The Joffrey's reconstructed"Rite of Spring" (photo by Herbert Migdoll)
100 years ago today, the Ballets Russes premiered Igor Stravinsky's Rite of Spring, with choreography by Vaslav Nijinsky, in Paris. It caused a riot.
The audience just didn't know what to make of the work, which was dissonant and rough and not at all like the pretty stuff they were used to seeing on the ballet stage. (To give you a sense of what they did expect, one of the most popular ballets at the time was Les Sylphides—all delicate bourrées and long white tutus. In fact, it was on the program with Rite that night.)
Seriously, can you imagine that happening today? Brawls breaking out after a ballet premiere? People slugging each other because they're confused by music and choreography? It must have been a totally wild scene. And it speaks to the revolutionary nature of Rite, which in many ways changed how the world thought about ballet.
Since then, there have been hundreds of versions of Rite performed by dance companies all over the world. But the Nijinsky's choreography was actually lost for more than 70 years. It wasn't until 1987, when the Joffrey Ballet premiered a painstaking reconstruction of the work, that modern audiences were able to see what all the fuss was about.
Happy 100th, Rite! To celebrate, here's a recording (in three parts) of a 1989 performance of the Joffrey's reconstruction. See if it makes as much of an impact on you as it did on that 1913 audience:
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
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Dancers are naturally "in their heads" all the time—but not always in productive ways. Long days of receiving and applying corrections, taking class, and performing can get to even the most composed individuals. What should you do when you feel like your mind is just as busy as your rehearsal schedule? Try meditation. Dance Spirit turned to Adreanna Limbach, a head teacher at NYC-based meditation studio MNDFL, for a breakdown of this highly beneficial practice.
Liz Imperio teaching at Hollywood Vibe, Courtesy of Hollywood Vibe
It's an increasingly common scenario: A talented dancer wins big at a competition, is offered an assistantship with a famous faculty member, and ends up leaving her hometown studio to travel with a convention. Convention-hopping has obvious benefits. Every event generates new content for dancers to post on social media, gives them a better shot at ending up on their favorite choreographers' accounts, lets them learn from the best of the best, and helps them make valuable connections. "Traveling is a great way for dancers to gain admirers around the country," says Jen Jarnot, owner of Artistic Fusion Dance Academy in Thornton, CO. "That's something every dancer craves." So it's no surprise that weekend FOMO has been blazing through studios like wildfire.
But is this jet-setter lifestyle really the most effective road to take? Can weekends of dancing with top talent truly replace the bread and butter of daily work at your home studio? The answer, according to most industry experts, is no. We asked five pros to explain why.