When you think of a Balanchine ballerina, the dancer you imagine probably looks a lot like Teresa Reichlen. The New York City Ballet principal brings long-legged extensions and queenly poise to her extensive repertory of Balanchine "goddess" roles. She's also a captivating force to be reckoned with in works by Jerome Robbins, Justin Peck, and Christopher Wheeldon. Born in northern Virginia, Reichlen began training at age 10 at the Russell School of Ballet. Asked to stay for the winter term following her first summer at the School of American Ballet, Reichlen became a New York City Ballet apprentice a year later. She received her corps contract a year after that. You can see her perform the principal role in Balanchine's Tchaikovsky Piano Concerto No. 2 during the company's annual Saratoga Performing Arts Center residency this week. —Helen Rolfe
One of the country's top arbitrators has decided to reinstate Amar Ramasar and Zachary Catazaro to New York City Ballet. The former principals were fired last fall for "inappropriate communications," namely graphic text messages.
The dancers' union, American Guild of Musical Artists, fought the termination, arguing that the firings were unjust since they related entirely to non-work activity. After a careful review of the facts, an independent arbitrator determined that the terminations were indeed "wrongful and unjust."
Well over a year after the retirement of Peter Martins, New York City Ballet has announced that former principal dancer Jonathan Stafford will lead the company and its affiliated School of American Ballet as artistic director. Fellow former principal Wendy Whelan will serve as associate artistic director.
When audience members opened their programs at New York City Ballet's revival of Herman Schmerman a few weeks ago, one name had everyone buzzing: Naomi Corti. Just an apprentice, she was dancing a featured role alongside principals and soloists in William Forsythe's challenging, go-for-broke choreography. How was this going to go down?
Quite well, actually. Despite a nasty fall at the beginning of the ballet, 18-year-old Corti held her own next to castmates Sara Mearns and Unity Phelan—and didn't hold back during her solos and partnering sections. When she stepped forward to take her bow
, the audience cheered wildly ; her reaction was a mix of shock and utter joy. Still, we couldn't help but wonder what kind of pressure she must have been under.
NYCB has a history of giving young apprentices big breaks. Current corps members Miriam Miller (as Titania in Balanchine's A Midsummer Night's Dream) and Alston Macgill (in a featured role in Symphony in C) both had opportunities to shine during their apprentice years. So how does it feel to take on a big role so young? We talked to Corti to find out.
New York City Ballet soloist Georgina Pazcoguin's vivacious energy and fiery passion infuse her ballet roles, but her effervescent presence also proves perfect for the Great White Way. In 2015 she made her Broadway debut as Ivy Smith in On the Town, and she played the white cat Victoria in the 2016 revival of CATS. An Altoona, PA, native, she started training at age 4 at the Allegheny Ballet Academy. In 2001, she enrolled in the School of American Ballet; in 2002 she became an NYCB apprentice; and one year later she joined as an official corps member. She was promoted to soloist in 2013. Currently, she's performing with the company and can be found curating her brand, The Rogue Ballerina, on her social media channels. —Courtney Bowers
Every once in a while, the stars align, things fall precisely into place, and the perfect marketing campaign is born. Such is the case with New York City Ballet's new trailer for their upcoming run of The Sleeping Beauty, which was conceived and directed by company soloist Sean Suozzi.
We can't get enough of New York City Ballet's prima ballerina, Tiler Peck. This ballet babe has been featured in the mainstream media quite a bit and is giving people an inside peek at the glamorous and not so glamorous sides of ballet. Peck's most recent media credit includes a video released by Cosmopolitan where she gets real about the challenges she's faced during her demanding career in one of the world's most renowned ballet companies.
What's next for the dance world? Our annual list of the dancers, choreographers and companies that are on the verge of skyrocketing has a pretty excellent track record of answering that question.
Here they are: the 25 up-and-coming artists we believe represent the future of our field.
Thanksgiving is almost here and that means that come tomorrow there will be lots and lots of food to eat (cue happy dance!!!). And because there's always room on the Thanksgiving table for more dishes and treats, we asked New York City ballet dancer and food blogger Jenelle Manzi (who is no stranger to creative culinary concoctions) for her favorite fall recipes of the moment. Whip up these tasty treats as apps before the big meal or serve them as additional side dishes—because there are never too many of those. Happy eating!
If you follow New York City Ballet principal Sara Mearns on Instagram, you'll have noticed that for the past several months, her feed has included wedding prep pics in addition to her usual performance posts and cross-training clips. This past weekend, the big day finally arrived, and Mearns married Broadway and television choreographer Joshua Bergasse in a dreamy beach ceremony in North Carolina.
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New York City Ballet's fall gala always promises new ballet delights. This year, the company is offering not one, but three world premieres by a diverse lineup of choreographers: Matthew Neenan, Kyle Abraham, and Gianna Reisen. At 19 years old, Reisen is the youngest choreographer to ever work with NYCB, and Abraham will be the company's first black choreographer in more than a decade. We sat down with principal dancer Taylor Stanley to get the inside scoop on Abraham's new piece.
"Every time I see a little girl in a tutu or with her hair in a bun on her way to ballet class, all I can think is that she should run in the other direction," she said, "because no one will protect her, like no one protected me."
It was quite a statement, and it got us thinking. Of course, it's heartbreaking to imagine the experiences that Waterbury lists in the lawsuit, and it's easy to see why this would be her reaction.
But should aspiring ballet dancers really "run in the other direction"? Were her alleged experiences isolated incidences perpetuated by a tiny percentage of just one company—or are they indicative of major problems in today's ballet culture within and beyond NYCB's walls?
Watching a ballerina customize her pointe shoes will just never get old. Not only is it oddly mesmerizing to watch, but the pros always have some genius tips and hacks to offer. New York City Ballet corps member Olivia Boisson recently sat down with Insider to talk about her pointe-shoe process, and trust us, the video is a must-watch.
We'll admit it: As excited as we are for fall performance season to start, we are in deep, deep denial that the end of summer is in sight. And we're also experiencing some serious FOMO looking at the vacation photos flooding our Instagram feeds from some of our favorite dancers and choreographers. So where in the world do they go to unwind before gifting us with yet another season of incredible dance?
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email email@example.com for a chance to be featured!
I'm on the fence about switching studios. My current studio is pretty relaxed about technique, but it's like a second home to me—I have so much fun with all my friends there. There's another studio nearby that's much more serious technically. I want to dance professionally when I grow up. Should I choose the school that has a great community, or the one that will help me reach my dream faster?