Photo by Eva Nys, courtesy Ellison Ballet

Why You Should Know Prima-to-Be Keaton Gillespie

Keaton Gillespie has the expressive face of a silent film star. Add in her soaring extensions, elegant port de bras, and gorgeous feet, and it's no wonder this 15-year-old is turning heads. Currently in her second year at Ellison Ballet in NYC, Keaton made the big move up from South Carolina on her own at 13, after crafting a PowerPoint presentation to convince her parents that the school's intense Vaganova curriculum was what she needed to take her dancing to the next level. (Her parents will join her in NYC this summer, now that her brother has finished high school.) Keaton's 2018 wins included junior grand prix at ADC/IBC and top 12 classical at the Youth America Grand Prix NYC finals. But she's not in it for the trophies. "I love ballet for the artistic challenge," Keaton says. "You're doing something so physically demanding, but you have to portray a character at the same time. I want to impact people with my artistry onstage."


"I like my training to be intense, and Vaganova technique is such a challenge. No matter how hard you're working, you have to look light and happy and calm in your upper body."

Competing at ADC/IBC (Smack Arts, courtesy Ellison Ballet)

Fast Facts

Birthday: February 13, 2004

Favorite color: Gray

Favorite food: Ribs

On her playlist: '80s R&B and rap

Loves watching: "While sewing my pointe shoes, I watch baking shows and football. My teams are Clemson for college football, and the Dallas Cowboys for professional."

Dance idol: Iana Salenko of Staatsballett Berlin

Favorite dance step: Fondu

Dream role: "Juliet. I like the character, that she starts so young and happy—almost childish."


A version of this story appeared in the May/June 2019 issue of Dance Spirit with the title "You Should Know: Keaton Gillespie."

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A Letter from the Editor in Chief

Hi, dance friends. It is a strange time to be a person in the world, and an especially strange time to be a dancer. As the dance community faces the coronavirus crisis, a lot of you are coping with closed studios, canceled performances and competitions, and a general sense of anxiety about how your world will look going forward.

Yes, dancers are super resilient, and there's been a lot of inspiring community-building happening. #LivingRoomDances and Instagram dance parties and virtual ballet classes with the pros are wonderful. Dance can, and should, be a bright spot in the darkness. But that weird, empty feeling you have? It might be grief. The loss of the certainty of daily class, the loss of the promise of that big end-of-year performance—that's real. The dance studio has always been a safe place; it's especially hard not to have that outlet now, when you need it most.

We're here for you. We—and our friends at Dance Magazine, Pointe, Dance Teacher, The Dance Edit, and Dance Business Weekly—are doing our best to document the hurdles facing the dance industry, and to advocate for dancers in need. We're developing more online content that will help you maintain and improve your technique while you're at home, and process the mental and emotional fallout of all this upheaval. (You can keep up with the latest stories here.) And we're still making our print magazine. We have issues planned and shot, full of great dance stories and beautiful photos. We're not going anywhere.

We want to hear from you. Talk to us. Or dance to us. Or both. We won't stop moving, and you shouldn't, either.

Margaret

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