These Detailed Audition Styles Will Get You Noticed

Kirsten Coco modeling audition attire (photo by Erin Baiano)

Your best audition look is all in the details: Add (literal) texture to the audition combo with edgy cutouts, luxurious trim, and shimmery accents.

Modeled by Kirsten Coco, Zuri Ford, Imani Moss, and Riana Pellicane-Hart, who are students in the department of dance at NYU Tisch School of the Arts.

Photos by Erin Baiano


Zuri wears Capezio (photo by Baiano)

Riana wears Just For Kix (photo by Baiano)

Imani wears So Dança (photo by Baiano)

Kristen Wears Bloch Inc (photo by Baiano)


A version of this story appeared in the February 2018 issue of Dance Spirit with the title "Take a Closer Look."

Dance and Fashion
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)

Congratulations to Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers by clicking on their names here:

Read Darriel's profile here

Read Diego's profile here

Read Emma's profile here

And then vote for your favorite below. You can vote once a day now through July 15.

We also want you to get social! We'll be factoring social media likes and shares into our final tallies. Be sure to show your favorite finalist some love on Facebook, Instagram, and Twitter, sharing their profile pages and using the hashtag #DanceSpiritCMS.

Cover Model Search
Photo by Erin Baiano

When it comes to injury-prone body parts, knees reign supreme for dancers. But a little strengthening can go a long way in preventing painful outcomes. We turned to Dirk Hartog, a physical therapist with Westside Dance Physical Therapy in NYC, for three exercises that'll support and stabilize your knees.

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Fitness
James Whiteside (Jayme Thornton for Dance Magazine)

Say you're perpetually impeccable designer Thom Browne. Say you're planning your Spring 2020 Paris menswear show along a "Versailles country club" theme. Say you want a world-class danseur to open the show with some kind of appropriately fabulous choreography.

Who do you call? James Whiteside, of course. On Saturday, the American Ballet Theatre principal—wearing pointe shoes and a glorious pinstriped tutu—kicked off Browne's presentation at the École des Beaux-Arts with a 15-minute, show-stealing solo. Whiteside choreographed the piece himself, with the help of detailed notes from the designer.

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Dance and Fashion

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