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It's no secret that we're kind of obsessed with the new-ish boy band on the block, PRETTYMUCH. And why shouldn't we be? These boys don't just carry a tune, they can also groove to the beat—and despite the high bar the Backstreet Boys set back in the day with their super dancy music videos, it's not super common these days. What's even more unique is boy bands collaborating with some of the best choreographers in the business. Enter, Ian Eastwood. The dance phenom has been working with the boys on a number of different projects, including their latest release "Summer on You."

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Photo by Erin Baiano

You're obsessed with class videos. We're obsessed with class videos. The passion, energy, and talent showcased in these clips, which give us an insider-y peek at the commercial dance world's hottest classes, are totally irresistible.

But at what point does the phenomenon go from being a good thing to a bad thing for dancers and the dance world? Is the focus on filming distracting from the work dancers are supposed to be doing in class? Are overproduced videos presenting a dangerously misleading picture of the dance world? Is the pressure to be a class video star becoming too much for dancers to handle? These are some of the questions A-list dancer and choreographer Ian Eastwood—no stranger to the class video himself—has been asking on Twitter. And they've sparked a lively, important debate.

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Week 2 of Misty Copeland as guest judge, week 2 of merciless cuts...How can the final episodes of "World of Dance" possibly live up to the sheer dramaaaaaaaaa of last night's episode? Well, based on the nail-biting results dished out by Copeland and Co. last night, the competition is only going to get fiercer from here. Without further ado, last night's results, as told by Kween Misty.

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You're probably well aware that Ian Eastwood has spent 2015 putting out videos for his "Adultlessons" dance mixtape. We loved his Valentine's Day drop, featuring leading lady Megan Batoon, and he even mentioned the mixtape when we interviewed him for his July/August cover shoot with Keenan Kampa. Now, there are three videos out.

The latest is choreography set to Big Sean's rapping in Justin Bieber's "No Pressure." In the original music video, the camera cuts to Big Sean and away from Eastwood—which is kind of cool because you get to see Big Sean emphasize his lyrics with his own movements. But it's also kind of sad because who wants to tear their eyes away from Eastwood?

This video features what I can only imagine is Eastwood's insanely chill groove during the rap break—something he made while the camera was focused elsewhere. And of course, it looks amazing.

 

We can't wait until the next video comes out!

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I say this publicly and without shame: I, Margaret Fuhrer, a fully-grown woman, spent much of my weekend watching Justin Bieber's "Purpose: The Movement" dance movie on repeat.

Look: I've had my ups and downs with Bieber over the years. We all have. He knows it. But you have to respect this insanely ambitious, insanely dance-y, insanely GOOD new project, which dropped Saturday. Leave it to Bieber to both over-promise and over-deliver on a premise that sounded iffy when it was first announced (dance videos for all 13 of the new album's tracks? Okaaaay) and now just seems brilliant (13 AMAZING DANCE VIDEOS AHHHHHH).

This isn't just a love letter to the Biebs, though. The person we should really be most in awe of right now is Parris Goebel, the genius 24-year-old choreographer who directed the whole thing. In addition to choreographing many of the tracks herself, Goebel pulled in an unbelievable number of dance stars to perform in and create for the various videos. There's a spirit of generosity to the project—she not only wants to show what she can do, but also what the people she admires can do.

Nobody disappoints. And much as we loved the cotton-candy happiness of "Sorry," "Purpose: The Movement" isn't all unicorns and rainbows. Several of the videos are genuinely dark—and genuinely moving.

November cover stars Keone and Mari Madrid create a gently heartbreaking portrait of one-sided love in "Love Yourself":

July/August cover guy Ian Eastwood performs an angsty dance serenade for his real-life gf, Megan Batoon, in "No Pressure":

Emma Portner, one of our choreographers to watch last year, gets powerful support from fellow dancer and choreographer Patrick Cook in "Life Is Worth Living":

A fantastic cast of dancers, including our friend Janelle Ginestra, depict a searingly tragic love triangle in "The Feeling":

An all-grown-up Simrin Player, who covered our November 2013 issue, tries to comfort a very sad Biebs in the title track:

And that's not even the half of it. ("Sorry" fans, for example, will be happy to know that the lovely ladies of ReQuest and The Royal Family make appearances in several videos.) Check out the full dance movie here.

Also, THANK YOU, Bieber and Goebel, for crediting every single one of the choreographers and dancers featured in the videos. Note to the music industry: Let's make that a habit.

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