One of the country's top arbitrators has decided to reinstate Amar Ramasar and Zachary Catazaro to New York City Ballet. The former principals were fired last fall for "inappropriate communications," namely graphic text messages.
The dancers' union, American Guild of Musical Artists, fought the termination, arguing that the firings were unjust since they related entirely to non-work activity. After a careful review of the facts, an independent arbitrator determined that the terminations were indeed "wrongful and unjust."
From left: Jonathan Stafford; Photo by Paul Kolnik; Wendy Whelan, Photo by Lindsay Thomas
Well over a year after the retirement of Peter Martins, New York City Ballet has announced that former principal dancer Jonathan Stafford will lead the company and its affiliated School of American Ballet as artistic director. Fellow former principal Wendy Whelan will serve as associate artistic director.
Naomi Corti in William Forsythe's "Herman Schmerman." Erin Baiano, Courtesy NYCB.
When audience members opened their programs at New York City Ballet's revival of Herman Schmerman a few weeks ago, one name had everyone buzzing: Naomi Corti. Just an apprentice, she was dancing a featured role alongside principals and soloists in William Forsythe's challenging, go-for-broke choreography. How was this going to go down?
Quite well, actually. Despite a nasty fall at the beginning of the ballet, 18-year-old Corti held her own next to castmates Sara Mearns and Unity Phelan—and didn't hold back during her solos and partnering sections. When she stepped forward to take her bow, the audience cheered wildly;her reaction was a mix of shock and utter joy. Still, we couldn't help but wonder what kind of pressure she must have been under.
NYCB has a history of giving young apprentices big breaks. Current corps members Miriam Miller (as Titania in Balanchine's A Midsummer Night's Dream) and Alston Macgill (in a featured role in Symphony in C) both had opportunities to shine during their apprentice years. So how does it feel to take on a big role so young? We talked to Corti to find out.
New York City Ballet soloist Georgina Pazcoguin's vivacious energy and fiery passion infuse her ballet roles, but her effervescent presence also proves perfect for the Great White Way. In 2015 she made her Broadway debut as Ivy Smith in On the Town, and she played the white cat Victoria in the 2016 revival of CATS. An Altoona, PA, native, she started training at age 4 at the Allegheny Ballet Academy. In 2001, she enrolled in the School of American Ballet; in 2002 she became an NYCB apprentice; and one year later she joined as an official corps member. She was promoted to soloist in 2013. Currently, she's performing with the company and can be found curating her brand, The Rogue Ballerina, on her social media channels. —Courtney Bowers
Every once in a while, the stars align, things fall precisely into place, and the perfect marketing campaign is born. Such is the case with New York City Ballet's new trailer for their upcoming run of The Sleeping Beauty, which was conceived and directed by company soloist Sean Suozzi.