"World of Dance" Recap: And Then There Were Three
Everyone had their game faces on last night, as the final six "World of Dance" acts competed for a coveted spot in the World Finals. To say that all of them #slayed on the dance floor would be an understatement of epic proportions. Here's the low down on who emerged victorious— and who ended their journey toward the $1 million prize.
Kinjaz lived up to its name with a ninja-inspired routine. Their precision was impressive, but in the end their energy level just wasn't high enough, leaving them with a score of 92.3. On the other hand, Swing Latino's explosive energy was almost as inspiring as their tribute to their heritage: at the beginning of their routine, one of the dancers twirled in a giant dress made of flags from Latin American countries. Their score of 94.7 made them the winners of the Team Division.
The dancing duel between Keone & Mari and Les Twins was a hard call. Keone & Mari delivered one of their best performances of the show with a whimsical Fred Astair-style dance that packed the right combo of emotion and technique. Neo was so blown away he gave the couple a perfect 100; their overall score was 95.
But Les Twins delivered a jaw-dropping performance despite an injury that left one of them in a wheelchair! The resourceful duo used the injury to their advantage with a routine about a businessman who comes across a homeless man. They earned a standing ovation,—and a spot in the Finals, with an overall score of 97.7.
We hate to say it, but Diana Pombo's "Alice in Wonderland"-themed routine fell flat. The girl's got moves, but the choreography lacked depth and didn't allow her to show off her skills, earning her a less-than-stellar score of 89.3.
And Eva Igo stole the show with her emotive expressions and perfect musicality. She danced with a maturity far beyond her years in a "Lost World"-themed number that blew everyone away. With a score of 96.7, she nabbed a spot in the Finals.
Last May, we told you about a special exhibition of the Mark Ryden artwork that sparked Alexei Ratmansky's sweet-treat of a ballet, Whipped Cream. Well, hold on to your tiaras, bunheads, because there's a brand-new exhibit featuring actual costumes from this megahit production. The Nutcracker's Land of Sweets has some serious competition!
Kyle Van Newkirk is a tap dancer you probably remember from the premiere season of NBC's World of Dance. In case you missed it, he is also one of Showstopper's incredible convention teachers. What makes Kyle stand apart from some of today's other incredible tappers? He isn't afraid to change what tap means to his audience and even himself. This modern view of tap dancing is important because it shows us that tap dancers are just as versatile and dynamic as dancers of any other genre. We sat down with Kyle to get his advice on bringing tap dancing into the 21st century.
Sure, dancers definitely have some unique identifying characteristics. (We're all obsessed with Center Stage? FACT.) But we're also subjected to all kinds of annoying, inaccurate stereotyping. Here are 10 dancer stereotypes that we never want to hear again.
They say there's no "I" in "team"—and nowhere is that truer than the world of college dance teams, where precision reigns, uniformity is key, and a single misstep from any given "I" can cost a group a championship trophy. So it's unsurprising that securing a spot on one of the best dance teams in the country is no easy feat.
Members of these highly athletic teams rehearse for hours every week—on top of academic classes and commitments—and perform at football and basketball games, annual concerts, and nationally televised competitions (hi, ESPN). And "no I" rule notwithstanding, each of these top teams is made up of highly trained, highly technical, highly hard-core individuals, who come together to create a ready-for-victory pack.
These six teams aren't one-off success stories—they're consistently strong, and earn the top spots at major competitions like UDA and NDA nearly every year. Up for the challenge? Here's what to know before you go to auditions.
Picture this: You've scored tickets to Ellen DeGeneres' hit show, "Ellen." The day has come, the show is as hysterical as ever, Ellen is debating the biggest hot-button issue since the blue/black or white/gold dress, "Laurel vs. Yanny" (side note: it's LAUREL, people), and tWitch is killing it over at the DJ booth, as always. Ellen decides it's the perfect time to single out an audience member and, lo and behold, that person is "SYTYCD" champ ( and December 2017 cover star!) Lex Ishimoto.
The Glorya Kaufman International Dance Center is the 54,000 square foot home of the USC Glorya Kaufman School of Dance, one of the largest facilities dedicated to dance on a private university campus. Designed for their innovative new curriculum, that supports a range of dance styles, the school's staff designated Harlequin to provide wall-to-wall flooring for the large 3,500 square foot Performance Studio as well as five dance studios in their new state-of-the-art building.
If diamonds are a girl's best friend, it's safe to say that faux-diamond earrings are a dancer's best friend. A fixture onstage at just about every competition weekend, these blinged-out baubles are also the surest sign that recital season is upon us again. And what better way to get into the sparkly spirit than by drooling over these 5 diamonds in the rough? (Sorry not sorry!)
DancerPalooza, America's Largest Dance Festival, is moving to sunny SAN DIEGO, California from July 24-29, 2018.
Check out all of the NEW Intensives DancerPalooza has to offer this year!
You could say that a perk of dancing with Los Angeles Ballet is its proximity to Hollywood. It's no wonder, then, that when actor and comedian Kevin Hart was looking for someone to teach ballet lessons for his new "What the Fit" YouTube show, he reached out to the nearby company. The series follows Hart and his celebrity friends as they try different forms of exercise (such as sumo wrestling and goat yoga), with hilarious results. For his ballet episode, Hart brings along Hangover star Ken Jeong—and the dancers do their best to keep these madcap comedians under control.