Your First Pointe Shoe Fitting
Your teacher has finally given you the OK to go on pointe! As any experienced ballet dancer will tell you, your pointe shoes can either be your best friend or your worst enemy. The right fit ensures that you’ll be able to work safely and gives you a solid foundation for your pointe technique. Seeing a professional fitter for your first pair—and coming to your appointment prepared—will set you up for success.
How to Find a Fitter
In many cases, your teacher will recommend a fitter. But what if she doesn’t? “I’d suggest calling a dance store you trust and asking if there’s a professional fitter on staff,” says Josephine Lee, who owns Dancer’s Choice in Irvine, CA (and the affiliated roving pointe shoe fitting business The Pointe Shop). You should also be sure to ask how many brands of shoes the store carries. A qualified store, Lee says, will have at least five to eight different brands. That variety is important: It indicates that the store sells lots of shoes, and it makes it more likely that you’ll be able to find the perfect shoe for your foot.
A pointe shoe fitting at Pittsburgh Ballet Theatre School (photo by Meghan Swartz, courtesy PBT School)
How to Prepare
According to Kerri Angeletti, who manages The Dancer’s Pointe in Pittsburgh, one of the most important things to figure out before your fitting is what type of padding you’ll be using, because padding can dramatically affect the fit of a shoe. Talk to your teacher about what she prefers. Some teachers will want you to start with a specific type of toe pad, such as a gel pad or lambswool. Others may request that you learn without padding at all. Either bring the teacher-approved padding with you to your appointment or be prepared to buy it at the shop.
It’s important that you come to your fitting dressed appropriately, in a leotard and tights, so the fitter can see your lines clearly. “Your first pointe shoe fitting is your first pointe class,” Lee says. Make sure your tights are convertible, since the fitter will also want to look at your bare feet and toes. And don’t schedule a fitting right after class, Lee adds, because your feet will likely be swollen from dancing, which will change the way the shoes fit.
What to Expect
Angeletti recommends allowing at least an hour for your first fitting. “You need to try on a variety of different shoes so that you can really feel the differences between them,” she says.
The fitter will usually begin by getting up close and personal with your feet. She’ll analyze the line created by the top of your toes, the width of your metatarsal and the length of your toes and feet. Then, you’ll begin the Goldilocks-like process of trying on shoes, searching for the pair that’s just right. In addition to looking at the shoe on pointe, Angeletti has the dancer plié in second position—“the position in which the foot is longest,” she explains—to determine if the shoe’s length is correct. As a pointe beginner, it’s especially important that your shoes fit well on flat as well as on pointe. You’ll start out spending relatively little time on your toes as you build strength.
How to Get the Right Fit
To describe the perfect fit, Lee uses a saying she first heard from a Capezio shoe designer: “The pointe shoe should mold to the foot like a cast.” Your shoes should feel tight, but your toes shouldn’t curl under and you shouldn’t feel pinching in your metatarsal. “Be very vocal about how you’re feeling in each shoe,” Angeletti says. Now isn’t the time to be agreeable. Your fitter needs as much detail as possible in order to get you the best, and safest, fit.
Nervous about speaking up—or just about the fitting process generally? Mackenzie Cherry, a student at Pittsburgh Ballet Theatre School, got a confidence boost at her first fitting because her whole class went as a group, which made her much more comfortable. If your class isn’t going on an excursion together, consider asking a friend if you can schedule your appointments together.
Don’t be discouraged if you don’t think your first pair is “the one.” It’s important to remember that this is a process. Lee points out that many dancers continue to change their pointe shoes periodically throughout their careers as their abilities and preferences change. And to answer one of the most frequently asked fitting questions: Does it hurt? “It’s a little painful,” Mackenzie admits, “but if you’re excited about being on pointe, you don’t really think about it.”
Common Fit Problems—and How to Solve Them
Pressure on the big toe
Josephine Lee, owner of Dancer’s Choice in Irvine, CA, says that too much pressure on the big toe can mean you’re sinking into the box, a problem that can be solved with a more tapered shoe. But it also may depend on your foot shape. If you have a long big toe, it’ll always bear more weight on pointe. As you train, you’ll gain strength and learn to lift up out of your shoes, which will alleviate that feeling.
Pinching in the metatarsal
“You need a wider box,” Lee says. The width is correct when your feet are nice and flat on the floor, without being able to wiggle inside the shoe. Some dancers need a more triangular box—one that’s wide at the metatarsal but tapered at the toe—to keep them from sinking into the shoe.
Lee says sickling on pointe may be a sign that a dancer is struggling to get up over her box and is pushing over her pinky toe to compensate. A softer shank can help you stand fully and correctly on pointe. The downside is that softer shoes wear out faster. But, Lee says, “it’s better than learning bad habits.”
Dancing kween Jennifer Lopez is preparing us for the second season of "World of Dance" by dropping an insane World of Dance promo that has her slaying the dance floor like we've never seen before. If America wasn't on the edge of their seats for the May 29th premiere they are now—wondering how the contestants of "World of Dance" could possibly outdo such a performance—but there's no doubt they will. This season's roster of dancers really takes the show's name to heart cause it's out of this world, with each dancer as ferociously talented as the rest! (We don't envy J. Lo's job of having to pick just one.) We've rounded up 7 young dancers you won't want to miss.
The Glorya Kaufman International Dance Center is the 54,000 square foot home of the USC Glorya Kaufman School of Dance, one of the largest facilities dedicated to dance on a private university campus. Designed for their innovative new curriculum, that supports a range of dance styles, the school's staff designated Harlequin to provide wall-to-wall flooring for the large 3,500 square foot Performance Studio as well as five dance studios in their new state-of-the-art building.
