6 Dance Books You Should Add To Your Holiday Wish List
via @wholenessmom on Instagram
The holidays are just around the corner and that means it's time to get your wish lists finalized. And while we have no doubt that stylish leos and cozy warm-ups will find their way onto your list, we think you'll want to consider adding some of these lit dance books to your holiday lineup, too. From revamped Nutcracker tales to biographies of your favorite dance stars, we've rounded up the latest and greatest books that every dancer will want to see in their stockings this season.
"The Dance of the Realms" by Calliope Glass
If you're like us and can't get enough of the new movie The Nutcracker and the Four Realms than this book is for you. Thanks to the book's intricate illustrations, you can relive all the magic of the live-action film with the turn of the page. And with a foreword by Misty Copeland herself, you'll want to make this book a part of your holiday traditions every year!
(From left) Darriel Johnakin, Diego Pasillas, and Emma Sutherland (all photos by Erin Baiano)
Dance Spirit's 2019 Cover Model Search finalists: Darriel Johnakin, Diego Pasillas, and Emma Sutherland! One of them will win a spot on Dance Spirit's Fall 2019 cover. Learn more about the dancers by clicking on their names here:
vote for your favorite below. You can vote once a day now through July 15.
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When it comes to injury-prone body parts, knees reign supreme for dancers. But a little strengthening can go a long way in preventing painful outcomes. We turned to Dirk Hartog, a physical therapist with Westside Dance Physical Therapy in NYC, for three exercises that'll support and stabilize your knees.
James Whiteside (Jayme Thornton for Dance Magazine)
Say you're perpetually impeccable designer Thom Browne. Say you're planning your Spring 2020 Paris menswear show along a "Versailles country club" theme. Say you want a world-class danseur to open the show with some kind of appropriately fabulous choreography.
Who do you call? James Whiteside, of course. On Saturday, the American Ballet Theatre principal—wearing pointe shoes and a glorious pinstriped tutu—kicked off Browne's presentation at the École des Beaux-Arts with a 15-minute, show-stealing solo. Whiteside choreographed the piece himself, with the help of detailed notes from the designer.