Ah, the quest for the perfect, foot-flattering, technique-enhancing pointe shoe: It can feel like a never-ending saga. Still on the hunt for that ideal pair? Then you won't want to miss The School at Steps' annual Pointe Shoe Workshop and Fair, happening this Sunday, April 22nd, at 6:30 pm in NYC.
Matthew Bourne's dramatic ballet The Red Shoes, which earned rave reviews in England last year, is heading stateside this month. Based on the Academy Award–winning 1948 movie of the same name, the show follows the passionate aspiring ballerina Victoria Page as she tries to dance her way to the top, but ultimately must choose between her love of dance and the love of her life. Joining Bourne's company, New Adventures, as guest artists are New York City Ballet principal Sara Mearns, who will perform the role of Victoria for select performances at New York City Center; and American Ballet Theatre principal Marcelo Gomes, who will tour with the company, dancing the role of Julian Craster in select cities. DS chatted with Mearns to see what the rehearsal process has been like, and how it's been different from preparing for a typical NYCB season.
Back in 2014, Cole Haan recruited New York City Ballet's Megan Fairchild, Sara Mearns, and Gretchen Smith to help design a pair of ballet flats, and the results were stunning. Lucky for us, this is the collaboration that keeps on giving—and this time, with more familiar NYCB faces!
British dance fans are already in love with Matthew Bourne's The Red Shoes: The show, which debuted across the pond last fall, earned raves from critics and two Olivier (London's equivalent of a Tony) Awards. Now, Bourne's Red Shoes—an adaptation of the iconic 1948 film—is about to embark on a North American tour. And some very familiar faces will be joining the cast.
There's nothing better than when dancers design dancewear—they just get it, you know? From the materials, to the cut, and everything in between, they've figured out what works thanks to years of trial and error over their careers. So who better to team up with Só Dança than New York City Ballet principal Sara Mearns?
Sparkles? Check. Elegance? Definitely. Three of our favorite dancers? You bet.
There are a million and one stories about dancer style, but fewer opportunities to see dancers shine as models—a different undertaking altogether. In these glowing images from Allure, American Ballet Theatre principal Isabella Boylston, New York City Ballet principal Sara Mearns and Alvin Ailey American Dance Theater II member Courtney Celeste Spears are almost unrecognizable—but in the best possible way. They all look like seasoned editorial models.
Pulling back the curtain on tried and true ballerina habits never gets old. We've pored over the contents of New York City Ballet dancers' travel cases (Weird heating pads! Notes from fans!), drooled over American Ballet Theatre principal Isabella Boylston's amazing style, (Helloooo 70s flair!), received our daily dose of #fitspo from international ballerinas with enviable workout gear (Black and neon, together, forever.) and gone completely bonkers for the delicious diets of the women at the National Ballet of Canada (Homemade kombucha. 'Nuff said.).
Now it's time to whip out our notebooks once more, because New York City Ballet principals Sara Mearns and Megan Fairchild, along with corps member Gretchen Smith, have revealed what they eat in a day. Aside from being co-stars in two absolutely stunning Cole Haan advertising campaigns, these lovely ladies know what it takes to fuel their bodies for weeks of hard dancing. Check it out below, and the full story here:
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The fall ballet season is quickly approaching and bunheads everywhere are buzzing. While there's tons of exciting stuff going on, New York City Ballet principal Sara Mearns as Odette/Odile in Peter Martins' Swan Lake is a definite must-see.
Sara Mearns giving it her all as Odile (left, with Jared Angle) and Odette (right) (Photos Paul Kolnik)
Lincoln Center's media team recently caught up with Mearns for a 10-question interview about everything from her rehearsal process to her experiences dancing in so many different choreographers' works. (She's done everything from originate a role in Justin Peck's Rodeo: Four Dance Episodes to perform the lead in countless Balanchine ballets.)
It's even more exciting as this is Mearns' 10-year anniversary as Odette/Odile—she hasn't stopped growing as an artist, so this time around is bound to be amazing. If you simply can't wait to see Swan Lake, check out this DS fave of Mearns and fellow NYCB principal, Ashley Bouder, in Swan Lake rehearsal: