The Age Equation
When it comes to dance, the general rule of thumb is that the younger you begin training, the better. Serious ballet dancers, for example, are often expected to be career-ready by 16. But what if you didn't start dancing at age 2? Is there room in the professional dance world for late starters?
The short answer: Yes! Read on to hear from six dancers who started dancing later than their peers—and still became pros.
Misty Copeland with Herman Cornejo in Alexei Ratmansky's Firebird (Gene Schiavone)
Misty Copeland, soloist
at American Ballet Theatre
Age she started dancing: 13
How did you get started? I auditioned for the dance team at my junior high school, and the coach told me my potential as a dancer went beyond that local team.
When did a professional career start to feel possible? When I discovered American Ballet Theatre. I memorized every company member's background and studied videos.
What kept you going through the tough times? The encouragement I got from the people around me. And ABT was the light at the end of the tunnel. Watching videos and seeing live performances kept me motivated.
Were there benefits to starting late? I didn't feel burnt out at the age of, say, 15. Everything was so new that I was always eager for more.
Do you have advice for other late starters? Be mindful of how you treat your body, especially early on. You're in a different place physically than a 7-year-old beginner. Consider cross-training to help develop your technique more quickly.
Richard Riaz Yoder in Duke Ellington's Sophisticated Ladies (Scott Suchman)
Richard Riaz Yoder, Broadway performer
Age he started dancing: 17
How did you get started? I saw a couple of my high school show choir friends doing a time step and got them to teach me. When I showed my mom, she took me to a teacher who owned a studio for adults. At 17, I was actually the youngest person in my first class by 20 years!
Did you ever doubt yourself? I was weird in that I wasn't self-conscious at all in those early classes. Even if I didn't know what the heck I was doing, I was going to do it as best I could.
What obstacles did you encounter? Learning dance terminology was hard. I had a teacher early on in college who asked us what dance steps we knew—and I didn't know any. So I went home and memorized the name of every tap step. I wasn't sure what they were, but I knew the names of every one.
Were there benefits to starting late? I was able to make sure I got high-quality training from the beginning. I've seen dancers who, early on, had bad habits thanks to poor training.
Janette Manrara with Robbie Kmetoni in Burn the Floor (David Wyatt)
Janette Manrara, Burn the Floor
Age she started training seriously: 19
How did you get started? My family is from Cuba, so salsa dancing was always a part of my life. I started studying musical theater at 12. Then the dance teacher at my musical theater school opened his own studio, and I started taking dance classes every day.
What obstacles did you have to conquer? The worst was seeing parents or other students look at me with confused faces. They didn't understand why a girl in her 20s was taking ballet with 12-year-olds.
When did you know you wanted to dance
professionally? As soon as I set foot outside of “So You Think You Can Dance"! Being on the show during Season 5 opened so many doors for me.
Phillip Chbeeb, hip-hop dancer
Age he started dancing: 16
How did you get started? I was a jack-of-all-trades kid—I did everything from basketball and track to theater. After a (now) comical incident when I took a line drive to my face playing baseball, I had to ease off sports for a while. That's when I took my first dance class.
What obstacles did you encounter? I had to learn when to incorporate my own natural tendencies into someone else's choreography—and when not to. I had to figure out how to break movements down into pieces: the bounce, the pivot. That helped me become more aware of my body and its subtleties.
Were there any benefits to starting late? In a way it's good that dance isn't “my life." I'm inspired by things outside of dance, and I think that helps me better express myself.
Alice Klock and Jason Hortin in Jonathan Fredrickson's Untitled Landscape (Todd Rosenberg)
Alice Klock, Hubbard Street Dance Chicago
Age she started dancing: 11
How did you get started? I was home-schooled, and my mother wanted me to get out and meet people my age, so she asked, “What about ballet?"
How did you catch up? I worked outside of class. In academic classes like math, the more you study on your own, the better you'll do in class. It was the same for me with dancing.
Were there benefits to starting late? I'm actually glad I started when I did because I developed as a person before I became a dancer. This is a life-consuming art.
