Looking to spice up your dancing? Learn all about the passionate, musical world of Flamenco.
Looking for some dance inspiration? Alvin Ailey American Dance Theater is beaming no fewer than FOUR works, including the beloved classic Revelations, to a movie theater near you this Thursday, October 22!
Alvin Ailey American Dance Theater's Linda Celeste Sims in Wayne McGregor's Chroma. Photo by Paul Kolnik
In addition to Revelations, theatergoers and dance lovers alike will also get the chance to view Chroma by Wayne McGregor, Grace by Ronald K. Brown and Takeademe by Robert Battle, AAADT's artistic director.
This screening is part of the Lincoln Center for the Performing Arts’ exciting new cinema series, Lincoln Center at the Movies: Great American Dance, which also includes performances from San Francisco Ballet, Ballet Hispanico and New York City Ballet. Check out the news section of our November issue for more info.
To purchase tickets, visit fathomevents.com or participating theater box offices.
If you've already gotten your hands on DS's October issue (and if you haven't, click here!), you've seen our "Choreographer's Collage" with Justin Peck. The 25-year-old is pretty busy these days: Not only is he one of the ballet world's most talked about up-and-coming choreographers, he's also a corps dancer with New York City Ballet.
As Peck's collage reveals, his ballets are inspired by anything from the George Balanchine classics he's danced to restaurant meals. Sounds fascinating, right? Which is why I kind of can't wait to see his new work for NYCB, Year of the Rabbit, when it premieres this Friday. The piece is set to music by indie star Sufjan Stevens, who worked with Peck and conductor Michael Atkinson to translate what was originally a lot of beepy electronica into a score for a string orchestra. (Check out the three of them talking about the process in this recording of their Guggenheim "Works & Process" presentation—it's pretty nifty!)
Can't make it to NYC for the premiere? Well, here's a little taste of Year of the Rabbit: a promo video featuring NYCB dancers Janie Taylor and Craig Hall doing some beautiful things on the beach. Enjoy!
Glamorous Titania in George Balanchine's A Midsummer Night's Dream. The imperious principal woman in Balanchine's Agon. These are the types of juicy, career-making roles veteran dancers aspire to—but a 19-year-old in New York City Ballet's corps has already put her distinctive stamp on both of them.