Photo by Lee Gumbs, courtesy Taja Riley

Taja Riley Writes a Letter to Her Teenage Self

Taja Riley's bold, full-out presence and unique ability to mix hard-hitting hip hop with smooth, sensual choreography paved the way for her success in the commercial industry. She's danced with music icons like Chris Brown, Janet Jackson, Ne-Yo, Kanye West, 50 Cent, Pitbull, and Bruno Mars, and has assisted with choreography for Britney Spears' Femme Fatale tour, Demi Lovato's Skyscraper tour, and Beyoncé's Mrs. Carter tour. She also appeared in Beyoncé's groundbreaking visual album Lemonade. Raised in Virginia Beach, VA, Riley grew up training at Denise Wall's Dance Energy. Currently, she's on faculty at New York City Dance Alliance, where you can catch her touring the convention circuit. —Courtney Bowers


Dear Taja,

Baby girl, trust me, you're going to do great things, but I need you to get a few things straight.

First of all, dance is not your life! Even though it's something you're truly passionate about, it doesn't define you as a human being. YOU ARE UNLIMITED.

Don't let anyone tell you that you're not capable of becoming a legend. If you want to be legendary in every aspect of your life, know that what you're asking for comes with great responsibility, and requires selflessness and resistance. You'll be punched, kicked, wounded, knocked down, but get up fast and show them your grills. Pain is so much fun when you stop recognizing it as pain and start recognizing it as growth.

Riley (second from right) as a student (courtesy Riley)

Place your values over convenience when you make choices. Your biggest dreams are your most prized possessions. Treat them like you would your favorite pet. Feed them every day. Spoil them by giving them your focus and attention with every decision you make.

Never stop being a student. Recognize every moment as a lesson, every experience as a school, and every connection you make as homework to better yourself.

You'll be placed underneath a magnifying glass, and some people will be ready to examine your flaws. Blind them with your radiance. If they try to cut you down, that'll only make you a more expensive diamond.

If you're the smartest person in the room, leave immediately. You're in the wrong room. The five main people you spend the most time with will be a visual of your next five years.

Riley as a young dancer (courtesy Riley)

Under no circumstances are you to ever quit on yourself. EVER. This life that you're living isn't just about you, it's about all of the things you hold most dear, so stay the course.

You're so fly. Greet every day with open arms, like expanded wings. I guarantee you'll stay in the air. Don't confuse this for being above anyone or anything, though—yo' butt is on the ground and needs to stay there.

Hug the fam. Plant the seeds. Tend to your garden and bloom, you hippie child.

I LOVE YOU ALWAYS,

(and I'll be waiting with some Chick-fil-A and "Got to Give It Up" on repeat!)

Taja Riley

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A Letter from the Editor in Chief

Hi, dance friends. It is a strange time to be a person in the world, and an especially strange time to be a dancer. As the dance community faces the coronavirus crisis, a lot of you are coping with closed studios, canceled performances and competitions, and a general sense of anxiety about how your world will look going forward.

Yes, dancers are super resilient, and there's been a lot of inspiring community-building happening. #LivingRoomDances and Instagram dance parties and virtual ballet classes with the pros are wonderful. Dance can, and should, be a bright spot in the darkness. But that weird, empty feeling you have? It might be grief. The loss of the certainty of daily class, the loss of the promise of that big end-of-year performance—that's real. The dance studio has always been a safe place; it's especially hard not to have that outlet now, when you need it most.

We're here for you. We—and our friends at Dance Magazine, Pointe, Dance Teacher, The Dance Edit, and Dance Business Weekly—are doing our best to document the hurdles facing the dance industry, and to advocate for dancers in need. We're developing more online content that will help you maintain and improve your technique while you're at home, and process the mental and emotional fallout of all this upheaval. (You can keep up with the latest stories here.) And we're still making our print magazine. We have issues planned and shot, full of great dance stories and beautiful photos. We're not going anywhere.

We want to hear from you. Talk to us. Or dance to us. Or both. We won't stop moving, and you shouldn't, either.

Margaret

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