Five Truths About Starting a College Dance Company
Whether you major or minor in dance, join a dance team or simply take a few extracurricular classes, there are myriad ways to continue your artistic journey in college. Sometimes, though, exactly what you're seeking isn't on campus—yet. That's where being in college comes in handy: You can start your own organization! Not only do student-run groups give you the chance to express your dancing self in unique ways, but you're also likely to gain leadership skills, hone your choreography chops and even make a few friends along the way.
There are a few things to keep in mind if you want to start a successful enterprise. We spoke with presidents of two organizations to learn the five most crucial elements of creating—and continuing—a student-run dance group.
1. Even though it's your group, you should still play by the rules. “Make good working relationships with the administration," says Katherine Kelly, a senior English and communications double major at Fordham University who is president of the roughly 20-member dance company Expressions Dance Alliance. “Still, you don't want to compromise your goals." At a large university, it's likely that the administration isn't too familiar with dance, so, Kelly continues, “be patient and explain the reasons why you need the space you do, or whatever it is you're asking for."
At Western Michigan University, Orchesis Dance Society is a student-run dance group within the dance department (though it accepts members from outside of the program) with 120 to 130 active participants. As president, senior dance major Allison Long meets monthly with the faculty advisor and the department chair. “Our board acts as a liaison between the students and administration," she says. “It's a great chance for us to have our voices heard."
2. Create clear policies to keep members on the same page. “The founder of our club basically wrote a constitution, and we ask that all our new members read it," says Kelly. “It states our mandatory rehearsal policies, and rules about auditions, absences and how many semesters you can stay on the executive board." Take it from Kelly, ground rules work: Expressions has been running smoothly for 15 years.
3. Fundraising is key. While some universities allocate funds to student organizations, groups at other institutions may need to raise money themselves. Orchesis does not receive financial help from WMU. In addition to car washes and bake sales, the group has gotten creative, volunteering to clean up after some campus-wide events to earn extra dough. Still, most of the group's money comes from $5–$12 dance concert ticket sales—enough to annually award two $1,000 student scholarships.
4. Budgeting can be your best friend. Be sure to account for and expect the unexpected when it comes to finances. “Most of Expressions' expenses go toward costuming," notes Kelly, “but there are a ton of little things you might not even think about, like paying a security guard during performances." Savvy budgeting can lead to pleasant surprises: After a few years of successful saving, Expressions was able to purchase marley flooring to use during performances.
5. You'll learn a lot about time management. Regardless of your goals for your group, “your school work still has to come first," Long says. “Leading an organization is fun, but it's also a huge responsibility." In Kelly's words: “It's a constant job. After regular rehearsals and group meetings, I'm also meeting with other student group leaders to coordinate collaborations. But it comes down to this: If you have to stay up an extra hour to finish homework, it's worth it. If you love dance, you'll make it happen."
He got our heads in the game in High School Musical. He pushed it to the limit in Jump In! He welcomed us to Holiday Inn. And now, curly-haired dancing heartthrob Corbin Bleu will be back on Broadway in the spring of 2019 with one of the season's most anticipated productions.
It's contest time! You could win your choice of Apolla Shocks (up to 100 pairs) for your whole studio! Apolla Performance believes dancers are Artists AND Athletes—wearing Apolla Shocks helps you be both! Apolla Shocks are footwear for dancers infused with sports science technology while maintaining a dancer's traditions and lines. They provide support, protection, and traction that doesn't exist anywhere else for dancers, helping them dance longer and stronger. Apolla wants to get your ENTIRE studio protected and supported in Apolla Shocks! How? Follow these steps:
Just in case you missed it: To highlight last Thursday's International Day of the Girl, The New York Times has launched a unique photographic and editorial project called #ThisIs18, all with the aim of spotlighting what life is really like for 18-year-old women around the world.
Quinn Starner is no stranger to competitions. The 16-year-old "So You Think You Can Dance: The Next Generation" alum has been slaying the contemporary circuit for years, winning Best Teen Dancer at The Dance Awards in 2017. But lately she's been more focused on ballet, relocating from Florida to train at the Indiana Ballet Conservatory two years ago. And while she's won awards at ballet competitions like ADC|IBC and Youth America Grand Prix, in June she upped the stakes by going to the USA International Ballet Competition in Jackson, MS—an audition-only event that's one of the world's most prestigious comps. We followed Quinn on her Jackson journey.
