New Miami City Ballet corps member Itzkan Barbosa and her mother Miriam Barbosa pose atop a mountain of Itzkan's pointe shoes. Alexander Iziliaev, courtesy Miriam Barbosa.
On the morning of May 1, Miriam Barbosa posted a photo of her daughter, Itzkan, on Facebook. The image itself is striking—Itzkan stands smiling on pointe in front of Miami City Ballet, where she has spent the last year as a pre-professional student, perched atop a mountain of old pointe shoes of all different sizes. But it's the story behind the picture that's inspired so many people to comment their congratulations and appreciation. The photo contains every single one of Itzkan's pointe shoes, from her very first pair up until the moment she got her first professional contract as a corps member with MCB last month.The imagenot only calls attention to the hard work and dedication necessary for young dancers to achieve their dreams, but to the sacrifices parents make to help them get there.
Congratulations are in order for our "Dear Katie" advice columnist, Kathryn Morgan! After a long struggle with hypothyroidism, which led to the ballerina's resignation from New York City Ballet in 2012, Morgan is now set to dive back into full-time professional dance as a soloist at Miami City Ballet.
Delgado in George Balanchine's "Tschaikovsky Piano Concerto No. 2" (Alexander Iziliaev, courtesy Miami City Ballet)
Miami City Ballet principal Jeanette Delgado's dynamic, show-stopping presence and powerful, crisp technique have been wowing audiences for well over a decade. A Miami, FL, native, Delgado began training with Vivian Tobio, Liana Navarro, and Maria Victoria Gutierrez. At age 9, she received a scholarship to Miami City Ballet School and, in 2003, she earned the Princess Grace Award. That same year, Delgado became an apprentice with Miami City Ballet. In 2004 she was promoted to the corps, and in 2006 to soloist. She became a principal dancer in 2008. Catch her this month performing in the company's spring program. —Courtney Bowers
Misty Copeland opened the 2018 Dance Magazine Awards. Photo by Christopher Duggan.
What does it mean to be human? Well, many things. But if you were at the Dance Magazine Awards last night, you could argue that to be human is to dance. Speeches about the powerful humanity of our art form were backed up withperformances byincredible dancers hailingfrom everywhere from Hubbard Street Dance Chicago to Miami City Ballet.
Misty Copeland started off the celebration. A self-professed "Dance Magazine connoisseur from the age of 13," she not only spoke about how excited she was to be in a room full of dancers, but also—having just come from Dance Theatre of Harlem's memorial for Arthur Mitchell—what she saw as their duty: "We all in this room hold a responsibility to use this art for good," she said. "Dance unifies, so let's get to work."
There's nothing more purrrrfect than some fabulous trinas and their feline friends. We're not kitten: These bonds are paw-sitively adorable! From hanging out backstage to working out together and more, these pairs will pas de chat their way straight into your heart.