Back in May, we told you about the forthcoming movie Ballerina, an animated film about a young girl who dreams of joining the Paris Opéra Ballet. Elle Fanning voices the main character, Félicie, and we've heard that none other than Maddie Ziegler will voice another character named Camille.
POB artistic director Aurelie Dupont has been overseeing the film's choreography, and we can totally tell that a professional ballet eye has been watching the animation process. Aside from a few questionable moments (dancing on pointe in street shoes is the main one), Ballerina looks like it accurately portrays ballet.
Of course, it's still an animated movie so that means there's plenty of room for fun. Check out two trailers below!
The movie will be in theaters this Christmas, just in time to treat yourself during Nutcracker season and root for an underdog chasing her ballet dreams!
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers by clicking on their names here:
vote for your favorite below. You can vote once a day now through July 15.
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get social! We'll be factoring social media likes and shares into our final tallies. Be sure to show your favorite finalist some love on Facebook, Instagram, and Twitter, sharing their profile pages and using the hashtag #DanceSpiritCMS.
When it comes to injury-prone body parts, knees reign supreme for dancers. But a little strengthening can go a long way in preventing painful outcomes. We turned to Dirk Hartog, a physical therapist with Westside Dance Physical Therapy in NYC, for three exercises that'll support and stabilize your knees.
James Whiteside (Jayme Thornton for Dance Magazine)
Say you're perpetually impeccable designer Thom Browne. Say you're planning your Spring 2020 Paris menswear show along a "Versailles country club" theme. Say you want a world-class danseur to open the show with some kind of appropriately fabulous choreography.
Who do you call? James Whiteside, of course. On Saturday, the American Ballet Theatre principal—wearing pointe shoes and a glorious pinstriped tutu—kicked off Browne's presentation at the École des Beaux-Arts with a 15-minute, show-stealing solo. Whiteside choreographed the piece himself, with the help of detailed notes from the designer.