(Break the Floor Productions)

If you’re a convention kid, surely you know Ray Leeper. As executive director of NUVO Dance Convention and co-director of The Dance Awards, Leeper is immediately recognizable for his awesomely spiky hair and his fabulous year-round tan. But he’s more than just a good-looking guy: Leeper is a sought-after choreographer and master teacher, whose jazz pieces are powerful, provocative and sassy.

Beyond the comp world, Leeper has worked with Elton John, Cher and Queen Latifah, and choreographed commercials for Pepsi, Hyundai, Saks Fifth Avenue and Levi’s. Most recently, he’s created pieces for “Dancing with the Stars,” “The X Factor UK,” “America’s Got Talent” and “So You Think You Can Dance” (he’s the mastermind behind Amy Yakima and Aaron Turner’s Season 10 jazz fusion routine). —Alison Feller

Dear Ray,

I know you’re freaking out because you’re not sure you have what it takes to make it in the dance industry. But deep down, your heart is telling you that you do. GO FOR IT!

(Break the Floor Productions)

Although it might seem overwhelming right now, please know that if you work really hard, stay focused and take in everything your mentors (or “angels,” as you like to call them now) have so graciously offered you along the way, you will certainly go far.

As you begin your journey, you’ll be recognized for your talent. But you’ll learn that it’s equally important to approach your work with professionalism, tenacity, grace, a great attitude and kindness. You will find that these attributes will contribute to your longevity in “the business.”

As you progress, you’ll be surrounded by the most amazingly talented people, who have the same goals and ambitions as you. Try not to be intimidated! Realize that you are uniquely you, and that everyone has something different to offer. Stick to what you do best. Be authentic to who you are.

When your career picks up, remember to thank the “angels” who helped you achieve success. You didn’t get there alone.

Don’t freak out, buddy. You got this!


Dancer to Dancer

Last summer, sisters Vivian and Savannah Reach attended NUVO Nationals in L.A. Vivian, then 15, competed for National Teen BreakOut Artist, and Savannah, then 17, competed for the senior title. During the year leading up to Nationals, Savannah and Vivian trained hard at their home studio, The Dance Centre, in Tuscaloosa, AL. For Vivian, all the prepping paid off—but nothing could prepare Savannah for the unexpected challenge that lay ahead. Here, the girls give you an inside look at the NUVO Nationals experience. —Katie Rolnick

Vivian Reach performing her solo, "Bulletproof." Photo by Nick Perry.

Vivian: July 11, 2010

I woke up at 10, excited about our first day of dancing in L.A.! After a quick breakfast, Savannah and I warmed up for the National BreakOut Artist auditions. The ballet audition, taught by Chebar Williams, was first. She’s a tough teacher, and her combination was technical and challenging. Then we had a jazz audition led by Mark Meismer. He taught an upbeat, fast piece that was loads of fun. After both auditions, I felt like all my work throughout the year was worth it. But I still have to perform my solo tomorrow, which counts for more than half of my score.

We spent the rest of the day learning our number for the gala performance on the final day. We’re dancing to Michael Jackson’s “Dangerous,” and we didn’t finish rehearsing until 11:30 pm—I’m exhausted!

Stretching before class at NUVO Nationals: (L to R) Alden Phillips, Anna Beth Lancaster, Savannah and Vivian Reach. Photo by Robin Reach.

Savannah: July 12, 2010

I woke up at 6:15 am grateful that I was able to move after the long night of rehearsals. Today, we spent most of the day in classes. We took contemporary with Justin Giles, who’s not only a wonderful dancer but also a wonderful person. He makes every student feel valued. After lunch we had hip hop with Ivan Koumaev. I usually feel nervous in hip-hop class. It’s never been my style—Vivian tells me that’s because I’m so focused on ballet. But Ivan taught in a way that helped me pick up the steps.

Later, we performed our BreakOut Artist solos for the faculty judges. I was extra nervous because Travis Wall was judging. He couldn’t give me a score because he choreographed my solo, but this was the first time he’d seen me perform the piece since he had taught it to me in October—talk about pressure! I don’t think my performance was my best because my balance was off, but I felt like I did a good job. After everyone danced, we all headed to the stage to hear our scores. As they announced the top 10, I kept waiting to hear my name. Finally, they called it—in the top three! I won’t find out how I placed until the final day, when the three of us perform our solos again at the gala.

Vivian: July 13, 2010

Last night, my solo went well. I was slightly disappointed that I placed fourth and therefore won’t be dancing at the gala (only the top three perform again). But I truly enjoyed competing and watching my friends and my sister dance. This experience has helped me realize that whether you’re in the top three or the top 30, what really matters is doing what you love. Also, Justin Giles was teaching first today and nothing was going to stop me from getting to class!

Vivian: July 14, 2010

This afternoon, Savannah started feeling sick. Two of our friends have also come down with something and I’m worried she has the same thing.

Savannah performs her solo, "Love Me Still." Photo by Nick Perry.

Savannah: July 15, 2010

I was up all night with a fever, chills and a headache. I really wanted to go to classes today, but I woke up still feeling awful so I had to stay in bed.

Despite being sick, tonight I have to perform at the gala. This afternoon, we had our only rehearsal on the stage, so I drank a bottle of Gatorade, took an Epsom salt bath, threw on some sweats and headed downstairs. I felt weak, so I just marked the group routine for spacing. After the rehearsal, Vivian helped me back up to the room. With only four hours before the performance, I wondered how I was going to be able to perform full out. But I was determined to dance, so I pushed through the pain and, with Vivian’s help, got ready.

Once I got backstage tonight I felt my adrenaline rushing. The excitement helped me make it through the opening number without thinking about how sick I felt. Then came the hard part: my solo. Usually I spend a long time stretching, but with the chills, I could barely stay warm. I ran my freezing hands under hot water, borrowed a friend’s jacket and found a warm room in which to stretch.


Savannah is still really sick. Before she performed her solo, she said to me, “Vivian, I can’t do it.” I said, “Yes you can. Just go up there and dance your heart out.” We’ve always been best friends and she supports me completely in everything I do. When I competed for National Junior BreakOut Artist in 2008, Savannah was right beside me. She eased my nerves, and I ended up winning. So tonight, I waited with her backstage and did everything I could to encourage her.


I was the last senior BreakOut soloist to dance. As I walked onstage, I just hoped I’d make it through the next two minutes and forty-five seconds without passing out. I counted on my training to get me through. Vivian, who’s extremely honest, said it was the best I’d ever danced and that maybe I focus too much on perfection when I perform. She may be right, since I don’t remember thinking about the steps at all. 
Before I knew it, it was time for awards. I was expecting to get second runner up because the other two girls were such beautiful dancers. Zoey Anderson was called first and then Lauren Blakeney. Wait, I was the winner? Really? I started crying both from relief and pure joy. What an incredible ending to this week!

Editor’s note: As the Senior BreakOut Artist winner, Savannah spent this year assisting at regional NUVO conventions. She also completed her freshman year at the University of Alabama, where she studies dance and chemistry on full scholarship. This summer, she and Vivian will both assist at Adrenaline Nationals in Chicago.


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