Do you have advice for other late starters? Never compare yourself to other people in class. I learned so much from dancers who were three or four years younger than me because I didn't let age get in the way.
Michael Wood (Jack Hartin/courtesy Abhann Productions)
Michael Wood, tap dancer
Age he started dancing: 18
How did you get started? When I was auditioning for musical theater college programs, a friend told me about Oklahoma City University's dance program. I figured, why not? And I got in!
What kept you going? My parents. I couldn't always feel myself getting better, but whenever they came to see my performances, they'd say, “You've come further than you think."
Did you have any breakthrough moments? During my junior year of college, a teacher said, “Michael, I think ballet has finally clicked for you." And that was exactly what happened. One day I stopped feeling like I was trying to do ballet, and just started doing ballet.
Do you have advice for other late starters? There's so much emphasis in this industry on what you can do at what age. But it's all hot air. If you want to do it, just do it.
Dancing kween Jennifer Lopez is preparing us for the second season of "World of Dance" by dropping an insane World of Dance promo that has her slaying the dance floor like we've never seen before. If America wasn't on the edge of their seats for the May 29th premiere they are now—wondering how the contestants of "World of Dance" could possibly outdo such a performance—but there's no doubt they will. This season's roster of dancers really takes the show's name to heart cause it's out of this world, with each dancer as ferociously talented as the rest! (We don't envy J. Lo's job of having to pick just one.) We've rounded up 7 young dancers you won't want to miss.
The Glorya Kaufman International Dance Center is the 54,000 square foot home of the USC Glorya Kaufman School of Dance, one of the largest facilities dedicated to dance on a private university campus. Designed for their innovative new curriculum, that supports a range of dance styles, the school's staff designated Harlequin to provide wall-to-wall flooring for the large 3,500 square foot Performance Studio as well as five dance studios in their new state-of-the-art building.
When watching Megan Skalla dance, several things are immediately obvious. She has legs for days and the archy feet to match. Her core is rock-solid, and her sweet smile is contagious. But the longer you spend with her, the more something else becomes clear: Megan’s got sass. Whether it’s a sharp shoulder roll during a hip-hop class or an intense stare during a sky-high développé, there’s a certain something extra that makes this 16-year-old pop. And her steadfast devotion to dance means she’s only getting better.
Megan started dancing when she was 3 at a small ballet studio near her hometown of Draper, UT, and was hooked immediately. At 7, she switched to a new studio, Pulse 31, and started to compete, but she still wasn’t dancing as much as she wanted. Finally, she came to The Dance Club in Orem, where she currently trains. She takes ballet, jazz, tap, hip hop, contemporary and lyrical, and sometimes supplements her training with private ballet classes at nearby Barlow Arts Conservatory. “I’ve always loved ballet,” says Megan, who has attended summer intensives at Pacific Northwest Ballet School on scholarship for the past two years. “It’s the foundation for everything, and it makes me a stronger dancer in other genres.”
Though she dances from morning until night, Megan admits to boogying through her kitchen when she gets home, and would still do more if she could. “There’s a dance company that’s a big deal at my high school, but there just aren’t enough hours in the day to do both,” she says. Devoting her time to The Dance Club, she says, is more conducive to her goal of dancing professionally. The studio is full of mega-talented dancers, and Megan shines among them. Her secret? “In class, some dancers will avoid going across the floor with someone they think is better than they are,” she says. “But I like to go across the floor with the best dancer in class. That way, I can push myself to come up to her level.”
Megan’s strategy is working. She won the Teen High Score Solo award at New York City Dance Alliance regionals and was a Top 10 Outstanding Dancer finalist at NYCDA Nationals. She has performed as Clara in the Radio City Christmas Spectacular and was one of four Capezio NYCDA Model Search winners. As for the future, Megan knows one thing for sure: She’s going to keep dancing. “I want to go to college for dance, maybe to Brigham Young University, Marymount Manhattan or Juilliard,” she says. “But I still have a while to decide.” Until then, she’ll stick to her busy schedule. “It’s a lot of late nights and early mornings,” she says. “But it’s worth it. I wouldn’t give it up for anything.”
