'World of Dance' Recap: Let's Duel This Again
You guys, I feel so sorry for the "World of Dance" judges: Their job is so freaking tough. Every single one of the acts from last night's episode was absolutely amazing. How could you even THINK about picking a winner in each of the night's four duels?! Luckily, those hard choices are up to the judges, and we just get to enjoy the jaw-dropping dancing.
Quick Style vs. Keone & Mari
Normally, we'd pick Keone & Mari as the winners of any dance battle, hands down, but Quick Style is no joke. Not only did they learn from none other than the Madrids themselves, but they won Norway's Got Talent in 2009. In the end, the win went to Team Dance Spirit—Keone & Mari, of course!
Eva Igo vs. KynTay
Speaking of Team DS, last night we got to see Dance Spirit cover girl Taylor Hatala and partner in crime Kyndall Harris go up against contemporary princess Eva Igo. KynTay brought the fun and the fierce, but in the end the sheer intensity of Igo's performance won over the judges.
Swing Latino vs. Miami All-Stars
This one was a real toughie, IMO. Acrobatic, red-hot ballroom dance or explosively energetic Broadway-style swing? J.Lo & co. picked Swing Latino, but I really, really hope we'll see more from both groups in the future—they're just too evenly matched for this to have been the last battle ever.
Fik-Shun vs. Nick Daniels
Fik-Shun, please stop. It's really unfair to the other guys that you're just so perfect. Daniels brought his A-game, complete with soaring jumps, craaaaaazy flexibility and heartwrenching emotion, but it seems nobody is stranger (read: awesomer) than Fik-Shun.
Did your favorites triumph in this first week of duels? Make sure to watch with us next week for more unbelievable "WOD" antics!
Misty Copeland. Her name is synonymous with exquisite artistry and outspoken advocacy. And her visibility has made a huge impact on the ballet world. Ballet's relationship with race has always been strained at best, hostile at worst. But Copeland's persistent message and star quality have finally forced the ballet industry to start talking about racial diversity, inclusivity, and representation. "The rarity of seeing ourselves represented is sad," Copeland says. "The more we see every hue and body shape represented on the stage, the more possibilities young dancers feel they have for themselves."
Last month, we asked why there wasn't a Best Choreography category at the Oscars—and discovered that many of you agreed with us: Choreographers should definitely be acknowledged for their work on the super-dancy movies we can't get enough of.
Now, we're taking matters into our own (jazz) hands.
We've decided to create a Dance Spirit award for the best cinematic choreography of 2017. With your input, we've narrowed the field to four choreographers whose moves lit up some of the best movies of the year. Check out our nominations for best choreography below—and vote for the choreographer you think deserves the honor. We'll announce the winner on Friday, March 2.
Being a dancer comes with the task of having to entertain the same questions over and over again from those outside the dance world. Of course, we love having our friends and family take an interest in our passion—but if someone asks ONE MORE TIME whether or not we've met Travis Wall, we might just go crazy.
Here are 10 questions that dancers hate getting asked.
Contemporary phenom Christina Ricucci has super-flexible hips, which means she can stretch her legs to unbelievable heights. But when she noticed herself making contorted positions in class, Ricucci realized she was approaching her extensions all wrong. "I went back to the basics in class, squaring my hips and using my turnout," Ricucci says. "I learned to create proper positions, rather than whacked-out versions of them."
Some dancers are so wonky they have a hard time supporting their high legs, while others struggle with limited flexibility. But no matter your facility, you can find a balance of stretch and strength to achieve your fullest range of extension. It's not about how high (or not) your legs can go: It's the quality of the movement, and how you get those legs up, that counts.
Once upon a time (until the 2014 Winter Olympics in Sochi concluded, to be exact), figure skaters had to compete to music without words. Before this rule change, a skater faced an automatic point deduction if the music even hinted at vocals. Understandably, there were *a lot* of Olympic programs skated to classical music, and you'd tend to hear the same music selections over and over and over.
There are plenty of current Olympic figure skaters who'd make beautiful dancers (first among them Adam Rippon, whose gorgeously choreographed long program won the internet, if not the gold). But today, as we wait for the women's figure skating competition to crown its new champions, we wanted to throw it back to one of the most beautifully balletic skaters of all time: Sasha Cohen.
The high-flying leaps of grand allegro are meant to be incredibly exciting. But at the end of an intense ballet class, when you're exhausted, it can be hard to give them the attention they deserve. Want to pump up your big jumps? Follow these 10 vital tips from Jennifer Hart, curriculum director and instructor at Ballet Austin.
"Whole, low-fat, or skim?" The question of which milk to drink has gotten a little more complicated lately, with a wide variety of nondairy milks popping up in grocery stores. To find out which ones are worth your milk money, we had registered dietitian Monika Saigal answer some FAQs.