Amanda LaCount was born to move. The second the music comes on at her Dance Spirit cover shoot, the bubbly 17-year-old is shimmying her shoulders and tossing her hair. When she launches into a full-out freestyle to Whitney Houston's "It's Not Right But It's Okay," you can't take your eyes off her.
And yet with every gig she lands, Amanda is challenging some of the dance world's longest-held biases. "I'm curvy," she says, "and I like being curvy. My body is not a bad thing. It's who I am." Here's how Amanda went from talented tot to hardworking pro—and from insecure preteen to body-positive role model.
Is there anything better than a dance convention? Frankly, we don't think so. Although we love getting a guest teacher to come to our studio for a masterclass every so often, there's just something so exciting about packing up our leotards and dance shoes and heading to a convention for the weekend. Here are 7 reasons why dance conventions are, without a doubt, the greatest things ever.
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Colder weather is (finally) here, which means it's time for a good dance movie binge. But which iconic films should you put on? To narrow your search, we went ahead and ranked 30 of the greatest dance movies of all time.
Of course, we know a list like this is bound to be controversial—so if you disagree with our lineup, have at it in the comments!
This story originally appeared on dancemagazine.com.
"So why did you quit?"
It's a question I've been asked hundreds of times since I stopped dancing over a decade ago. My answer has changed over the years as my own understanding of what lead me to walk away from greatest love of my life has become clearer.
"I had some injures," I would mutter nervously for the first few years. This seemed like the answer people understood most. Then it became, "I was just not very happy." Finally, as I passed into my 30s, I began telling the uncomfortable truth: "I quit dancing because of untreated depression."
It's the age-old debate: Is dance a sport? The answer is, without a doubt, YES. Of course, dance is much more than just a sport. But when we get down to the logistics of it all, it's impossible not to recognize it as the athletic endeavor it is. Here are 10 reasons why dance absolutely qualifies as a sport.
Boston Ballet principal Ashley Ellis' dancing is the perfect pairing of ethereal grace and punchy musicality. The Torrance, CA, native began training at South Bay Ballet at age 6, and attended the School of American Ballet summer program in 1998. In 2001, she was accepted into American Ballet Theatre's Studio Company, and the following year, she joined ABT's corps de ballet. In 2007, she became a founding member of Corella Ballet Castilla y León in Spain, under the direction of Angel Corella. Three years later, she headed back to the States and danced with Sarasota Ballet before joining Boston Ballet as a second soloist in 2011. In 2013, she was promoted to principal dancer. Catch her performing this season in the company's Nutcracker. —Courtney Bowers
Let's take a walk down memory lane to this past September, when the #LevelUpChallenge was in full-blown viral mode. Literally thousands of videos of people dancing to Ciara's song "Level Up" flooded the Internet, but only one truly broke it: an amazing clip of the Wilson Central High School Dance Team—and their Assistant Principal, Ranesa Shipman. Never one to miss out on a viral dance challenge, Ellen DeGeneres decided to have Shipman and the team perform on "The Ellen Show"—and the fun didn't stop there.
You and your phone have more in common than you might guess, says Dr. Rafael Pelayo, pediatrician and clinical professor at the Stanford Center for Sleep Sciences and Medicine. "If you charge your phone halfway, it works for a few hours," he explains. "But it's not performing at its full potential, and you have to be careful about how you use that energy."
It'd be nice to just plug into the wall for nine hours until you hit 100 percent battery, but for (human) dancers, it's not that simple. So DS asked Dr. Pelayo and Dr. Argelinda Baroni, co-director of the Child and Adolescent Sleep Program in the department of child and adolescent psychiatry at NYU Langone Health, how to maximize your own battery life—ensuring you'll dance better and more safely in the process.
Two dancers from different studios on opposite ends of the country meeting at a dance competition may sound like the formula for a cheesy teen-rivalry movie. But it's actually real life for lots of dancers on the comp circuit. Meet four sets of adorable BFFs who found winning friendships at a competition.
We still can't get over the talent on "Dancing with the Stars: Juniors"—like how many YouTube tutorials do we have to watch to become half as good as these mini dancing machines? And just in case you forgot how skilled these prodigies are, this week's theme was sure to remind you: Last night, the ten couples performed to songs that came out the year they were born. (But let's be real, most of these songs aren't really that much of a throwback.)
It's safe to say that the bond between dancing siblings is one of the strongest out there. But for sisters Emma, 16, and Ava Blaser, 10, that bond runs deeper than most can even fathom: The pair continued to dance together throughout Ava's treatment for kidney cancer remission, and they say it helped them heal.