Birthday: March 6, 1996
Favorite food: Pasta
Most-played on her iPod: “I Won’t Give Up” by Jason Mraz
Dream dance role: “It would be really fun to be a Rockette. I want to do the Rockette summer intensive this year.”
Three words that describe her dancing: “Soft, passionate, aggressive”
Dream dance company: Complexions Contemporary Ballet
Favorite dance movie: Step Up
Who would play her in a movie: Nina Dobrev from “The Vampire Diaries”
First thing she does in the morning: “Hit the snooze button so I can sleep for 10 more minutes.”
Favorite dancers of all time: Travis Wall and Joey Dowling
Hidden talent: “I like to sing, but I’m only OK. I’d like to take voice lessons.”
Performer she’d die to work with: Celine Dion
Must-see TV shows: “Pretty Little Liars” and “The Lying Game”
Allison Thornton, Megan’s teacher at The Dance Club: “Megan has the body that every dancer dreams of: long legs, beautiful feet, great extension. But the best thing about Megan is that she knows how to use it all. She works really hard, and as good as she is in rehearsal, she’s even better onstage. Megan is very humble. She always has a smile on her face, she gets along with the other girls and she’s easy to work with. She’s a good person who has been blessed with great talent.”
Joanna Numata, street jazz instructor at Broadway Dance Center: “The first thing I noticed about Megan were her beautiful lines. She also had a really good, positive energy during class. She took direction and corrections well, which is so important.”
For more on choosing whether to compete or not, click here.
I started dance classes at a young age. By the time I was 3, I was training at The Dance Club, and I grew up there. I started with the basics—ballet and jazz—and eventually added tap, tumbling, contemporary, and hip hop.
Early on, I did compete. I remember my first time: I did a trio at a small local competition, and it got first place. The trophy was as tall as I was, and I loved it. I attended conventions as a mini, and had the opportunity to take classes from Travis Wall, Sonya Tayeh, Andy Pellick, and Joey Dowling-Fakhrieh. There was so much variety—I was in awe.
Considering we practically live in our dance clothes, there's really no such thing as having too many leotards, tights or leggings (no matter what our mom or friends say!). That's why we treat every sale as an opportunity to stock up. And thanks to the holiday weekend, you can shop all of your dancewear go-tos or try something totally new for as much as 50% less than the usual price.
Here are the eight sales we're most excited about—from online options to in-store retailers that will help you find the perfect fit. Happy Memorial Day (and shopping)!
DancerPalooza, America's Largest Dance Festival, is moving to sunny SAN DIEGO, California from July 24-29, 2018.
Check out all of the NEW Intensives DancerPalooza has to offer this year!
Kyle Van Newkirk is a tap dancer you probably remember from the premiere season of NBC's World of Dance. In case you missed it, he is also one of Showstopper's incredible convention teachers. What makes Kyle stand apart from some of today's other incredible tappers? He isn't afraid to change what tap means to his audience and even himself. This modern view of tap dancing is important because it shows us that tap dancers are just as versatile and dynamic as dancers of any other genre. We sat down with Kyle to get his advice on bringing tap dancing into the 21st century.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email firstname.lastname@example.org for a chance to be featured!
Paige Fraser has performed on world-class stages and in a video with Beyoncé—yet some of her most meaningful dance moments happened in tiny classrooms on a small island 1,000 miles from America. This past spring, Fraser, who's danced with Ailey II and is a founding member of Visceral Dance Chicago, teamed up with the non-profit Milk Carton on a String to bring dance to underprivileged children in Haiti. Fraser taught daily ballet and modern dance classes and used YouTube videos and social media to introduce the students to other aspects of dance they hadn't been exposed to.
Now, Fraser plans to continue to use dance to give back through her own newly-funded non-profit, The Paige Fraser Foundation. But instead of traveling outside the country, Fraser will be helping kids in her childhood home: the Bronx. She wants her foundation to assist aspiring dancers no matter their color or abilities.
Read our interview with the dancer and do-gooder—and discover the life-changing diagnosis that inspired her to help other dancers achieve their dreams.