Michael Trusnovec and Laura Halzac in "Beloved Renegade" (photo by Tom Caravaglia)
You already know how much we're inspired by Paul Taylor. But if you couldn't catch the Paul Taylor Dance Company's NYC season this year, never fear: You didn't miss your chance to enter inspiration station. In fact, PTDC is about to come right to your living room.
Tonight at 9 pm EST, PBS will broadcast a recording of one of the company's performances at the Theatre National de Chaillot in Paris. It's a great program, too: We kick things off with Brandenburgs, an elegant pure-dance piece set to excerpts from Bach's famous Brandenburg concertos, and then conclude on a thoughtful note with Beloved Renegade, set to Francis Poulenc's Gloria and inspired by the life and work of poet Walt Whitman. Beloved Renegade is one of my all-time favorite Taylor works—not least because it features the mysterious, magnetic duo Michael Trusnovec and Laura Halzack in its leading roles.
Take a peek at the two works in the trailer below—then click here to find out more about the program.
Taylor photographed by Paul Palmaro
What choreographers inspire you? My list goes on forever, but Paul Taylor has always been at the top of it. Taylor started out dancing for pioneers like Martha Graham and later became a visionary craftsman, making more than 100 dances and winning numerous awards.
New Yorkers can catch the Paul Taylor Dance Company in action this month at Lincoln Center's David H. Koch Theater. Here are the top five reasons why Paul Taylor inspires me.
1. He keeps it fresh.
Taylor continues to create new experiences for both dancers and audiences, even though there's something uniquely “Taylor” about his movement style. You may recognize signature phrases in multiple dances, but they evoke different reactions and emotions in each one.
2. His dancers are amazing.
Every strong, beautiful, technically proficient Taylor dancer is hand-picked and home-grown. All of the company's members studied at The Taylor School or worked their way up through Taylor 2 before making it into the main troupe. From petite powerhouse Parisa Khobdeh to the mesmerizing Michael Trusnovec, each dancer represents a different part of Taylor, and together they make an impressive whole.
PTDC in "3 Epitaphs." Photo by Paul B. Goode.
3. He has a sense of humor.
I love a man who can make me laugh. In Offenbach Overtures, Taylor makes fun of the French court with choreography that still shows off his dancers’ technique. And though his 3 Epitaphs is set to music traditionally played at funerals in the South, you can’t help but laugh as his dancers—covered from head to toe in Robert Rauschenberg's mud-brown unitards—lope absurdly around the stage. (3 Epitaphs actually helped generate choreographic ideas for one of my own projects.)
4. He’s a Renaissance man.
Paul Taylor is also an author. His autobiography, Private Domain, was published in 1999, and he has just released a new book of essays, Facts and Fancies, which gives you a backstage pass into his quirky mind.
5. He knows it ain’t over ’til it’s over.
Taylor will turn 83 in July, but earlier this month he unveiled his 138th dance! We tend to put an expiration date on dance careers, but Paul Taylor has demonstrated that age is just a number.