When watching Megan Skalla dance, several things are immediately obvious. She has legs for days and the archy feet to match. Her core is rock-solid, and her sweet smile is contagious. But the longer you spend with her, the more something else becomes clear: Megan’s got sass. Whether it’s a sharp shoulder roll during a hip-hop class or an intense stare during a sky-high développé, there’s a certain something extra that makes this 16-year-old pop. And her steadfast devotion to dance means she’s only getting better.
Megan started dancing when she was 3 at a small ballet studio near her hometown of Draper, UT, and was hooked immediately. At 7, she switched to a new studio, Pulse 31, and started to compete, but she still wasn’t dancing as much as she wanted. Finally, she came to The Dance Club in Orem, where she currently trains. She takes ballet, jazz, tap, hip hop, contemporary and lyrical, and sometimes supplements her training with private ballet classes at nearby Barlow Arts Conservatory. “I’ve always loved ballet,” says Megan, who has attended summer intensives at Pacific Northwest Ballet School on scholarship for the past two years. “It’s the foundation for everything, and it makes me a stronger dancer in other genres.”
Though she dances from morning until night, Megan admits to boogying through her kitchen when she gets home, and would still do more if she could. “There’s a dance company that’s a big deal at my high school, but there just aren’t enough hours in the day to do both,” she says. Devoting her time to The Dance Club, she says, is more conducive to her goal of dancing professionally. The studio is full of mega-talented dancers, and Megan shines among them. Her secret? “In class, some dancers will avoid going across the floor with someone they think is better than they are,” she says. “But I like to go across the floor with the best dancer in class. That way, I can push myself to come up to her level.”
Megan’s strategy is working. She won the Teen High Score Solo award at New York City Dance Alliance regionals and was a Top 10 Outstanding Dancer finalist at NYCDA Nationals. She has performed as Clara in the Radio City Christmas Spectacular and was one of four Capezio NYCDA Model Search winners. As for the future, Megan knows one thing for sure: She’s going to keep dancing. “I want to go to college for dance, maybe to Brigham Young University, Marymount Manhattan or Juilliard,” she says. “But I still have a while to decide.” Until then, she’ll stick to her busy schedule. “It’s a lot of late nights and early mornings,” she says. “But it’s worth it. I wouldn’t give it up for anything.”
Birthday: March 6, 1996
Favorite food: Pasta
Most-played on her iPod: “I Won’t Give Up” by Jason Mraz
Dream dance role: “It would be really fun to be a Rockette. I want to do the Rockette summer intensive this year.”
Three words that describe her dancing: “Soft, passionate, aggressive”
Dream dance company: Complexions Contemporary Ballet
Favorite dance movie: Step Up
Who would play her in a movie: Nina Dobrev from “The Vampire Diaries”
First thing she does in the morning: “Hit the snooze button so I can sleep for 10 more minutes.”
Favorite dancers of all time: Travis Wall and Joey Dowling
Hidden talent: “I like to sing, but I’m only OK. I’d like to take voice lessons.”
Performer she’d die to work with: Celine Dion
Must-see TV shows: “Pretty Little Liars” and “The Lying Game”
Allison Thornton, Megan’s teacher at The Dance Club: “Megan has the body that every dancer dreams of: long legs, beautiful feet, great extension. But the best thing about Megan is that she knows how to use it all. She works really hard, and as good as she is in rehearsal, she’s even better onstage. Megan is very humble. She always has a smile on her face, she gets along with the other girls and she’s easy to work with. She’s a good person who has been blessed with great talent.”
Joanna Numata, street jazz instructor at Broadway Dance Center: “The first thing I noticed about Megan were her beautiful lines. She also had a really good, positive energy during class. She took direction and corrections well, which is so important.”
Considering we practically live in our dance clothes, there's really no such thing as having too many leotards, tights or leggings (no matter what our mom or friends say!). That's why we treat every sale as an opportunity to stock up. And thanks to the holiday weekend, you can shop all of your dancewear go-tos or try something totally new for as much as 50% less than the usual price.
Here are the eight sales we're most excited about—from online options to in-store retailers that will help you find the perfect fit. Happy Memorial Day (and shopping)!
DancerPalooza, America's Largest Dance Festival, is moving to sunny SAN DIEGO, California from July 24-29, 2018.
Check out all of the NEW Intensives DancerPalooza has to offer this year!
Kyle Van Newkirk is a tap dancer you probably remember from the premiere season of NBC's World of Dance. In case you missed it, he is also one of Showstopper's incredible convention teachers. What makes Kyle stand apart from some of today's other incredible tappers? He isn't afraid to change what tap means to his audience and even himself. This modern view of tap dancing is important because it shows us that tap dancers are just as versatile and dynamic as dancers of any other genre. We sat down with Kyle to get his advice on bringing tap dancing into the 21st century.
In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email firstname.lastname@example.org for a chance to be featured!
Paige Fraser has performed on world-class stages and in a video with Beyoncé—yet some of her most meaningful dance moments happened in tiny classrooms on a small island 1,000 miles from America. This past spring, Fraser, who's danced with Ailey II and is a founding member of Visceral Dance Chicago, teamed up with the non-profit Milk Carton on a String to bring dance to underprivileged children in Haiti. Fraser taught daily ballet and modern dance classes and used YouTube videos and social media to introduce the students to other aspects of dance they hadn't been exposed to.
Now, Fraser plans to continue to use dance to give back through her own newly-funded non-profit, The Paige Fraser Foundation. But instead of traveling outside the country, Fraser will be helping kids in her childhood home: the Bronx. She wants her foundation to assist aspiring dancers no matter their color or abilities.
Read our interview with the dancer and do-gooder—and discover the life-changing diagnosis that inspired her to help other dancers achieve their dreams.