Unity Phelan and director Chad Stahelski on the set of John Wick: Chapter 3 – Parabellum (photo by Niko Tavernise, courtesy Lionsgate)
When New York City Ballet soloist Unity Phelanappeared as a ballerina training to become an assassin in John Wick: Chapter 3 – Parabellum earlier this year, it could have easily been a one-off. This particular backstory has become prevalent at the movies over the last few years—take Jennifer Lawrence's character in Red Sparrowand Natasha Romanov, aka Black Widow, of the Marvel Cinematic Universe. Though it's become its own trope, it's also been dealt with in a fairly cursory manner.
But we had an inkling that this might not be the last we heard of the idea in the John Wick franchise—and it seems our suspicions that Parabellum was testing the waters for a female-led, ballet-infused spin-off were correct.
When the news broke that Prince George, currently third in line for the British throne, would be continuing ballet classes as part of his school curriculum this year, we were as excited as anyone. (Okay, maybe more excited.)
This was not, it seems, a sentiment shared by "Good Morning America" host Lara Spencer.
Unity Phelan in John Wick: Chapter 3 – Parabellum. Photo by Niko Tavernise, Courtesy FRANK PR
"New York City Ballet star appears in a Keanu Reeves action movie" is not a sentence we ever thought we'd write. But moviegoers seeing John Wick: Chapter 3 – Parabellum will be treated to two scenes featuring soloist Unity Phelan dancing choreography by colleague Tiler Peck. The guns-blazing popcorn flick cast Phelan as a ballerina who also happens to be training to become an elite assassin. Opens in theaters May 17.
Yesterday, modern dance giant Paul Taylor passed away. He had turned 88 at the end of July.
Considered the last of the 20th-century modern dance titans, Taylor celebrated the 60th anniversary of his company in 2014. A prolific dancemaker, he continued to make new works into his final year, the last of which premiered during the company's annual Lincoln Center season in March—his 147th. Aureole, Cloven Kingdom and Promethean Fire are among his iconic works, though perhaps none is so beloved as his 1975 masterpiece Esplanade. During his performing career, Taylor danced roles created for him by Martha Graham, Merce Cunningham and George Balanchine, as well as in his own work.
"Off Kilter" has real dancers playing dancers. Still courtesy CBC Arts.
"It just...always looks better in my head."
While that might not be something any of us would want to hear from a choreographer, it's a brilliant introduction to "Off Kilter" and the odd, insecure character at its center, Milton Frank. The ballet mockumentary (think "The Office" or "Parks and Recreation," but with pointe shoes) follows Frank (dancer-turned-filmmaker Alejandro Alvarez Cadilla) as he comes back to the studio to try his hand at choreographing for the first time since a plagiarism scandal derailed his fledgling career back in the '90s.